Comments by "Ash Roskell" (@ashroskell) on "The Critical Drinker"
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I can’t understand what people even mean by the term, “fan service,” in a negative context? You’re watching a f*cking sequel people! What are they supposed to do? Make it feature Scooby Doo characters? People have come to see more of what they liked, so you expect, “service,” for the, “fans,” to include as much from the previous movies as possible! I mean, I get when it’s done in a clunky way, only inserted for the sake of recognition, without proper context or meaning to the narrative, but that’s just bad story telling. Fan service is like, “virtue signalling.” A dumb term that makes less sense the more you scrutinise it.
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@No-One-of-Consequence : I sure did enjoy it, thanks. And yes, I remember The Princess Bride very fondly. Peter Falk was the hook that made me stick around, but the rest of the movie was both a revelation and a joy to me. Yeah, I get it now.
They say, “You should never meet your heroes,” but in your case, it seems to have worked out pretty well for you. That too gladdens my heart.
I have to say, my memories of the Batman TV show are vague now, at best. But I loved Adam West’s portrayal, played for laughs and eye rolls. I recall a story he told about a particular scene, when the show launched, in a club or restaurant, I think? He had to say the line (something to the effect of) “I’ll just take a seat at the table over here. I don’t want to be conspicuous.” He is in his full Batman costume, in a place where everyone else is dressed, “normally.” He said he always knew, from his first reading of the script, if a line like that got a laugh, “then people get it,” and the show would be a success.
Fortunately, they got it, and they had a hit on their hands.
Now I’m just thinking about Batgirl and that costume. Oh boy. She was stunning, wasn’t she.
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@NathanSommer-c8l : Yeah, don’t get me wrong. The guy still makes me larf, (I’m here aren’t I? 🤷♂️) but I’ve been following him for years, since back when he was a wee timorous beastie who ran naked in the heather with the rest of the wild haggises for the pleasure of just a couple of thousand viewers. And back then he was original, eclectic and way funnier.
Now, I feel like he’s allowed himself to become enslaved by the algorithm, banging the same drum because it guarantees his biggest audiences, rather than just talking about what genuinely interests him and the things that made him fall in love with cinema and TV in the first place.
You have to admit, even if you don’t agree with me, that you seen and heard a LOT of his gags a thousand times, right? Eventually, he’ll wind up sounding like that old guy who lives in the basement, complaining about movies being too loud now, or something. And the only audience that will stick with him will be the bigots and angry 50 year old virgins who just want to see him stick it to the, “lib-tards.”
If he wants to get some of his old magic back, he should talk more about what he loves, less about what he hates. Sure, still complain about what he hates, but for crying out loud! A blow by blow account of an entire series that we already know he hates and why??? That’s not educational, or informative, and it’s getting less and less entertaining.
The other day he released a riveting video on Werner Herzog’s movie, Fitzcarraldo, which was excellent on every metric I mentioned in my last sentence. With new and different material, he was forced to write new and different witticisms, whilst giving his audience a bit of genuine insight into the movie making process and a look into the world of a truly unique and fascinating project that could have destroyed everyone involved! That was a taste of the old Drinker that drew me into this channel. I miss that guy.
I just don’t want to see him become the type of algorithm chasing hack that he ridicules. And I don’t need to hear the same old gags, getting older with each repetition. I’m a fan.
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@bvmukeshreddy9460 : I must admit, it’s more than just a fan of the source material casting a critical eye over his likes and dislikes. But, I doubt he would pretend that it doesn’t earn him his main source of income, by generating interest. Having said that, from the point of view of someone who drunkenly, yet wisely, speaks truth to artistic power, he is just talking about what most people are interested in, so? . . . Hanged if he does, hanged if he doesn’t, right? I did comment, over a year ago, that it would be nice to see a more broad net cast, looking at things that come from studios other than Disney? Don’t think he’s gonna’ listen to me though 😉
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Disagree with most of those choices, but totally with Predator 2. It respected the source material while taking the story in a wholly new direction. We learned new, fascinating things about the Predator’s mindset and got intriguing hints about his culture, whilst still being left to wonder if his hunting club represents his culture in all its balls out glory, or if he’s part of a smaller, elite club, possibly illegal on his home-world, like big game hunters are to us?
The ensemble cast was top notch, with the stand outs being Gary Busy (“Lions and tigers and bears, oh my!”) and Bill Paxton (“Is she on the rag or what!?”) who some how manages to charm the audience, despite being in your face offensive at almost every opportunity. His sheer heroic defiance in the face of certain, terrible death, as the Predator stalks him with the words, “Want some candy?” stays with you, along with the chill of that haunting scene.
I have that movie, treasured, in my collection and, like you, just cannot understand why anyone would be unenthusiastic about it.
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I’m just gonna’ come right out and say it: Stanley Kubrick is overrated. His best movies are the least well known, these days, like Barry Lindon (which was too long) and Paths Of Glory. He’s credited as the director of Spartacus, even though the real director was its star and head producer, Kirk Douglas, so that brilliant epic doesn’t count. Clockwork Orange is unintentionally funny in parts, dated badly in others, and doesn’t do justice to the style or substance of Anthony Burgess’s original novel.
Don’t get me wrong. Kubrick was clever and original in his time, and his cinematography was innovative and unique (but that was more to do with his, “cinematographer,” than him, surely?) and his stories and subject matter were always challenging and adult enough to be genuinely interesting and worthy. But, his movies were always pompous and overblown too, with style frequently coming at the cost of substance; seeming to rely on his audiences, looking on agog, at his wonderful set piece story telling, whilst forgetting whatever the F his story was meant to be about.
He was good. But no, “genius.” It’s worth reflecting, that this guy considered himself to be such an influence upon our fragile little minds that he genuinely believed it was his responsibility to buy up all copies of Clockwork Orange, to effectively ban it from public viewing. Why? Because he believed his movie would make society more violent. Self belief is a wonderful thing, separating the boys from the men, so that some artists achieve extraordinary things. But, when it leads you to taking all your toys back indoors, because the children are not grown up enough to handle the epic mental influences of your genius, auteur visions, surely you just need to get over yourself?
He believed he was a genius, and he convinced a lot of people that he was, by his unique style and by the smart choices he made in the variety of topics he picked to make movies about. But, honestly? In your heart of hearts? Was he a, “genius,” though? . . . Really? . . . Nah . . . ✌️
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