Hearted Youtube comments on This House (@ThisHouse) channel.
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I lived in Portland, and we had school field trips to the Forestry Building. I went twice in Grade School, and once with my parents. The official cause of the fire was declared a short in some of the original 1905 electric wiring. There were many rumors of other causes; and of course, arson was one of the top theories - but never proved. Most of the wiring was replaced in the renovation work. But some of the old (and hard to get to) wiring remained. There were maintenance workers in the building that day, and many assumed that the faulty wiring was just an excuse to keep them off the hook for an accident caused by the workers. That was never proved either. I was a youngster back then, but I still remember with awe, the large trees that built this building. Also, the year of the fire, 1964, we had the hottest summer on record 104 degrees on the Oregon Coast (unheard of), and 105 degrees in Portland. There were four 5 alarm fires that summer. Most of them were suspected set by an arsonist. That is what made the arson theory flourish. As for my opinion? I've read most everything written about the building, but I really have no idea what the true cause was.
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One of my fondest memories is visiting Beechwood when it was open for tours. The tour guides assumed characters from the era of Mrs. Astor. The "doorman" asked for our "calling cards" and took our tickets and closed the door and disappeared. He returned almost immediately, and said, "Thankfully, your corner has been turned down, which means that you'll be received." As we were waiting the start of the next tour, the "doorman" asked my friend and me how many "costumes" we brought with us. Playing the part, I said, "four," and my friend said, "five," to which he said, "Oh, you"re here only for a day - not the weekend?"
He then asked the color of my ballgown, and I told him yellow. My friend said that hers was blue, to which he replied, "Oh, good. You've been informed that Mrs. Astor's color is pink and you're never to wear her color.
And a "Roosevelt daughter" of some relation showed us through the home and asked, "Wherever did you ladies get those bloomers?" referring to our slacks. At the end of the tour, we were served a cup of Mrs. Astor famous strawberry tea.
Those were the good old days. Memories which last a lifetime.
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I live on Long Island, and know Levittown well. The convenience of having just about every store imaginable within a 5 minute drive of your house is very nice. The houses all looked more or less the same when they were built, but over time, people have made changes, and now the neighborhood has less of a mas produced feel to it.
Something that wasn't mentioned (I don't know about the other Levittowns) but the houses in Levittown, NY, were built on larger lots with room to grow. This allowed the homeowners to build up and out in basically every direction as their families grew and spatial changes were needed. The only issue a lot of people have with them is that there's no basement and usually no attic, so storage is an issue.
I know someone who bought a house in Levittown, and I helped them do some minor renovations. The houses are pretty well built, it wasn't easy to tear things up, they used a lot of nails in everything. An issue that seems to pop up with these houses is that the slabs settled unevenly and usually crack along the footing. Most people just fill the cracks and put in new flooring when they see it. I can tell by this video, they weren't compacting the soil properly.
Another interesting feature about Levittown NY is that its basically split into 4 sections, each section had its own public pool, an elementary school, a high school, and interior shopping centers, in addition to the main shopping centers along Hempstead Turnpike, that usually housed day cares, dry cleaners, and convenience stores.
The streets were named with themes that give the neighborhoods a pastoral feel, and helped people remember which section they lived in. It sounds dumb now that we have gps, but it's so big, that it's easy to get lost, and knowing that the street your looking for is Elm street, and if your seeing all bird names for streets, your in the wrong area, must have been a big help back then.
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Hearst Castle is huge, crazy ornate, and a California icon. I went there as a child, and remember that swimming pool with awe. It was built during the days of the 'Robber Barons', who made money like it was 'going out of style'. A railroad magnate named Huntington, built a similar, if less massive property in San Marino, CA...original Audubon folios, famous paintings (Turner, Gainsborough), and acres of wonderful gardens. It's called The Huntington, or The Huntington Library. Great job on this mini-documentary, Ken!
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There is a notable survivor among Columbus' homes, The James Thurber House and Museum. I have been a Thurber fan since my early teenage years and visited the house during a business trip a few years ago. Thurber only lived there during his teenage years. It is filled with period furniture and offers his books and memorabilia for sale. The upstairs has these narrow, tortuous hallways which figure into his short story "The Night The Bed Fell on Father". I was alone in the place, chatting with one of the volunteers. He asked me what my favorite Thurber short story was. I had to give "The Secret Life of Walter Mitty" # 1, but my next favorite is "the Greatest Man in the World" a parody of the daring aviators who were flying the Atlantic in the late 1920s. Jacky Smersch, a slovenly mechanic, becomes the first man to fly around the world, non-stop. He is not, however, the handsome, selfless hero- he is an uncouth slob who is in it for the money. The government tries to clean him up, but to no avail. The volunteer had not heard of it, and we found it in one of Thurber's anthologies. As I began to read it, a group of 40 middle-aged urban bicyclists tromped in, lots of spandex, of course. They gathered around, and I read "The Greatest Man In The World" to an appreciative audience, in the James Thurber House, in downtown Columbus, Ohio. A great moment for me.
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As an American cultural historian with a special interest in the Fowler Brothers, I especially enjoyed your presentation on the octagon house.
As a youth, I lived, and later worked, in Schenectady, N.Y., near the Union College campus. There, the octagon idea was taken to extreme in the 16 sided Nott Memorial, the center and focus of the campus. Happily, it has been lovingly preserved, and, listed as a national historical landmark, continues to serve as a focus of College and community life.
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Ken, because we lived there for 22 years, and know most about this house, we will send you accurate information (via email), and also info about things that were dismantled (took down), that were not only antique, but other chandeliers , that were expensive, but not original,, were replaced by very cheap ones, that don’t even go with the era of this home. You deserve the truth!
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Hi everyone. I'm a professional architectural historian, PhD, three books, 30+ years experience. Only trying to answer the question here, not trying to call anyone out or be snarky in any way.
This house is a mid-range example of American domestic architecture in the Beaux Arts style. It is not Georgian, Federalist, or Greek Revival, though all four of these styles looked to Classical antiquity for inspiration (primarily Greece and the later Roman Empire). These other styles were popular in the US from the mid 18th century (Georgian) to the mid 19th (Greek Revival), with Federalist in the middle, chronologically. All have different characteristics typical of their given era. And these three styles were before the Civil War, thus Ante ("before" in Latin) Bellum ("war" in Latin).
Beaux Arts was a style popularized in Europe in the mid to late 19th century, named for the Ecole de Beaux Arts in Paris, where many faculty and students designed buildings in this mode. A number of prominent American architects of the period trained there, and brought the style back to the US in the late 19th and early 20th centuries. It is more common here to see the style in public and educational buildings than in houses, because the scale is large and grand. No such thing as a Beaux Arts "tiny house." (Haha)
OK...I'll write a Part II about this specific house.
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Amidst the crazy hub of activity that is New York City, this park is such a haven. My maternal grandmother was born in NYC in 1901, and though she relocated to Los Angeles as a young adult, always spoke fondly of visiting Central Park as a child. I recognized the name Olmsted, but when I checked, it was his two sons, John, and Frederick Jr., who were involved with the creation of our San Diego Balboa Park for the 1915 Panama-California International Expo. As the Spanish Colonial buildings were intended to be temporary, they have been re-built over the decades and are still in use: Fine Art Museum, Museum of Man (California Tower), Prado, Botanic Garden, Spreckles Organ Pavilion, Alcazar Gardens, etc. I adore Richardson Romanesque houses, though we see very few of them here.
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To all of those who are finding fault with this young couple’s home…
Not everyone wants to do restoration or is cut out for it. It’s messy and time-consuming and ridiculously expensive. It looks to me like they’ve done a good job of preserving the details here and are being good stewards of what they were given. They haven’t removed or destroyed period details or added inaccurate or inappropriate “improvements”.
If only those who intend to do massive, extensive completely historic restorations are allowed to purchase these homes, almost all will fall victim to the wrecking ball. These are good people who appreciate the historic nature of their home and enjoy living with the details that remain. Surely they should be applauded, rather than castigated, for saving the home in their own way.
Who knows what their plans are for the future? I’m guessing the tile and carpeting was already in place or if not THAT tile and carpeting, there was tile and carpeting and they simply replaced it. And that woodwork was painted long ago. Much of it may have been painted since the beginning, especially upstairs. And, as Ken pointed out, the fireplace was always painted.
It’s a beautiful home with some really gorgeous features - that staircase, those archways and that great window in the master! And the beautiful paintwork on the exterior! It’s tastefully decorated and obviously, a work in progress (I assume they’re still completing decoration of some other rooms). It is first and foremost their home and not a museum. How lovely that they are so proud of it that wished to share how special they find it with us!
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I don't live in a tiny house.
I live in what was originally tiny and grew as owners changed.
It is located within the Atlantic Forest, in a village in the interior of Brazil.
Without luxury, but with great comfort.
Mild climate, lots of trees, lots of birds, lots of life.
The water comes from a deep well, about 70 meters, pure, transparent, fossil.
In all simplicity, I feel very rich, truly rich.
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This was a nice change from the lavish homes we've seen (and still enjoy seeing) on your channel. Of note to me are the l hollow logs that support the roof and allow rain water to run off. In the Territorial, Spanish Colonial Revival, Mission Revival, and Spanish Eclectic architecture styles of the 1920s and 1930s, roof vents in the parapet walls are an homage to this original feature. The vents are made from terracotta tile 'tubes', and it's often a challenge to keep birds from nesting in them, lol. My prior home had open beams and a three-quarter corner fireplace which was plastered, had a curved narrow tile mantel, and a niche above for one of those vintage radios. My current house has curved ceilings, arches, niches with shelves, and a built-in gum wood buffet. Here in San Diego, the Presidio (old Spanish military headquarters), Mission San Diego de Alcala, and the home of the wealthy Estudillo family dating from this period underwent restorations starting in the 1920s/30s.
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It is hard to believe that at one point in time, anyone thought that putting an entire ship onto a platform and transport it across the North American continent was "more efficient" than putting the cargo onto existing railroad cars. Sounds incredibly weird today. The house, though, is magnificent! I would have been impressed by the detail carved into the exterior even if the interior was gutted. I absolutely loved the terraced patio. I have to say that, although the house is very ornate compared to any modern house, it is still, in a lot of ways, understated if compared to other stately residences of its age. I especially loved the open-air turret room off the ballroom upstairs. From there you can see that the other houses in the neighborhood are very nice, also. I think Ken could spend a lot of time here and I, for one, would watch them all. Thank you for the tour.
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I grew up on Long Island, and believe your dialogue 100%. The layout closely follows Fitzgerald's 'Great Gatsby'. Also, it's location, the book's 'Egg Harbor' doesn't exist, but Great Neck sure
does. LI had many such mansions during the 1920's, taking credit for Great Gatsby, but yours makes sense. Mostly torn down, you may be interested to know most were grand but not well
built. Closed down during winter, their glitzy interiors fell apart, being moulded plaster, not cement. But their land worth a fortune!
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I love the bathroom. The antique sitz bath, toilet, bathtub, sink, the beautiful glossy woodwork, and lighting. I love the colors they chose for the walls of the house. (The greens, mulberry, mustards,,, ) The front porch is beautiful. I love the entire house.
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Great video Ken, I have some more information on Huguette Clark, For her friends she established a monetary monthly gift for their lifetime, and if the friend had children she extended it to all their children, grandchildren, etc. this lasted until Huguette died in 2011, She also had a rule for her homes, they had a 48 hour rule, if she wanted to be at one of her homes everything had to be able to be fully prepared within the said 48 hours, this included the Elevators, Fountains, Gardens looking perfect, the Kitchens fully stocked etc. all this was in place for her entire life including her estate in Santa Barbara where there was a more than 30 year period she did not go there, this estate was left to an art society in Santa Barbara.
For the last 20 years of her life she chose to live in a hospital room, she had to have a small operation and liked it there, she would call her butler at her New York residence to let him know what she needed every day, what books from her library etc. she died just short of turning 105.
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Such a wonderfully broad spectrum of works, Hunt really made a mark on American Architecture and lead a good life, how exciting it must have been to design the country’s largest residential home. Unlike his contemporary Stanford White, Hunt left a legacy of propriety, while White was a scandalous man murdered by a jealous millionaire. I love the stories you put together as architecture and history are my passions. I love every design style from Beaux-Arts to Bauhaus, Renaissance to ranch house, classical to contemporary and everything in between. All my life I spent countless hours searching for and studying interior design and floor plans of great mansions to cozy cottages, I love to watch your videos and take screen shots of the floor plans and the walk through of the homes you explore, then drift off into my dream world spending hours drawing the floor plans and trying to recreate the plans. The Magic chef mansion was like hitting a gold mine for me as there is an extensive amount of photographs detailing the original build and the restoration with complete blue prints of every floor from basement to attic. It was while drawing the designs for the basement I noticed that the bowling alley in the basement was not part of the original plans neither was the window at the far end of the lanes, which really puzzled me as the window was below ground level and appeared to be right under the enormous curved stone courtyard in the front of the house, after much research I finally found a picture of the area in the lawn where the window recessed beneath the gardens. I have thoroughly enjoyed every video you have done and congratulate you on your creativity to continue story telling through archival records as well as your on site walk through, you truly amaze me. I hope you have recovered from your injury, I noticed you walking with a cane and not going up stairs for a period. Your devoted fans ChuckandMax
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A women in my town, died, they said the upstairs living area was nice and clean, but in the basement, there were neat little stacks of every kind of container, food, candy, beverage, peanut butter, cleaning liquid, all washed and clean, with lids, in stacks and stacks. this was the first time that I was made aware that it was mental illness.
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It’s a nice row house, but compared to Caleb’s 2nd Empire row house of Mr. Brown it’s a little sad, I would have to strip all the paint off of everything to get back down to the original wood and replace the tile floors in the bathroom, the kitchen would need a complete makeover , new cabinets and counters, appliances etc. the room on the outside of the kitchen is most likely what is used as the dining room as there is a pass through from the kitchen and that would need a do over, I would have to go to I don’t know how many salvage yards searching for vintage trim, fireplaces and mantle tiles to get the place looking original and I noticed some water damage on the top of the third floor ceiling which probably means a new roof as well, you made no mention of a basement and I’m sure it has one which I’d like to see as well as the yard space and whether or not there is a garage, also being that it is St. Louis a map of the neighborhood because there can be some scary places down there. The price would have to be unbeatable for me to trade what I have now and move there, but it does have hope for someone. Thanks Ken for another great tour, it seems like your leg is getting better. Your fans ChuckandMax
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I love all of the styles so much it’s hard to pick a favorite. The delicate lacy verge-boards of the Gothic Revival are so lovely, and the Italianate is one of my favorite styles for row houses in San Francisco. Im a huge fan of the Second Empire, the stately manors of brick with their decorative roof shingles. As far as Queen Anne style goes, who doesn’t love the Carson Mansion in Eureka California, it’s one of the most photographed homes in America, and there’s a lovely pink Queen Anne across the street that the owners daughter lived in. I couldn’t help but notice the George F Barber design number 30 home that you presented, the one with the round front porch to the side and the bell shaped tower, it’s a classic. I would like to know where you got the information tat Folk Victorian was the most popular, as I believe the Queen Anne is by far more representative of the classic Victorian, as all the Painted Lady books feature them extensively. I could agree that it was the most widely used style due to its affordability for the lower and middle classes. You missed Stick Eastlake which I also love. I’m really glad to see your channel and I subscribed because you did such a stellar job presenting the Magic Chef Mansion.
All in all I have to say Queen Anne is my favorite, as I’m a big fan of towers and wrap around porches. I have been studying Victorian architecture all of my life and have an extensive library on the subject. My passion project however is a 1/12 scale Queen Anne house that I have been building over the course of the last 13 years, and is filled with my collection of miniatures that I have collected for 42 years since I was a senior in high school.
The house I built is nearly 4 feet wide and four feet tall. It is a classic style with 15 rooms that are all decorated in period style museum quality miniatures leaving absolutely nothing out of the decor. I have to date invested approximately $50,000 in this miniature home. As a child I saw the pictures of Queen Mary’s dollhouse and I promised myself that I would have one for myself one day. Every book in my library can be opened and read< with a magnifying glass of course, I had all the wallpapers imported from Spain in period accurate styles, most rooms have at least three or four different papers in them. The house is completely electrified and each room can be lit up with its own individual circuit. It has sound as well and there’s a radio on the front porch with a speaker built in underneath that plays two of my favorite songs. Now while I was decorating the house and choosing the furnishings, I did extensive research on what it would be like to live during the Victorian era of the 1870’s and all I could think was how absolutely dreadful it was to be a woman in that period. All the soot and ash from coal burning stoves and gas lighting, the arsenic tainted green wallpapers that filled so many parlors and slowly poisoned the owners, all that open flame everywhere while wearing oohoodles of lace and fabric dragged through the manure filled streets and the horrid drudgery of Blue Monday laundry day. My house is represented as being built in 1870 Daisy Avenue but had a remodel in 1927, and a summer day of 1927 is what I chose to theme the house as. This way I could have a modern kitchen with all the luxury of technology, women with the right to vote and freed from their restrictive corsets. The house has many Victorian style pieces but also has one Art Deco master bedroom that I just love. One of my most treasured items is my dining room China, a stunning service for 6 in the classic Blue Willow pattern, I ordered it hand made from Stokesay England where it was produced using the same techniques of the actual Victorian era pieces. The table is set with sterling silver chargers, the China, real crystal classes in 4 different sizes real linen napkins with silver napkin rings a beautiful hand tatted miniature lace tablecloth that was custom made by an artisan in Turkey. I had miniature artisans from all over the world hand create 100,s of items in the house, and staged each room as though someone had just left the room. You would really love it. I’m in the process of creating the exterior gardens that I have had a jacaranda tree made for and dozens and dozens of miniature flowers. I have just to finish the exterior and have the draperies all custom made and then my life’s project will be complete. I plan to have my ashes stored in the tower of the house when I’m done living and then having the house donated to a museum or library where it can be put behind glass and shared with everyone.
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Hello, nice house, I think that, towards the front of the house, there are 2 parlors, like, the formal reception parlor, and the informal parlor or music room. Then, the third room with the bay window could be the formal dining room, or the library, because of the dark color of the fireplace, and because the kitchen could never be in that part of the house. Finally, the last large room could have been the kitchen, which should have originally had more dividing walls for accommodate the buttlers pantry, and serving pantry.
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Used to go there as a child - my dad, a rare succulent enthusiast, often volunteered at at their succulent sales. (Volunteers got to take home leftover plants and cuttings.) My family was more impressed with the gardens than with the museum. In the old days, they allowed kids to catch tadpoles in the ponds, and when I was older, I often had tea in the tea room with my mother. I loved the Chinese garden, with its giant bell, and the trellised walkway, but my favorite was the strange, twining oak tree, whose branches grew low to the ground and spread out in every direction. In summer, the leaves were so thick, you could crawl under them and be completely hidden. Thank you for posting this.
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The current Manhattan, has much activity, apparently, but love the romance style of the eras gone by, If there was more access for people to use these beautiful structures, they surely should’ve been saved. But also back then they didn’t have some of the proper aides for medical treatments,so not wanting to spread common colds and flu es before they would become worse off. Because the community didn’t have access to more healthy measures, like when much of the population back before then had their own farms, but factory work called people to the cities where adjusting became problematic, wages,cramped areas for the workers,poorly orchestrated apartments because of the boom of working families that came in.Some areas would’ve still been progressive. Villages nearby would’ve been excellent choice, but still the short cut to work when the cars were just newly on the scene. The artists detailed architecture is just visually satisfying for me❣️Thanks for this episode ✅💖
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There was a Sears distribution warehouse within a mile from my house. Sears stopped using it as a distribution warehouse in the 70s and closed the small outlet store in the 90s. It was so large it had its own railroad spur. I never noticed the correlation of the warehouse and all the Sears homes in my neighborhood until now.
I built one of my houses from a kit. Not a Sears kit. It had all the framing, roofing, siding, sheetrock, trim, handrails for stairs, insulation, and doors. We had to supply the foundation, electrical, plumbing, mechanical and indoor paint. It was very fast and easy framing it.
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WARNING: REALLY LONG!!! 😂
I’m afraid my reaction was somewhat similar to the others. I have to say that I was fascinated with the exterior (fascination isn’t necessarily a positive term 😉) but when you walked into the foyer, what a pleasant surprise! The front door was unusual and interesting and that staircase was so pretty! The delicate scalloped edge on the skirtboard of the stairs was really very nice as was the paneling beneath. And you pointed out the very pretty newel post.
In the living room, the bullseye windows with that deep, deep sill were amazing and, while the other windows were replacements, they were well done and the the beautiful, original woodwork was still intact in both the foyer and in here. The too modern lighting fixture is easily swapped out for something more appropriate here and in the entry hall.
The newly added columns leading into the dining room are easily removed and the room itself is nicely proportioned, light and with the interesting small leaded window. Then there are those absolutely spectacular, swoon-worthy, curved leaded glass doors! I wasn’t even bothered too much by the unfortunate choices in the “hearth room” - all relatively easy fixes. Just get rid of the sink, pass-through and fireplace, put down a nice floor and turn it into an inviting sort of entry. Or bump out the kitchen into that space and put in a wall just next to the outside doors with a doorway into the new kitchen space to cut down the entry to a more manageable size. This would allow use of the glass doors to be made off-limits, to preserve them. And make it easier to bring in groceries, etc.
I’d put the wall back up closing the kitchen to the dining room except for a swinging door which is how it was originally. The backsplash, lighting, range hood and flooring need to go - since I bumped out the kitchen, I’d have to do them over anyway! 😂 The bank of leaded, diamond- paned windows is lovely. And then we turn the corner and the horrific barn doors start! But those can be undone…
Actually, as long as I’m changing things, that full bath downstairs was likely originally a pantry and the bedroom was the maid’s room. I’d turn the full bath back into the pantry. Then I’d open the bedroom up completely, tearing down the hall and kitchen walls and make that part of the kitchen, too, which would free up the space in front of that beautiful bank of leaded glass windows for an informal dining area. I would then close off the old doorway that had gone from the bedroom into its bath, put in a door from the hall and turn it into a first floor powder room, removing the tub altogether.
Upstairs, all the barn doors are easy to take down and paint is cheap. The bathrooms
On the landing upstairs, the leaded glass with the stained glass motifs is fun and the bedroom with the bricked over fireplace still has all that handsome paneling and the great arts and crafts bookcases. I would definitely paint the fireplace to match the paint color at the top of the room to help it recede a bit (that bright white makes it feel overly large and almost threatening!) and see about changing the fireplace insert to something more in character. It’s not terrible and, without the stark white and with furniture in the room, it would be much less noticeable as it’s just very plain black. And that turret is great, minus the chandelier, of course. Wonderful light and view and fantastic stained glass crests! And the original dark woodwork, too.
The next bedroom has all those lovely windows with the great storage benches! It just needs some pretty wallpaper so it doesn’t look so plain. Easy and a nice room!
The master bedroom is just a bedroom and the bath really isn’t so bad. Actually, I’d probably only change the sink. The vanity cabinet and tub are fine. Even the tilework in the shower is interesting and not inappropriate but I’d sure like to replace that river rock shower floor!
Same for the main bath - take out the glass shower door and hang a curtain and put a normal sink in and it’s not so far off.
The small bedroom at the back is really sweet. It has that great closet with its “cottagey” door and, with wallpaper, could be a very charming room.
I don’t mind the white painted woodwork so much in this home and, surprisingly, I don’t even mind the canned lights too much. I wouldn’t have put them in, but I could live with them by simply not turning them on, though who knows? They might be a good light source in the dining room once I closed off the kitchen… Most of the things I don’t like about the home are pretty simply “fixes” and not terribly expensive, except for my kitchen area redo.
My reaction to this home started as being doubtful, then being delighted with the details then thinking “just nope”. Until I really thought about it. Silly plastic columns, barn doors, pretentious sinks and modern lighting fixtures are all easy, inexpensive changes that would make a tremendous difference in the feel of the house. Toss in some wall paint and wallpaper and it’s not bad at all and the rest can be done over time (starting with that awful backsplash and range hood in the kitchen until the kitchen can be redesigned). I think we all had such a visceral reaction to the barn doors and the sinks that instead of looking at the positives in the house we just checked out.
Thanks for bringing this one to us, Ken. It was thought-provoking and interesting to see how much even small mistakes in design choices can affect the entire look and feel of a whole house! Sorry this was soooo long, but I’m not really sorry I went the thought process. It actually completely changed how I felt about this house.
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Wonderful! South St. Louis indeed carries on the tradition of St. Louis celebration of Christmas. When I was little many eons ago, we always went to downtown St. Louis to look at the department store windows, which were moving renditions of everything from Santa's workshop to family Christmas dinner. Life was centered around these old departments stores, Stix, Baer & Fuller, Scruggs, Vandervorts and Barney and Famous Barr, that were huge, where you had everything from dry goods to shoe repair. Today's malls do not even compare to these former giants of merchandise and service. Yes, service. You did not have to carry your packages around, they delivered them in their fleet of delivery trucks. You would come for the day and have lunch in their gourmet Tea Rooms; it was a splendid experience in a peaceful time to live. I miss those times.
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Ken, your subject selections get better and better! “This House” has become a popular leader in the greatly needed, though not often discussed, topic of historic preservation. Your subtle persuasion to save our past through highlighting great examples of architecture and history we’ve already lost and great examples that have survived, show those of us who already know why it is important to recognize our historic and significant buildings, but draws new interest from those who are new to the idea of saving our history and why it is important to slow down and look at our communities and neighborhoods. In this fast paced, digital, disposable world that so many just exist in, it is important to remember that we have choices, to choose the kind of world we want to live in. Do we value ourselves worthy of beautiful, intelligent design? Do we know where we come from and what has our history taught us? How do we pass on these ideas of struggle and success to future generations? Surely, preserving our architecture and historical designation of recognizable places is our best way to convey the values and ideas of our society and establish truth to the stories and people that made us who we are today. “This House” is wanted and needed to keep our spirit and history alive!
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I grew up just south of Hartford and have been to the home several times. It's definitely worth the trip if you are in the area. Harriet Beecher Stowe's house is nearby (next door, I believe). The State Capitol building is not too far and is the most beautiful in the country (😉 maybe I am playing favorites). Just to the south, Old Wethersfield has the Samuel Webb, Isaac Stevens & Silas Deane houses (George Washington slept in the Stevens House). Nearby is the Silas W Robbins house bed & breakfast - a beautifully restored second empire home (Ken, I'd love to see a piece on the if you haven't) The Buttolph Williams home (1711) is around the corner from the B& B. And within 30-40 miles you can see Gillette Castle (Ken has a video on this one), the Goodspeed Opera House, The Clock & Watch Museum in Bristol, CT and, in Rocky Hill, the Eliel Williams House (1769) that my folks bought in 1984 and restored over 30 years. Williams was a sea captain and is buried in the Center cemetery nearby. Just to sneak that in. There are 100 things I'm forgetting, but I should already apologize for the long post.
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That was lovely Ken, I read a story about Queen Victorias trees as she had one for each of her children and they were hung from the ceiling over tables laden down with gifts. Her confectioners would spend hours and hours creating chocolates and biscuits that were decorated with bright colors and even gold leaf that would be eaten. All these treats were hung from the branches of the trees 🌲 also fruits from all over the realm of Victoria were brought in and decorated the trees, candied apples 🍎 oranges 🍊 and lemons 🍋 glistening with sugar crystals and cranberries strung into garland.
We owe so much to Queen Victoria she reigned during the greatest expansion of industrial marvels and so many traditions have been put in place because of her. The Victorians were a very special class of people that loved to live in abundance. They decorated their homes with all the treasures that Britain 🇬🇧 reached, far and wide, giving so many exotic themes to art and decorations, and everyone wanted to live in a castle of their own.
May I suggest a wonderful topic for you in being the worlds fair of 1893, it was the most elegant and lavish technological marvel of all time, nothing had ever been seen like it before and there will never be anything like it after. You could really do a whole series on all the different pavilions.
Thanks for another informative journey, have a Merry Christmas, your friends, ChuckandMax
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KEN, REMEMBER I AM ORIGINALLY FROM MICHIGAN, AND I SPENT MUCH TIME IN THE 1980S AND INTO THE 1990S IN TRAVERSE CITY, WHICH, IF YOU DON'T KNOW IT, IS VERY CLOSE TO WHERE ALL OF THIS OCCURRED!!!!!!!!!!!!!!!!!! ALTHOUGH I HAVE CERTAINLY HEARD OF BEAVER ISLAND, I HAVE NEVER UNTIL NOW HEARD OF ANY OF THIS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! IT IS TOO BAD THAT THE NOW DEFUNCT NORTHERN MICHIGAN ASYLUM, LATER KNOWN AS TRAVERSE CITY STATE HOSPITAL, AN INSTITUTION WITH WHICH I AM EXTREMELY FAMILIAR, DID NOT OPEN UNTIL 1885!!!!!!!!!!!!!!!!!!!!!!!!! BECAUSE THIS OBVIOUS LUNATIC SHOULD HAVE BEEN THE FIRST ONE ADMITTED THERE!!!!!!!!!!!!!!!!!!!!!!!!!! KEN, HOUSE OR NO HOUSE, LONG LIVE THIS HOUSE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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I love the metal stars on the brick houses in that part of the country. I'm also curious about the basement. There may have been bedrooms there when the house was first built, as one bedroom seems small for 7 people ( 5 children)...though people did sleep in parlors too, or anywhere else they could fit! What I love about old houses is that even small places for regular folk still had quality construction and interesting details, many of which were very smart for lifestyles at the time. Here in Uptown San Diego we still have a many of the cute one-bed or studio duplexes and tiny cottages built in the late 1920s/early 1930s which were intended for single men coming out to California to work in the fledgling aircraft industry. Built-in desks, bookshelves, and cabinets, fold-down ironing boards, and ice-boxes/air-coolers in kitchens were perfect for a worker who may have moved here with just the clothes on his back. Buy a bed, chairs, table, and they were good to go. Nice to see you back at the tours, Ken. :)
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Wow! What a great burden to have so much money you need to build castles you don't even like. I love that gothic royal hunting lodge look, though at that scale it's pretty intimidating, and as other say, not at all cozy. Bring it down to a manageable size, like a large Tudor Revival home with 4 bedrooms, and it would be my dream. I think it was the Winter Living Room that had the arched beam wooden ceiling; really stunning. Nothing like carved wood done just right by master craftsmen from these bygone eras. I've watched a few San Francisco real estate videos lately, and they make me want to cry. Such cute Victorians on the outside, but the interiors have been gutted and look like hotels, with lots of pale grey paint, white marble, and glass. Ugh.
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What a jaw-dropper! I love the eclectic collections, and how some of the most fantastic architectural items were salvaged. Certain items appear newer than the building itself, but nothing jars the eye. I think the 'faux wood' wall design has an Art Deco vibe. I find it cozy, despite the size. Probably because of all the wonderful wood. I also like that the marble used is warm in tone, rather than stark and slick. What a fun place to explore. Downtown San Diego had the Olde Cracker Factory (a real cracker & candy factory, built in 1913), which during the 1980s operated as an indoor Antique Mall. Huge French Wardrobes, carousel horses, and all kinds of amazing old oddities around every corner. Now it's condos, but the outer shell of the building was saved, and looks mostly the same. I'm sure you will be tempted to go back to the Cosmopolitan. I could see it in your eyes! I know I'll watch this video again! :)
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I really loved the house itself. It’s beautiful and very imposing from the street and has a great presence, excepting the ultra modern lights on either side of that magnificent entrance. I’m even surprisingly okay with the replacement door with oval glass. It has a nice layout and flow and I think the ground floor is lovely. I would have liked more trim and millwork in the original wood finish instead of white everywhere, but there are still enough great details and features left from the original home to give it a warmer feel. The pocket doors, windows, fireplaces, doors with transoms, etc all show the home’s charm. I don’t even mind the kitchen - a family still needs to live in the space and the kitchen needs to accommodate a current lifestyle. It could be made a bit less modern with a few different choices in decor, such as the lights and island seating. I’d say the first floor is a good blend of historic and modern and very livable and I liked it.
I also loved the attic. The crisp blue and white (and that beautiful tile in the little bathroom!) are so appealing and, with all the windows, helps to keep things light and bright. Attics can often be a bit dark. And, as you said, painted woodwork wouldn’t have been uncommon in an attic space. It’s doubtful that it would have been a dark shade of blue - more likely it would have been white or cream with color on the walls - but I think it still comes across well as it helps to accentuate and show off the features of the rooms while breaking up the relentless sea of white in the house.
Where things get lost, IMO, is on the second floor. All that remains leaving any of the home’s original character intact are the beautiful doors with their hardware. Everything else is a stark, very modern, white. One bedroom had a beautiful fireplace mantel and I think it’s pretty painted white (prettier when white against color on the walls IMO), but then they painted the apron tiles in front of the fireplace with flat, white paint! Who paints porcelain tiles? The originals should have been refurbished or replaced, not just had an odd looking coat of flat white paint slapped on both tiles and grout. Just a terrible shortcut! Then there’s the stripped down brick fireplace in the master bedroom. Also very modern and not something that’s at all historically accurate or even attractive in that space. The baths were done in a very modern and cold grey and white - which, aside from being a bad choice for the house, will soon be going out of style. The second floor just looks, frankly, like a generic, cheap, flip house. Oh, and there’s the matter of the absolutely drop dead gorgeous piece of original furniture in that bathroom. Why, oh why, did they place it in n a room with high humidity AND ruin it by cutting it down to fit that space?? Perhaps it had been cut down by previous occupants to fit that space?
All in all, the house was lovely - just sad that the design choices were so inappropriately generic.
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When you see a neighborhood like this, the immediate impression you get is something like "They sure don't build them like this anymore...". And it's true. Housing today is viewed as a commodity, a shelter. The questions you ask are how many square feet at how much per square foot. How many units can I squeeze into a given amount of space. All these large lawns, spacious side yards are anathema to today's builders. Push this far enough, and the reductio ad absurdum is Hong Kong's 'coffin' houses. That seems to be where we're going. When these neighborhoods were built, houses were works of art, aesthetic statements exuding panache and style, each a kind of weltanschauung, each making a kind of statement. Living in one of them connected you to past, to traditions, gave meaning to your life rather than simply a roof over your head.
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This is a subject in my area of Familiarity, ie: Sociologist/Behavioralist.
Eccentricity is a good word to describe the behavior, it's easy on the subject rather than outright judgemental.
In the South there's a couple of relative common sayings:
🔺"They are Eccentric if they are Wealthy, and Nuts if they are Poor"
🔺"Southerners are compassionate, if a family member is crazy, we just stick 'em in the attic".
Although it's lighthearted, the Hoarding behaviors/traits are routinely diagnosed with: Comobidity, a mood and/or anxiety disorder, and other traits can commonly be associated or diagnosed, such as:
🔹OCD, COPD Obsessive Personality Disorder, a more intense and serious lust of traits than OCD.
🔹 Psychosis, Schizophrenia, can accompany the Behavior 9r Personality Disorder.
(They can have faded Cognitive function and Empathy, and may suffer Depression and Anxiety bouts, as well.
They notably can exhibit a more Adolescent Emotional Development, although these are never assumed and each requires a Licensed Therapist to determine best descriptions and diagnoses. A fair amount are simply focused elsewhere, and those whom are from wealthy families often don't know what to do with it as they were never responsible for managing and organizing the home.
They can be, like Howard Hughes, whom had a number of Psychosis and Phobia symptoms, others may not longer possess the wealth to pay staff for the necessary services.
There's a fair amount whom are just not bothered by it, are generally happy, and focused on their Passions. In this case, "Eccentric" is a most appropriate description.
Beth Bartlett
Sociologist/Behavioralist
and Historian
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Thank you, a great very informative, fascinating video, much appreciated! As a Yankee New Englander whose maternal forebears from the UK, Scotland and Ireland go back to 1648 landing in Portsmouth, NH and 1721, I'm well aquainted with New England architecture. I spent my summers in my late maternal grandmother's house on Cape Cod built in 1776. Love the low ceilings, the narrow staircase up to two bedrooms under the eaves and all the black latches on the doors, no doorknobs and wide plank floors! The two fireplaces though were boarded up. That was a 3/4 Cape, there is also a half cape with two windows to the right of the door and a full Cape with two windows on either side of the front door, no dormers though.
The chimney's if left red brick made from the old salt mines showed you were for the colonies, if the chimney was painted white with a black border at the top, it meant you were a loyalist. Our chimneys were red brick from the old salt mines. Also grew up in northeastern NJ and remember the old Dutch Colonial houses there, remember the Van Steuben house. Williamsburg VA and old Sturbridge Village in MA are also great places to visit to see the different colonial homes, as well. I've also visited eastern Pennsylvania where my father's family is from since 1738 and am familiar with the architecture there as well, fieldstone homes with deep window sills which I love!
The Saltbox which I also love, with the top overhang is also known as a "Garrison house", which can also be just a two story colonial house, not only a saltbox. The Greek Revival is another house built in the 1800s and we lived in one on the Cape built in 1850. Today, I live in a Victorian Carriage house part of a lovely old Victorian house in NH built in 1870. Appreciate learning about other types of architecture around the country, too and love window seats, screened in porches and beautiful staircases! As a professional illustrator/painter /designer also created greeting cards hand cut to look like different architectural styles, a famous church, summer theater and houses on the Cape.
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GOOD AFTERNOON - Personally, I never cared for big anything. Big soaks up your time and money. I recently, after selling my home, bought a tiny home 499 sf. I like it, its pretty, easy care, easy life. But, as with all things, there are drawbacks - and you just have to deal with them. Loved the Victorian designs, with small, and medium sized rooms - each for a different purpose - which giving out a different spirit. AND when winter arrives, just pick your fav room, light a fire, and cozy in. Yes, I like my 499sfer.
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Omigosh!! What a wonderful little charmer of a home! I don’t think there’s anything I DIDN’T like, really! I even think the white painted wood is pretty in this home, especially as a uniting feature with all the lovely colors!
Those windows with the mullioned upper panes are fantastic and it’s exciting to see them continue on the entire upstairs and less public parts of the house, where the windows would often have been left plain. They’re such a delight and I think no matter how long you lived in that home, they would make you smile each time you entered any room. It feels a little like each one is greeting you and welcoming you into the next room.
I loved all the architectural salvage details - perfectly chosen to fit beautifully in their spaces as if they had always belonged there. I loved all the stained glass pieces, including that fabulous front door, but it was bittersweet to see the light in the dining room. I owned (and did some restoration and preservation of) a home from 1920 with the same light in the entry hall. When I sold the home, I wrestled with leaving it, but did so because I felt it needed to stay in its home. I’ve always worried that the new buyers removed it along with the other original lighting fixtures. Much of the kitchen was still original - cupboards built in place along one wall with a wooden countertop, white porcelain sink with a VERY long drain board to one side and a small light on the wall above it, and a stove where the old coal stove had stood with the metal plate on the wall above covering where the pipe went up through the wall - and I got definite vibes they were planning to pull it out and modernize. It’s good to see that light appreciated here.💕
That’s a gorgeous staircase for this little dollhouse and I love the interplay of the massive newl posts with the delicately turned spindles and the wave design of the mill work on the sides of the steps.
I absolutely adore this house! To show you how much I think of the finishes here, the only real complaint is that I wish she’d find some brass screws for her mail slot in her door! You know you love a place when that’s what you want to change! LOL I’m also curious whether there are any plans to return the siding on the home back to shingle? Not that it needs to be. It’s adorable just as it is!
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I am a member of a preservation society dedicated to the care of a 1868 brick Second Empire Mansion in Tennessee, named Glenmore. Caleb’s videos have been such great motivation. I wish I had his skills! Side note, OMG, He just said “over 500k in wallpaper”… being in the middle of trying to wallpaper the central hall of Glenmore, I can see how easily it adds up. But HOW did they get the funding for that? The 25k we need for the hall project seems impossible, and that’s just one space! Granted, the space is two stories tall, with 15” ceilings, plus the continuous stairwell to the third floor, but that’s just for wallpaper, not even including correct ceiling papers and friezes. Oy..!
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Though compromise is needed, there is likely a way to do both. In San Diego, the downtown Fox Movie Theater (built in 1929) was in a similar predicament, and in 1984 was sold to the Symphony. The facade, lobby, and theater space (I saw the original Jungle Book movie there when I was a little kid) were preserved and restored, the underground parking garage upgraded and expanded, and the upper floors turned into office space, while maintaining the Art Deco style. In another part of downtown, a lone Victorian house stands across a parking lot from 1930s warehouses which are now restaurants, bars, and retail space. The beautifully painted Victorian has housed a law firm for over 30 years. Thanks for bringing these issues to light, Ken. That house has very special features, and I'd love to see the interior.
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We always hear about cities talking about progress, moving forward. To do it, they invariably demolish their history, architecture, and anything to do with the past. In its place, they build, in this case, a Chinese restaurant, a gas station, and many open lots. This is progress? In the 1960`s, it was all about Urban Renewal- tear down the old and build all new to make it better. Really? All they did was demolish beautiful old buildings and put up eyesores, thus cheapening the look of the towns and cities. This is progress? They call them developers- they`re not, they`re destroyers. My hometown lost so many of its beautiful Victorian downtown buildings and in their place were built some of the most God-awful looking buildings you could imagine thus ruining the whole esthetic of the main street and business section of town. The sad thing is it can never be replaced and we all suffer the loss.
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Say, about bed placement in a victorian home, it would NOT be placed under a window, as catching a chill was feared. The bed would have been placed with the headboard against a wall, without nightstands. Although, in later years, a small table might be used to hold the "night candle" with a box of matches at the ready if needed. Hope this helps! Actually, that alcove looks very good for the bed, as that frees up the room for a toilet table, a cheffenuer (dresser like thing), and a sitting area containing chairs or even a settee.
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Great job Ken, and two thumbs up, pointing out the Compton Heights home tour in May. I’m gonna plan on coming to it from Columbus, Ohio and see for myself many of the beautiful homes that you have been lucky and fortunate to highlight and show off. And as for this particular post, I really liked “spilling the tea“ the art installation in the kitchen. As a collector of unique and unusual China, I’m always looking for someway to show it off, and I never considered the ceiling as an option! Now I have some ideas. Also, you didn’t mention it when you showed the picture of the half bath downstairs, but the floor tile with its yellow band around the border was something I’ve never seen before and wondered if that was the new homeowners creation, or if it was original in any case it was very striking. I look forward to your other personal tours you mentioned, Cheers!
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Your subjects always have beautiful interiors. Saw another channel showing off an ocean front mansion. Also, a money-no-object interior had white floors, white walls, white ceiling, white furniture, splashes of beige here and there. I could duplicate it with discount tiles, couple of gallons of Home Depot white paint, couple of pieces from Ikea. And since I have no formal interior design training, I would only charge half for my services. On the other hand, watching your videos, I find I have to pause the video often in order to make mental notes of how interiors are SUPPOSED to be done.
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Ken: The Washington, DC house pictured toward the end of this video is worthy of your attention. It is the Codman-Davis house designed and built in 1907 by Ogden Codman, Jr. for his cousin Martha Codman Karolik. For 30+ years I lived across the street, Decatur Place, NW, from this mansion in a converted carriage house. The mansion is now the official residence of the Ambassador of Thailand. As I'm sure you know, Codman, a prolific architect and designer, was born into the top tier of American society, and was a lifelong friend of Edith Wharton, with whom he co-authored the pivotal design book, "The Decoration of Houses", first published in 1897. He also worked with her as architect and designer of her beloved country house, "The Mount", in Lenox, Massachusetts. Thanks for your videos. They are always so informative and entertaining!
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In 1967, my parents took us on a motor trip, from New York to Utah and back.
One evening, we were in Independence, Mo., right as the sun was setting. My dad parked the car, outside of the Wallace-Truman home, and there we sat, gazing at the house and admiring the sunset.
The kitchen door opened, and an elderly bespectacled man emerged. He was carrying a brown paper bag, by the bottom, carefully putting it into the garbage can, and then replacing the lid.
He brushed together his hands, as anyone would do after getting rid of the garbage, and walked back into the kitchen.
We were speechless, having watched one of this nation's finest Presidents ever, disposing of garbage just like everyone does.
I'll never forget it.
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Almost every house shown looks like something I've driven by somewhere in life. Seems like familiar looking old homes, and probably were quite the revolution in their time, probably cutting time and costs, while offering the latest advances in building materials and appliances. they probably changed the landscape and skyline of our country with kit homes popping up everywhere USA. otherwise it was get skilled craftsmen builders and framers, using custom decision making, pulling from a history of what tried and true things you had learned, and then finish the inside where they would put wood lathe which is like covering a wall in yard sticks, and then covering the layer of strips on the wall, would often be a chicken wire type of mas nailed to the strips, which all is to create a surface strong enough to be a framework that will hold the plaster smeared all over it while the heavy amounts of plaster dont fall off nor have the weight pull the framework loose from the studs, from some type of a fault in it's construction, or get a sears kit home, with plaster boards to just set up as the blueprint tells you.. I bet a lot of skilled professionals in the trades had to specialize quick and find a niche market, otherwise take a pay cut and learn how to just be the on site assembly team for probably pretty much the first factory homes. ty interesting video
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@ThisHouse I work documenting the other kit companies, as well, and, certainly if this house dates from 1911, the only possibility for a kit, would be Aladdin (the others weren't offering kits yet). I don't see a good match for this in the early Aladdin catalogs, either, though ( that now-enclosed sleeping porch has a look that one of the Sears models had-- the Elmwood, later marketed as the Sunbeam-- but the rest of the house isn't right for that Sears model, and I don't see quite that look on any of the sleeping porches that the other companies offered ). Another possibility could be that just building supplies were bought from Sears-- not the plans. That was a service that Sears offered mostly in the very early years of the 1900s (and then we don't consider it a Sears house). If you'd like to check out more catalogs, I have a blog post listing links to many of the catalogs that are available online: https://www.searshouseseeker.com/2015/07/catalogs-online-sears-radford-gordon.html
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Personally.. you always leave me wanting more already.. so, short versions of your (already short videos) is heading in the wrong direction in my opinion.. I'm thinking maybe try "30 Minutes of Mansions" or "Half Hour House's" or "Deep Dive Domiciles" or "Half Hour Hideaways" or "Rambling Residencies" LOL 😆 😂 ohh.. I'm going to stop ✋️ myself right there, I could go on forever with those.. wait, I've got a intro for you.. "Come take a run with me, because were touring 60 Thousand Square Feet, in Under 60 Minutes, Hi, it's Ken from This House, and let's get going.." 😂😂😂 OMG! I can't.. I'm just saying I want more content, I love your videos, thank you so much for your time and effort, I appreciate you and what you do. -Brett
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I love it! Beautiful! The curved walls, windows , high ceilings, woodwork, chandeliers, ceiling medallions, archways, the door knobs, transom windows, the bright bedrooms, the down stairs rooms, and the beautiful brick exterior! Another dream home!
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I lived in Rochester NY and they have a lovely example of a FLW home there - the Boynton House. It’s lovely to look at and it has been well cared for and lovingly restored. It is still occupied as a home and has the original stained glass and other features. Most interesting is that when FLW designed his homes, he also designed the furniture to go in them. Boynton House has its original dining room furniture and, I think, several other pieces as well (going from memory). The owners who did the meticulous restoration said that the furniture was horribly uncomfortable and designed only for beauty and not at all for comfort. When you see the chairs, they LOOK uncomfortable with square, flat seats and a flat completely upright back placed at a 90 degree angle to the seat!
Of the buildings shown in the video, I am most intrigued by the Imperial Hotel. It was beautiful and so very different from his Prairie style for which he is known.
BTW, I was also intrigued by the Rose Pauson home in Phoenix, so I took to the internet and did some reading. Sadly, I found that the chimney that was placed at the entrance to the housing subdivision collapsed in 2012 and is now just a pile of rubble.
ETA: Oops! Meant to tell you I enjoyed your video very much, Ken. I love the variety of things you show us! Thanks!
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Your new home has good bones, as they say. Arts & Crafts is a great style when one homeowner likes historic and their other half likes modern. Your plans all sound great, and practical, as I know what a kitchen with 92 year-old tile and a cabinet with cooler slats is like. William Morris wallpaper is a joy; just be sure the pattern isn't overwhelming for the size of your space. Here in sunny SoCal, dark wood and dark rooms are welcome year round. Consider how dark to go with your wood stain, and be sure it won't make things too gloomy during your Chicago winters. We have white oak floors and gum wood doors/trim, so we went with a medium, slightly reddish tone. I adore a house mystery, so I'm all in with the 'two extra bedrooms and bath' that seem to have disappeared. From what I can see, I doubt that much original (or early) construction could have been removed from the attic space without leaving clear signs. Could the basement area account for it? I think you have mentioned the Sanborn Insurance maps in the past, and it would be interesting to see the original footprint of the house. It's fun to compare neighbor's houses of the same vintage. A rear enclosed atrium area would be great, especially if you could incorporate in-floor heating to keep you, your plants, and the all important kitties warm out there in winter. This is all so exciting! Congratulations!
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Ken & Dalton... I had a one and a half storey Craftsman style house that I renovated over a period of 10 years. Same front porch as yours...same steps, and even the windows in the parlour (with an original fireplace). There is so much I could share with you both... but to be brief... I got away from using white paint for anything. I made it a rule that white paint was banned from my life. My ceilings were a sort of light tan colour (I'm trying to find the name for you), and I found the colours flowed much better, and the harshness of white ceilings was gone. My house also had an enclosed porch with original windows, but I had to replace the main beam and the windows were brittle and fell apart, so the porch was left open. One thing that has proved to be a problem is the lack of depth in the basement... and in my Canadian climate, the frost would literally go under the house and raise it about an inch on one side!! Your basement looks similar. As to the interior millwork... honestly?... save yourself a lot of time and aggravation and paint it a nice complimentary colour. I painted my interior doors an attractive brown which looked really sharp. I did sand my entire staircase...over 3 years, and it was worth it. One final note... Pay attention to historic door hardware, and there's a lot of choices available at second hand shops. It makes so much difference. You will have to accept the fact you have two 'zones' being the old and the new, so don't fight that... make the original part of the house your showpiece, and don't try to replicate that in the kitchen and home office. Anyway... I will look for that ceiling colour and let you know.
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The big draw here is the horse barn and facilities. Just gorgeous and a dream for anyone with horses!
I was surprised to see that the home was built in 2010, just 2 yrs before the horse barn! Viewing the video, I had assumed from the finishes that it was built in the late 60’s or early to mid 70’s and had thought maybe the house was purchased by an owner who wanted horses and liked the location, so bought additional acreage and built the horse related infrastructure, including remodeling the room overlooking the barn to include those huge observation windows.
Everything I’m reading says otherwise, so perhaps they were recreating an older home they’d lived in and loved? It’s just strange - the layout and size of the rooms, the shiny, varnished, narrow wood trim everywhere - especially the narrow trim around every ceiling - and those vaulted, varnished wood ceilings with the wood placed going around, forming almost concentric circles with sharp angles corners and rising to a point in the center? Classic late 60’s-early 70’s. Even the fixtures in the baths. The kitchen looks like 2010 - like it had been updated and just needs new lighting - and the French doors also look like they might have been added in the same remodel where they added the windows in the upstairs great room. Oh! And lets not forget the spiral staircase.
It’s not a bad house. It’s actually a very NICE house with some beautiful features like the stars and rope detailing on the trim, those wonderful (Mexican?) tile floors, and that spectacular stone fireplace! Lots of light from all the windows and French doors, and the massive wraparound porch for taking in those views!
It’s in very good condition, too, just needs some updating. I don’t know if there’s an easy, inexpensive “fix” for the high gloss wood everywhere. To me, it would be ideal to tone it down to a low gloss finish, but I don’t think it would be worth the expense of refinishing. If there’s a product you could easily and successfully brush over it to dull the shine a bit, that would be ideal and give a more high-end, polished look. Otherwise, I’d just live with it. I would definitely take down the wood trim lining every room where the walls meet the ceiling. It would remove the boxiness and pokiness of the rooms and make things feel more spacious. Fast and easy fix that just requires filling nail holes and paint afterward.
Next, I’d switch out lighting and kitchen hardware for something a bit fresher looking and do the same in the baths. Maybe an update on the tubs/showers - either replacement of the doors with new ones or replace with shower rods and curtains.
It’s a nice property with nice features that could easily be freshened up a bit and there’s plenty of space to rearrange and repurpose rooms and add on if desired. I know I’d want s bigger living area downstairs, so I’d probably want to add that and turn the space upstairs into just an office and possibly an upstairs laundry area.
Thanks, Ken, for bringing us along to view this property. I can’t help myself - I tend to run on with how I view the “unique” homes, which is always with good care bad features and how to easily make them livable for me in the short term with a hazy view of the further future. If you feel I’m too long-winded, please let me know. I would NOT be offended. I only began typing my thoughts as a way to maybe help someone else see some potential where they might have been dismissive based on an overall impression. (In this case, my overall impression was dated 1970’s home with great floors and fireplace. From there I went to “with a few updates already made, notably kitchen, wraparound porch with several added French doors for access, and big windows in the upstairs great room”. Which made me realize a lot of the hard work had been done and that with some key, relatively small and easy tweaks, it could be a really attractive home!
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I HAVE HEARD OF THIS HOUSE FOR YEARS, AND WHETHER ON SOME TV SHOW, OR WHEREVER, IT ALWAYS SEEMS THAT YOU HEAR THESE TALES OF DARK PHENOMENON ASSOCIATED WITH IT!!!!!!!!!!!!!!!!!!!! THIS IS THE FIRST TIME I HAVE HEARD THAT THESE LEGENDS ARE JUST THAT, AND NOT TRUE AT ALL!!!!!!!!!!!!!!!!!!!!!!! YOU HAVE APPARENTLY SET THE RECORD STRAIGHT!!!!!!!!!!!!!!!!!!!!!!!!! AS AN ARDENT ENEMY OF THINGS OCCULTIC, I GREATLY APPRECIATE THIS INFORMATION!!!!!!!!!!!!!!!!!!!! WHAT WAS ALWAYS ATTRIBUTED TO HER SPIRITUAL OPPRESSION IS ACTUALLY DUE TO EARTHQUAKE DAMAGE!!!!!!!!!!!!!!!!!!! I JUST WISH THE REST OF THE HOUSE WAS STILL STANDING, BUT AT LEAST WE STILL HAVE WHAT THERE IS!!!!!!!!!!!!!!!! I WOULD WANT TO GO AND SEE THIS, BUT FOR NUMBERS OF REASONS, TRAVEL TO CALIFORNIA IS OUT OF THE QUESTION!!!!!!!!!!!!!!!!!!!!! IN ANY CASE, THANKFULLY ANOTHER NON-DEMOLITION, AND MUST BE DECLARED ANOTHER DEMOLITION FREE ZONE!!!!!!!!!!!!!!!!!!!!!!!!
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My last home had an Open Floorplan with (27 feet floor to ceiling), a semicircular staircase that led to the 2nd floor balcony area with my office, 2 bedrooms, the gym and 2 full baths, and exterior balcony the full pength 9f the house.
Downstairs had a grand feel, living + dining room, kitchen + family room, half bath, and a Master Suite. Best design that fit my needs in 3999 sq ft, exterior with desert landscape, bar, and Martini Pool, framed by a 12 ft Privacy Block Wall + stucco.
3 car garage
It was/is a place for Living.
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It’s sad what happened to so many of the historic homes, however, there are many many still left around the city and inner suburbs, and many have been restored beautifully in the last 5 to 7 years. If you go into the brush Park neighborhood downtown, which was nothing full of alcoholics lying in fields 10 years ago, it is a totally rebuilt and beautiful neighborhood , gorgeous places, along with some of the existing buildings, being totally rehabbed and beautiful, numerous ones have been on HGTV. There are areas in downtown Detroit and Midtown are absolutely fabulous now, the progress Detroit made in these areas and several others is wonderful, lots to do in some of the other neighborhoods, but it is definitely going in the right direction.
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In the mid-1990s, my girlfriend (future wife) was a graduate student, and at some point she rented a room from a lady who lived in Brookline. On the weekends when I would stay there I would go running in the mornings. And I would run past this property with the name "Frederick Law Olmsted". I had no idea who he was, but for a specific reason I was guessing he was a scientist.
We eventually got married and moved away, and then in the mid-to-late '90s I became very interested in architecture and landscape architecture.
Then this book came out about Olmsted --- I saw it at the bookstore. And that is when I realized that home I used to jog past was the studio-home of a famous landscape architect.
We came back one summer to Boston and visited the studio in the late '90s. And I became obsessed with a photo from the early 1900s --- like, 1906 or so --- of the ivy completely covering the front of the house. The photo is taken at the same angle you see in this video at 4:22. So after we returned home I called the museum and purchased a print of that photo. It's hanging in my bedroom.
It's hard to see in a digital copy of the photo, but in the print copy you can see that shrub that is overgrown in the foreground of the photo, at the front, right corner of the house, is a fern. And the fern had leaves that were long and very thin. I realized at some point that Olmsted must have intentionally chosen that fern because the length and width of those fern leaves EXACTLY matched the length and width of the slats in the shutters. So Olmsted was finding a common detail to integrate and relate the home and shrub. Unfortunately, it looks like that point was lost on the National Park Service, and they have planted some other type of shrub there.
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For a house as 'late' as 1912, you can see elements of many previous styles. It's likely the painted woodwork was originally painted, as it's meant to represent the Neo-classical styles of the century before. The column capitals are indeed a mix of styles; ionic swirls with acanthus leaf. Interesting to see French doors rather than pocket doors, but it's possible the dining room would have been too dark with solid doors (my 1931 dining room has no exterior windows, and also has french doors on one side, and an open archway on the other). The entryway is stunning. I would guess the laundry room is above the addition; the hanging rack is attached to what were originally the outside windows, so those cabinets were probably put in in the 1920s, I would guess. The price made my eyes pop, but then I'm in CA, where a shack at the beach will run you $1.2 million. Thanks, Ken for sharing these places with the rest of the world; the industry of the American Heartland produced some wonderful craftsmanship, and it's nice to see how much of it has survived. Happy New Year!
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OK, Part II: What makes this house Beaux Arts?
Size and scale are among the first indications. There were a few Antebellum Greek Revival mansions this large, but very few, and vitually no examples of this size in American Georgian or Federalist domestic architecture. Why is that? Two reasons. First, this house would have had central heating, electricity, and running water, making a larger house more practical. Georgian and Federalist houses had none of this technology, although rudimentary forms of central heating, plumbing, and gas lighting were available to the wealthy by the late Greek Revival period (after about 1850).
Second, many of the decorative details seen here would have been cast/mass produced and available to architects and builders. Everything was fabricated by hand in the Georgian and Federalist periods, though by the 1820s things like cast iron columns, railings and mantels began to appear. Even pre-made wooden elements were available by about the late late 1840s.
Now let's look at the details and combination of elements of this house. Yes, Corinthian columns and pilasters can be found in the earlier styles, along with pedimental roofs and cornice entablatures with dentils and other classical decorative trim. But note the main structure is pale yellow brick, with prominent (almost exaggerated) quion designs at the corners. Note also the green tiled Mediterranean style roof, and curvature of the front portico balustrade. These are all tell-tale Beaux Arts elements used into the 1920s, and never found on period Georgian, Federalist, or Greek Revival architecture. Nor on Colonial Revival architecture, though that's another post 😁.
Finally, it is interesting to note two "modern" styles slightly sneaking into the interior. Some of the leaded glass windows, mantels, and a few of the light fixtures have residual Art Nouveau features. That style was one of the first "modern" and not Revival styles of the late 19th century, also begun in Europe and emphasizing forms and elements found in nature. Finally, there are early Craftsmen cues in the entrance hall, most notably the wall paneling which extends up about two-thirds of the walls. And yes, it would have been shellaced or oiled natural wood originally, not painted, and there almost certainly would have been wallpaper similar what is there now. The Craftsman Movement, btw, grew in part out of Art Nouveau, and also as a reaction against the excesses of the Victorian Era and the reliance on revival styles. So very interesting to see little bits of these two "modern" styles mixed in with the mostly Revival inspired Beaux Arts.
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Schwab had not lost his talents that took him to his heights, the overwhelming experience caused all the fears, emotions, and negative thoughts/ideas, that prevent one gaining their desires, and (he very well may have realized the list of those whom didn't lose during the crash, gained, and gained from those whom lost, i.e., those whom conspired to cause and profit from it, since "the largest beneficiary also Privately owned the "Federal Reserve Bank Corporation, a Granson and family still do, and the privilege to dictate over all Banking, Finance, and set the/our Interest Rate.)
Pity they scammed Woodrow Wilson. "Ego, the easy prey" The "deconstruction" of man, that allows for transformation.
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Each time I see photos of various ornate Gilded Era Homes, I long to see the Architectire, absent of all its "layers of Victorian Decor pieces", absent of their heaviness (energies of ego ideas).
I long to see the actual rooms, their details, and even they are often swimming in layers of details.
In this thought:
"I fully understand why Frank Lloyd Wright thirsted for Clarity, Natural Flow, Respected God's Creations, applied the Golden Ratio with Astute Achievements", ... and referred to *"Interior Decorators as Interior Desecrators"
Clear vision of the Value and Craftsmanship. "Form follows Function."
- Sullivan was so accurate, and a relative of my Sullivan lineage, my GG "Mary Molly Sullivan Murphy".
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There had been a uniquely shaped house in the hills somewhere near Sunol, CA. I'm not certain of the exact city, I was 8 (43 years ago). I was always fascinated by the unusual house, perched on the side of a hill, within sight of the freeway -it could be seen on the commute. I've tried to research it, but nothing turns up.
I love this! It's an unusual design, very future conscious in all materials used, and it is currently a family home.. not abandoned, not being repurposed, not demo'd.. but still used for what it was intended: a home for a family. 💖
This is a great house. Thank you, Ken. And thanks to the homeowners.
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Imagine being the richest family in the world, and your pet passion was having homes designed for you all over the place, Elon Musk is the richest man in the world and he lives in a tiny house that cost $50,000, he sold all of his mansions. The big difference between Musk and Vanderbilt is that Musk uses his money to improve the world and make a path for a better future, while Vanderbilt wasted all of his money on follies and extravagant parties, inevitably his fortunes were all spent. I would love to have a home designed just for me and work with a renowned architect to do everything I could dream up, I would love to go on a long trip across Europe going into stately manors and buying up all their furnishings and collecting art from all over the world. It would probably take years though because I could never be able to pick just one style of design as I love them all, but I think these robber baron mansions of the gilded age were just a little bit over the top and too garish for me. When I see the houses I think they look great when they are empty but the period photos showing how they really lived are just insane with layers of ornamentation dripping from every moon and cranny, I would always be thinking about all the dust and spiderwebs collecting. We don’t have cheap immigrant European servants anymore and you would need an army of servants to keep everything nice and clean. I’m just happy with my little brick ranch house in Texas built in 1976 which was my favorite year of my childhood. I have a hard enough time keeping up with my own housework and a maid would be a luxury I couldn’t afford. I dread going to put gas in my car at $5.00 a gallon, when I got to Texas 2 years ago the cost of gas was 99 cents a gallon, I’ll never see that again. Well thanks for another great video I really like this series of “what happened to’s” your storytelling is smooth and soothing. Have a great week. Your fans ChuckandMax
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We bought a home in a historic district in our Southwestern city, intending to replace the roof, windows, remove an unauthorized (and out of code) addition built off the rear of the house, and remove some odd brick ‘buttresses’ added to the front of the house 50 years earlier. When 4 layers of roofing were removed, the building began swaying! A city engineer was summoned (we were required by our city’s historic commission to do this), and he requested a ‘sampling’ of proof that the original brick exterior walls had been constructed properly. No, there were no metal straps between the rows of bricks, there were no proper attachments to the foundation perimeter, and there was no rebar or mesh wire in the slab, which had varying depths of 1” to 4”. Yup, the house was condemned! Neighbors came out with their imaginary pitchforks in hand and shut down our project.
Although the house was in a historic district, the former owners had resisted adding it to the Register of Historic Places, as they had done some awful ‘butchery’ to the house (and without proper permits & inspections) that would have exposed their ‘handiwork’. We truly wanted to honor the building stock of the community, so we chose to rebuild the house to modern building standards, but retain elements of the prior house. The city historic planning commission agreed that our plans were consistent with retaining as much of the original house that we possibly could. It was their call - not ours - to order the demolition.
We managed to salvage doors and light fixtures. We previously had to battle the children of the prior owners for retrieval of an original black iron and wood chandelier that was present during the sale of the house, but ‘disappeared’ the day prior to closing. They had actually removed it and replaced it with a 1980s tarnished yellow brass light fixture. They had also removed one of those old hand-crank, 5-bell, manual door bells at the servant’s delivery door off the kitchen, claiming it was simply a family craft project. They tore holes in the original brickwork to remove it from the house. We threatened to kill the sale unless all items were returned.
Since the house was on the ‘contributing’ list of homes in the historic district, we could have built anything, but we chose to build very close to the original, with a few changes. The heavily painted brick was replaced with stucco, which was used more often in that period. The original wooden shake roof, which was discovered underneath 3 additional layers of roofing, returned; however, in the form of Da Vinci shake ‘shingles’ that would withstand the heat and strong punishing winds, and we added an entryway roof over the front entryway, rather than dealing with rain saturating and ruining the front door. We included copper gutters and rain chains which lead to pots used to irrigate the cacti in the yard. Many people, who haven’t been by the house in years, stop and compliment us on how we ‘refreshed’ the old house, without knowing that it was scraped to the ground and completely rebuilt.
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I love the history of the Meramec Highlands! At one time it was a complete community with a school (torn down to make way for Hwy, 270), post office and general store (the yellow building at 2:40), a quarry (now Dee Koestering Park off of Marshall Road), and more. The original train tunnel was closed off and the tracks were rerouted when newer locomotives had gotten too big to fit through. This tunnel is not the same one as the one at the Transportation Museum on Barrett Station Road, though. After the Highlands Resort Inn burned down, locals used the limestone blocks to build new homes in the area. There is a book written by James F. Baker with more info and pictures. The resort was in its heyday around the turn of the century when St. Louisans took the train to have some fun and relaxation away from the city for a bit, but as time went by and cars became more popular, people had more options of where they could go, and more pools and recreational areas opened up in other places. Not only did the type of clientele go down, but so did the profits.
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