Youtube comments of godzillavkk (@godzillavkk).
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But it's good ideiology. If I could have my way with the Avatar sequels, here's what i would throw in.
1. A full RDA invasion force. Yes yes I know this would be a a larger version of the battle of the first movie but in universe logic makes this scenario the most likely. The helicopters, suits and airships would all be present, along with some new toys and tricks up the RDA's sleeve.
2. More wildlife and Eywa. In order to combat the larger and more advanced RDA invasion, the Na'vi will need possibly the whole moon fighting alongside them. And even Eywa herself will need to throw in more aid. More on Ewya later.
3. A more dangerous RDA military leader. Quaritch was a fitting first entry villain, he was smug, overconfident, prideful and ruthless. But in the end, his overconfidence was his downfall. The next movie needs to bring in a much more dangerous villain who does NOT underestimate the Na'vi, has his entire strategy planned from the start, and is very manipulative. To make him even more dangerous, he may be an Avatar driver himself! Bonus points if he actually WINS a major battle.
4. The RDA President. Quaritch and Selfridge are monsters, but they are mere servants of the higher ups of the RDA. And when RDA's board of directors and President learn of the defeat in the last movie, their probably going to be seen. They probably won't make their move yet, but when the final movie arrives, and by that point there will be many more plot points, and important events that have happened for them to decide to decide to oversee the final destruction of Pandora personally. And they need to be even more dangerous than the last villain.
4. A evil Pandoran God. For every Big Good, there must be a Big Bad. We need an God who is the opposite of Ewya, who reviles in destruction and extinction. If the villains decide to no longer underestimate Ewya, they might even try to ally with this new dark god. And instead of summoning wildlife, he summons undead RDA soldiers.
5. An evil Na'vi tribe. To make things even MORE dangerous, an evil Na'vi tribe who may or may not worship the aforementioned god would be great. These guys actually fight alongside the RDA against their own kind, just as how some Native American tribes fought alongside America durring the Westword expansion. They unfortunetly were betrayed by their "allies" later. If this new tribe is more tragic in nature, I could see them being betrayed. If they are not meant to be sympathetic, they should stick around with the RDA.
6. Some more good humans. To prevent a full alienation of human audiences, new human heroes are needed. Perhaps they are scientists seeking a way to restore Earth's biodiversity, perhaps they are on Earth and are rebelling against the RDA, giving the Na'vi Earth allies.
7. Jake and Neytiri's kids. It has been confirmed that Jake and Neytiri will have two kids in the next movie, a boy and a girl. It's not revealed what their role will be, but I predict they will be major heroes, and may face discrimination among other Na'vi since their father is not a pure Na'vi.
8. More is revealed about Eywa. The movies should delve deeper into the mythology of Eywa and the lore of Pandora. What was this "time of the first songs"? And what began Eywa's war with her counterpart god?
9. (Possible spoiler alert if this route is taken!). Gaia enters the frey. At some point in the sequels, Mother Earth herself needs to appear, albeit in a frail and sick form due to Earth's lack of biodiversity and reveals something important. Eywa did NOT in fact choose Jake as her champion as is implied in the first movie and did not even send him those dreams at the movies opening. Gaia sent Jake those visions and choose Jake to be her champion. The first movie was just a test to see if Jake was ready for the real trial ahead. We also learn something that might be the ticket to saving both Pandora and Earth. We learn that Eywa, is Gaia's sister. Billions of years ago, their "mother", a giant asteroid the size of Jupiter split apart and the two pieces formed Earth and Pandora. They also gained sentience through a new mythological element revealed in the sequels, and had a spiritual conncetion to eachother. But as Gaia's children were on the verge of killing her, she sent one of them to Pandora to find a way to save her. In other words, the true goal of Avatar all this time, has been to save Earth.
10.(Last one) The final battle of the final movie is on Earth. After many events, sacrifice, and learning things, and driving the RDA from Pandora, the scientists on Pandora, and the Na'vi tribes, board what remainig science vessels, bioships or any other transporatation has for them, and prepare to take Earth back from the RDA. The final battle of the series has a space battle, a ground battle, and even an assaulty on the RDA's main building. The factions are 1. Na'vi Tribes, Earth resistance/Earth allies, Pandoran wildlife(In a deleted scene in the first movie, we see a captured Banshee on Earth), cloned Earth Wildlife, and Gaia. 2. RDA, Evil Na;vi Tribes, Undead RDA personal, the Dark God. The goal of the battle? To get an important maguffin established in earlier movies with elements of both science and magic from Eywa, to Gaia's equivelent of the Tree of Souls and restore the biodiversity.
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If this is a cinematic universe, the battle between the three guys here should spill into the Village, revealing the truth to it's inhabitants. Mel Gibson is institutionalized because he claims he fought demons(If you guys had paid attention while watching Signs, you'd know that they are demons, not aliens). Walberg is also curious about Jackson, Willis and Macavoy and wonder sif their abilities are connected to the plants, we also learn that the Lady in the Water also a connection to wherever all these powers are coming from. In a later movie, we learn that hundreds of thousands of years ago, numerous people had crazy powers and built 4 nations around the 4 elements. Who knows, maybe the Lady in the Water has a connection to the Moon and Ocean spirits? This mysterious force that is causing all this crazy stuff to happen is also causing animals to become wilder and more ferocious, and if that's not enough, Osmond ponders why Willis's character looks like a ghost teacher he had as a child.
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A comment section filled with foolish Shymalan haters. Allow me to share a revelation I've had while looking at his movies and reactions. Neither, he the writing or acting is the problem, YOU are. You were so blown away by the twist of the Sixth Sense that all you wanted to see out of him was the twist in his later movies, so you ignored the plots of his later movies and thus when something happened you did not like you called it a twist and hated the movie, and then condemned him for it.
After watching his stuff, I have come to the conclusion that his movies are far too smart for their audiences. These days, audiences don't watch movies to learn or be inspired, they just want everything spoonfeed to them. Audiences today are like evil deities, they expect something to go their way and whenever some comes that challenges them they retaliate. Your always asking for something new, so when something "new" comes out you enjoy it, and almost immediately afterwords hate it and call it cliche. The truth is, there are only so many stories that can be told and have been told for thousands of years. So what if something has been done before? I want to see how it will be executed here.
I suggest you people rethink the way you look at movies and come to the sad fact that you have to give yourself to a movie, an movie does not give itself to you. And two more things, the plot twist of The Sixth Sense has been done before, and Avatar The Last Airbender was nothing but an attempt to make money off the success of Anime in America and is not really that good. I'm watching the cartoon right now, and I am profoundly disappointed in it.
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Late ti the party, but you should take a look at the video game Batman: Arkham City, and review how illegal Arkham City is. Just in case that's off your radar, Arkham City is a giant outdoor supermax prison that was built after Arkham Asylum was nearly destroyed in another of Joker's plans. A portion of Gotham was walled off, it's civilians forcibly evicted, and all criminals in Gotham were deported. And it didn't matter if you were a member of the rogues gallery, an average thug or criminal, a one time offender, or even a reformed crook. You have a criminal record, you're heading to Arkham City.
The prison was also supervised by a corporate military unit called TYGER, and they only dropped down food and medical supplies at random intervals. And they were only active in Helicopters. The inmates in the meantime, did not often get along, and broke out into turf wars. The largest gangs were controlled by Joker, Two-Face, and the Penguin. Speaking of Penguin, he was not serving prison time at the time of the prison's construction. Officially, he avoided being on the list by bribing and investing in think tanks in the City Council. But he outright refused to abandon the Iceburg Lounge. So, the police decided to just leave him there due to his stubborn attitude and criminal record. Some of the gangs were even given military grade equipment such as nightvision, assault rifles, and shot guns for their gang wars.
And the medical supply they dropped was not sufficent for all the inmates. For example, Joker was dying from Titan Venom from the incident at Arkham Asylum, and TYGER refused to help, forcing Joker to kidnap doctors, and turn to Victor Fries to make a cure byt threatening to kill Nora, who was brought into the Prison to force Fries into going to Arkham City. And worst of all, Hugo Strange, who was running Arkham City, had in fact built the prison for the purpose of enacting Protocol 10, a plan to fire missiles at the entire prison and kill all the inmates, wiping out crime from Gotham in one move.
Needless to say, this prison violates a large number of civil rights. Evicting people from homes, pulling criminals out of jail forcibly, letting wealthy crooks officially avoid the prison, leaving civilians to great danger for refusing to leave, awful treatment of the inmates by leaving them to fend for themselves and only giving food and meds when they feel like it, encouraging prison fights on an almost military level scale and planning on killing them all. And this is less then half of what's wrong with Arkham City.
But I'm curious on what legal actions would be taken for a textbook example of prison violations on every level.
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And back then, the dream could be denied to you if you didn’t meet all of America’s standards, like being gay, or black, or questioning America. Back then people used energy like a kid with a new toy, speeding up climate change, and forcing the present to suffer from it. And this time period has been so romanticized, that people now see younger generations as parasites, even though the jobs our parents had are no longer available, meaning the poor are now poorer, and the rich are now richer. Face it America, you are not, nor have you ever been the greatest country in the world. It’s time for change. Create jobs that pay more, so that Americans in poverty can achieve the dream. Invest in clean energy so we can fight Climate Change. And judge people by their character, not the skin, or whom they love, or when they were born. Look to the past not to yearn for it, but learn from it’s mistakes.
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What about Draco from Dragonheart? This 90's fantasy film is about an ex Knight turned Dragon hunter named Bowen who teams up with Draco, the last Dragon in the world to make money via staged dragon slays, and later fight the evil King Einon. However, there is one small problem. As a child Einon's heart was injured and his mother brought him to Draco's lair and implored Draco to save her son. To do so, he gave Einon half of his own heart, and unwittingly gave an evil King immortality. As long as Draco lives, so does Einon, and as long as Einon is alive, the heroes cannot defeat him. So, with a heavy heart, Bowen kills Draco, who takes Einon with him.
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Are you sure that you're the mature one with such immature language? You work hard enough, you earn the money needed to balance games and your life. And when the day comes when there are no more game makers, you've only yourself to blame. You're narcissism, belief that game makers are but pheasants, and none stop whining is part of the problem with gamers.
And let me give you a famous example of why customers DON'T know what they want. Shadow the Hedgehog. This Sonic game was created because the fandom were asking for a darker and more mature Sonic game. SEGA complied, made the game, and people complained that the game was dark and more mature, the very thing they asked SEGA to do, and they complained they got what they asked for. SEGA replied with "Well you asked for a darker game, you got one, and now you bitch and moan about what you asked to get?" See the problem.
Look kid, I grow tired of manchildren like yourself who think the world should revolve around them, so I'm blocking you. But know this, until you learn that you are but one cog in society and not THE cog, the better, otherwise you will die a manchild, and if you do die a manchild, then the world will be a better place without you.
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Jake Harries
Warning. Long comment
One clue to this other meaning is the seeming absurdity of the central plot element: The aliens, who possess such advanced technology that they are able to travel across galaxies, are yet incapable of breaking through simple doors and bring no weapons with them to combat their human enemy. Too, they are easily vanquished, humans learn quite accidentally, by water. Though the film was premiered to general critical acclaim, some critics blasted the script for these very reasons.
But the demon theory of the film solves this problem. The water left around the house by little Bo can be interpreted as holy water, famed among Roman Catholic exorcists for warding off demons and evil. And Bo herself? In a seemingly out-of-place exchange during the final confrontation with the creatures, Graham tells his daughter that when she was born, “all the ladies in the room gasped–I mean, they literally gasped–and they go, ‘Oh, she’s like an angel.'” In old Norse, Bo (Búi or Bua) means “to live”; the angel has brought the main weapon of life to be used against the forces of Satan. In a classic line from an earlier scene in the film, Bo wakes up her father to tell him, “There’s a monster outside my room. Can I have a glass of water?” This line deservedly elicits a great laugh from the audience; kids will be kids, right? But there is indeed a monster outside her window, as her father soon sees. Under the demon/angel interpretation, here Bo the messenger from Heaven is asking for the very weapon that she alone somehow senses will combat the demon/monster.
As in the case of the demonically possessed in the real world, Signs‘ “alien” is seemingly burnt by contact with the (holy) water. Note also that the “aliens” have cloven hooves, a classic depiction of demons in Western art since early medieval times. As stated above, the “aliens” also have no technological weapons; they rely on primarily on terror….as does Satan and his minions, who want nothing more than to have humans despair of their salvation and their survival.
As the Hesses take refuge in their basement, Merrill tells his brother Graham, whose loss of faith leads him to give up hope of defeating the creatures:
Graham has been obviously struggling with demons of a kind prior to and throughout the film: his loss of faith, his anger at God for the death of his wife. “I am not wasting one more minute of my life on prayer,” the former priest thunders when Morgan suggests saying grace before the family’s “last supper” the night of the “alien” attack. When the creatures try to break their way through the basement door, Graham says aloud to himself: “I’m not ready.” Under any interpretation of the film, this can be construed as Graham recognizing that his soul is unprepared for death. Under the demon interpretation, Graham might well be recognizing that he is not ready for the spiritual battle that has been thrust upon him.
oo, the man who fell asleep at the wheel, Ray Reddy (played by director Shymalan) literally has his own “demon”: his unrelieved guilt for killing Graham’s wife. When Graham visits Reddy’s house, he finds the veterinarian packed up and ready to seek refuge elsewhere from the invasion. “I guess if this is the end of the world, I’m screwed, right?” Reddy tells Graham. “People who kill reverends’ wives aren’t exactly ushered to the front of the line in Heaven.”
In parting Reddy warns Graham: “And don’t open my pantry, Father. I found one of them in there and locked him in.” Perhaps Reddy is still struggling to lock his guilt away, and to flee from it.
Note that never do we see the alien ships that have brought these creatures to Earth. Oh, there are lights in the sky, but neither the characters nor the viewers see an actual spacecraft. TV reporters are left to theorize about the alien use of a “cloak of invisibility.” Again, interpreting the “aliens” as demons solves this problem.
Of course, there are the crop circles, supposedly a “sign” of extraterrestrial activity, and here seen by the characters as such (though note that the one in Graham’s cornfield looks decidedly like a pitchfork, the traditional tool of demons); and there are reports on the TV and radio about the “aliens” being defeated by humans in the end. Here the TV broadcaster speaks cryptically, reporting that “the battle turned around in the Middle East. Three small cities there found a primitive method to defeat them.” Could that primitive method be the use of holy water? And this happened in the birthplace of Christianity, among a trinity of cities?
The viewer of Signs must ask himself: Are the events happening as the main characters perceive them? After all, the news media, as well as young Morgan, develop all kinds of wild theories about the intentions, strengths, and weaknesses of the “aliens” without much evidence. A major clue given to us by Mr. Shyamalan that all is not as it appears is given to us when Graham asks at one point, “Is this really happening?”
Mr. Shyamalan has dealt with the supernatural and with angels before and since 2002’s Signs. Wide Awake (1998) tells the story of an all-boys Catholic school where one boy, grieving the loss of his grandfather, is visited by an angel in the guise of a fellow student. The Sixth Sense (1999) uses the “payoff” device of having the protagonist–and the audience–held unaware until the film’s conclusion that he was dead all along; Unbreakable (2000) suggests that some humans possess truly supernatural powers.
Mr. Shyamalan also provided the story idea for Devil (2010), which portrays the manifestation of Satan himself among a group of people trapped in an elevator. Mr. Shyamalan is a Hundu who attended Episcopalian and Catholic schools in eastern Pennsylvania and whose work often is imbued with Christian themes and theology. In addressing the great issues of the existence of God, the meaning of life, and the fate of the soul, is it unreasonable to think that he would pit as the enemy of man not far-fetched aliens, but very real demons?
That is the true “payoff” of Signs that Mr. Shyamalan hopes his audience will be savvy enough to discern.
A pity they weren't. Checkmate Anti-Signs people.
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Who's to say there will a twist? Maybe the twist, is that there is no twist and you people were just being too critical of the director. I actually the problem with him is not himself, but his audience. I think his movies are far too smart for their audience, so they bash something they fail to understand. And as for The Last Airbender, I'm looking at the cartoon right now and Nic has no idea how to write Asian fantasy, martial arts, chi etc etc and instead choose to them to make unfunny jokes. And if they were going to cast the very anglo-saxon American Mark Hamill, Zack Efron, the very African American Keith David, the very British Jason Isaacs and a host of other non-Asian or non-Native American actors with the exception of Mako, then the show is just as guilty as the movie in terms of casting.
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loki laufeyson
SAO, Wolf's Rain, Ginga Nagareboshi Gin, Ginga Densetsu Weed, Date a Live, Chrono Crusade, Solty Rei, Code Geass, Clannad, Kanon, Yu-Gi-Oh!, Noin, Stein's Gate. And possibly others. It's difficult to keep track.
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sebastian galoria
Oh, and I suppose the show did justice to the real life cultures and real life countries the 4 nations represent, Inuit, Korea, China and Tibet by casting the very British Jason Isaacs, the very African American Keith David, the very white American Mark Hamill and Zack Efron and dozens of other white guys in much of the main roles save for Mako? And writing the heroes like sitcom characters instead of people born and raised in those cultures? Which judging by the tech of ATLA should be reminiscent of somewhere between 1368 to 1644, therefore the characters should act like they are living in a period similar to that. Granted it's not the real world, but it should behave like Asia in that period of time.
And as for the bending, just because something looks cool in a cartoon does not make it cool in real life. Also it would make the action sequences rely too much on computer effects By combining bending with real life martial arts we get realistic looking bending, and as for the 7 guys moving one large rock, 3 guys in the same scene in the show were bending small pebbles from a pile at the bad guys. By your logic you'd think one bender could move a whole pile of small pebbles. And take into account that maybe not every prisoner was all that experienced in bending.
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This list has given me more ideas for a military sci-fi/fantasy comic book series called "Biowar" because one of the rules I'm setting up for writers is that all villains save for the political leader of the evil faction must be either three dimensional or have a tragic backstory. For example, Marshal Commander Kane is a ruthless army officer who wrecks havoc on the heroes and never shows mercy even when they surrender. But on the flip side he does not view his men as expendible and is a single father of an still unnamed son(Some characters have yet to me named) and will protect him at all costs.
Or Sister Mary, an axe crazy Priestess General (In the comics dystopian future Church and State are merged) who has the highest trooper, naval ship and fighter plane casualty record and enjoys killing and torturing almost as a hobby. But her backstory reveals her younger sister and pet kitten, the only things that loved her were murdered by monstrous bully whom she tries to kill as a result. He fought her off, fake cried and claimed she had attacked him causing her be wrongfully sent to Juvenille Hall, casuing her to hate humanity and have a Knight's Templar's view of Justice. To make matters even harder, the hero who opposes her the most often is actually the bully. After the murder of the sister and kitten he was kidnapped by government agents, altered with made up science for the series, injured in a lab accident, rescued by the hero faction and memory wiped to be a hero.
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My thoughts on each of the movies
10. Meh, never thought much of it, good or bad. Never thought much of Saving Private Ryan
9. Same as 10, but I agree it's gotten more hate then it deserves, frankly I want it's haters to shut up and get a life.
8. Love it and it's sequels. And I love it that a children's book was turned into an epic. Besides in the original, every character save Bilbo was bland.
7. Still love it and it's director. As for it's backlash, the creatures are DEMONS, not aliens. We are initially led to believe they are aliens, but over time through hints and by things happening, we learn that they are actually demons and are vulnerable to water because the water was holy and they can't enter a room because a priest is inside. The movies misinterpretation's almost makes me ashamed to be human, because of the incredibly stupid morons who bitch about it. Oh and FYI, I hated the Avatar The Last Airbender cartoon.
6. It's good in it's own right. Same goes for Shawshank and Pulp Fiction. Never though of any of them as better though.
5. I like them. Their nothing special but I like it when something for kids initially becomes an epic. Besides I think it's more realistic then the cartoons. And I like realism.
4. It's a meh for me.
3. Never heard of it but it's always good to see a movie that addresses racism.
2. I like it. It's got good characters, a good story and good tragedy. I just think those who hot on it are just attention seekers.
1. I hope this vid is right about other fans out there because for a long time I was worried I was the last fan. As for the plot, well let's say you grew up in a very controlled environment and had parents who never let you near movies like Pocahontas out of fear that I'd get a wrong idea about history. And let's also say you were raised in a very liberal American family who wanted equal treatment for everyone regardless of skin color, and also wanted America to be a land of multiple cultures. And let's say you also were an avid nature lover who is always willing to do whatever they can to help it and promote it's conservation. Well I fit all those categories.
Honestly I think those who hit on these movies are nothing but losers who believe that whining and ranting makes you look cool and adult, when really it just makes you look like a kid trapped in an adult's body. And people like that gave rise to online menaces such as The Nostalgia Critic. I might just be the only one who sees him and every other Channel Awesome critic for what they really are. manchildren who can take away someone's maturity and intelligence buy simply making them watch their reviews. So take my advice everyone, don't watch their reviews and become stupid, watch these movies and put aside all your negative thoughts. And maybe, you'll regain you're maturity, or if you're lucky, see the good movie hiding in all of them.
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New battles for a new fantasy battle list
Battle of Los Angeles from Dragon Wars: Dragon Wars may have been a pretty laughable fantasy, but that battle at LA between the US military and Buraki's army was epic as hell. And surprisingly the US military was able to hold it's own against Buraki's minions... for a while at least.
Battle of Castle Black from Game of Thrones: In most sieges such as Helm's Deep or the North Pole Water Tribe, the heroes held off the enemies from one end. But The Night's Watch and Jon Snow had to hold off Wildling armies from two ends. Sorry lotr and atla fans, but those sieges were kid stuff compared to Castle Black.
Battle of Cedric Forest from In the Name of the King A Dungeon Siege Tale: Of all the bad Uwe Boll video game movies, this one comes the closest to being fully watchable. One of the reasons is due to the battle between the Royal Army of Ehb vs the Krug Hordes of the evil sorcerer Galian in the enchanted forest of Cedric. It's got Ninjas as the kings guard, cool but clunky looking Krug suits, kamikaze catapult ammo, magic black knights controlled by Galian, and best of all, Jason Statham.
The Battle of the Five Armies from The Hobbit: Battle of the Five Armies: Love or hate the Hobbit movies(I love them) you cannot deny this battle kicked ass and rivals Pelennor Fields. We see countless races of Middle-Earth, characters interacting between battle and unlike the book, when Fili and Kili die, you feel sympathy for them as they had character development. In the books they were bland and boring like every other dwarf except Thorin.
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I actually thought you were very calm here. I do however think you went too angry and too far with Apocalypto though. Here are some movies I'd like to see you review.
The New World. This was a 2005 Terrance Malik historical movie about the settlement of Jamestown and the relationships between settlers and natives. Unlike Disney's Pocahontas, this movie tried to portray the conflict in a more grey vs grey light and doesn't shy away from the positives and negatives of either side and both the settlers and natives are allowed to express their points of view. It also shows what ultimately happened at the end instead of fabricating history. My only problems with the movie is that it's WAAAAY too long, and it's also very artsy, being a Terrance Malik movie. Unfortunately like Disney's movie it also changes Pocahontas's age again, but as far as I know that's the only inaccuracy it has. And let's be honest, historical inaccuracies are inevitable when doing any historical movie.
It stars Colin Ferrell as John Smith, Christopher Plummer as Christopher Newport, Christian Bale and John Rolfe, David Thewlis as Edward Wingfield, and a one time actress named Q'orianka Kilcher as Pocahontas.
The Flags of our Fathers/Letters from Iwo Jima. These movies were released at the same time as a double feature and were both directed by Clint Eastwood. Both tell the story of the Battle of Iwo Jima, but each movie tells it from a different point of view and antagonizes the other faction. The Flags of our Fathers tells it from the American point of view while antagonizing the Japanese. I haven't seen Flags of our Fathers but my research told me that while it was a box office success with good reviews, it lives in the shadow of Letters from Iwo Jima which had much more success. Letters from Iwo Jima tells the the battle from the Japanese point of view as does something that few other movies would dare to do, it antagonizes the Americans and shows the war crimes they committed that are seldom mentioned today, and portrays the Japanese as heroes(at least the main characters are heroes, their leaders are still portrayed as villains). In hindsight, both the positives and negatives of the Americans and Japanese were presented. You can get both movies either individually or in a boxed set.
The only cast member I remember from Iwo Jima was Ken Watanabe.
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My opinions on these
10: Most certainly. Whats Star Wars without Lightsabers?
9: Would be interesting to see some grey areas in Star Wars. The former Legendsverse had plenty of grey areas.
8: Yeah we need to see these guys and know more about them
7: I wouldn't mind, but I don't care if the effects are practical or CGI
6: Would be cool to see an ace Tie Pilot like Soontir Fel from the Legendsverse
5: Good idea. There's too much plot armor in all the movies
4: There's tons of Super Weapons from the Legendsverse to get inspiration from
3: Yeah we need to see her more
2: Yes indeed. We must learn more about our new heroine.
1: What's Star Wars without Space Battles?
Honorable Mentions: Yeah seeing a funeral for Han Solo would be nice. Yeah we need to see a fully trained Kylo Ren, Oh yes, more deadly Stormtroopers. These guys need more respect.
Here's what I'd like to see
Another Battle of Coruscant. I think the climax of Episode 9 should be the First Order and Knights of Ren attacking Coruscant, and the Resistence, Republic and Jedi must defend it. Poe and Chewbacca(If he's still alive) take to the skies and space while Rey and Luke confront Snoke and Kylo in the Jedi Temple, while Finn fights with the resistance and Republic soldiers in the cities.
Chewie should die. With Han gone and the new characters taking the spotlight, Chewie barely has a role now. He should die at some point, but in a cool way.
A new ship. If Chewbacca dies, he might take the Falcon with him. So the heroes are going to need a spiffy new spaceship to travel in. Something homey, but stronger and more powerful then the Falcon
A Yuuzhan Vong like race as villains for the next trilogy. The First Order can't stay forever and a new antagonist faction will need to be brought in. The Yuuzhan Vong
The Yuuzhan Vong were a Legends alien race who were created after the
Legends team finally decided to end the Galactic Civil War. So without
an Empire or Imperial Remanent, a new enemy faction needed to be
created, and that's where the Vong come in.
The Yuuzhan Vong are an extra-galactic species, meaning they are not native to the Galaxy. Their homeworld, Yuzzhantar was actually a sentient planet, but it was
destroyed by a terrible war between the Vong along with EVERY other
planet in the Vong's galaxy. So with all the planets in their galaxy
either blown up or uninhabitable, the Vong set off to look for a new
home.
For decades the Vong traveled among the stars in their
organic spaceships(The Vong don't use technology, all their tools,
vehicles and weapons are either handmade, or organic creatures) until at
last they arrived at the Star Wars galaxy. For many years they spied
and studied the galaxy, but the Vong were not looking to make friends.
TheVong are a deeply religious race who believe they are "The chosen race"
of the Gods. So they view all non-vong as inferior and the technology
of the Star Wars galaxy as blasphemous. And only a few short years after
the Galactic Civil War ended, the Yuuzhan Vong War began.
The war only lasted five years, but in that relatively short time, 365
trillion people died. In fact the casualties of the final battle of the
war were five million.
The Galaxy was putting all their war equipment from the Galactic Civil War away, only to be caught off guard when the Vong attacked. Blasters were useless against their armor, they use special parasites to drag moons out of orbit to destroy planets,
used biotech to terraform captured worlds, and not even Lightsabers
could break the Vong's armor or melee weapons.
In addition, Vong are also immune to the Force, meaning that the force is useless against them. The Vong nearly eradicated the fleeting New Jedi Order and even
captured Coruscant. But in the end, the Vong were defeated and exiled to
Zonama Sekot, a sentient planet that Yuzzahntar give birth to before it
was destroyed.
A war and race of this magnitude deserves a spot
in the cannonverse. After all, the First Order can't stick around
forever, and another antagonist faction will need to be introduced.
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In the world of fandom, maturity and wisdom of human nature are easily lost. What SAO haters, and a ton of other people forget, is that people don't choose who they love. Hell, often they praise romances that are really no different from those they hate. For example, people hate Paris from the movie "Troy" for loving Helen over his duties as Prince of Troy, while Aang's love with Katarra is praised. When really, he choose her over his duty as the Avatar.
And really, who'd you rather have in the world? A prince who brought someone back with him because she had an abusive husband who spent more time drinking, whoring and fighting? Or someone who EVERYONE in the world is depending on to save the world and yet choose to get his dick wet with a whore who never shuts up about hope? For me, no contest, I'd rather see Paris shoot Aang's brain out then watch baldy never learn to make sacrifices.
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Jared Knight
Clearly kid, you have never studies priests, monks or any other kind of person who spreads the word of a faith. When a person becomes a priest, they are a priest for life, even if they are not preaching or doing anything priests are known for. When he learns he has blessed the water, he learns that God has not abandoned him, so he returns to the church. Now you may not believe in God and that's alright, neither do I. But I can watch movies where deities exist. Signs is not about Science Fiction or Aliens. It's about faith and regaining it after a tragic experience.
And as far as I'm concerned YOU are the one being pretentious by trying to trick me into thinking you are smart, when I can tell just by what you type that what you're really doing is whining and ranting. And as for the link. If my words didn't get you, I thought this would. And it's no sign of weakness to use SOURCES as backup info. So read this carefully kid, whining and ranting the same crap over and over again and refusing or dismissing others will get you nowhere. So grow up.
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Maybe he's unknowingly one of the demons from Signs. Shymalan could be unifying all his movies into one universe. Just think about it. the battle between the three guys here should spill into the Village, revealing the truth to it's inhabitants. Mel Gibson is institutionalized because he claims he fought demons(If you guys had paid attention while watching Signs, you'd know that they are demons, not aliens). Walberg is also curious about Dun, Glass and Kevin and wonder if their abilities are connected to the plants, we also learn that the Lady in the Water also a connection to wherever all these powers are coming from. We also learn that the institution the 3 guys are kept at is where Nana and Pop Pop were held before they escaped.
In a later movie, a new heroine called Korra enters the frey who ponders if what has been happening to all the others guys, is what's allowing her to manipulate the 4 elements. She later recieves vision from a mysterious being of Light called Raava, as well as two other strange fish like beings who claim to be the moon and ocean. All three of the tell her that many centuries ago, there once existed 4 mighty nations who were unified by a mysterious boy whom she is the reincarnation of. They also tell to seek out the other heroes. The mysterious force that is causing all this crazy stuff to happen is also causing animals to become wilder and more ferocious, and if that's not enough, Osmond ponders why Dun looks like a ghost teacher he had as a child.
Also, for the cherry on the top, all the heroes come face to face with a strange guy who seems to always pop up all the time. One time he appeared as Osmond's doctor, he later was Gibson's neighbor, later as a security guard at a national park, and most recently he was the landlord of Macavoy's psychiatrist. Turns out he's some sort of magic advisor who will sometimes appear to give advice, wisdom or help people out with their problems. If all the heroes then unite to stop a new yet to be revealed villain, the strange guy then says "My work is done." and vanishes.
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In other words, you worship old heroes and can't accept the faults in them. And you can't accept new heroes. The 80's are over now and you feel disappointed because you can't live in your 80's fantasyland where you didn't need to worry about the problems of then, but now you need to worry about the problems of today. Well, know this. Nostalgia is bullshit. It causes you to regress into a child who argues about how Ghostbusters was the best movie ever made while Earth burns around us. Well, know this. Ghostbusters is conservative propaganda, the Terminator movies are sexist, the Original Trilogy had plotholes that rival the sequels, and the acting was not very good. Hell, the more my family watches the originals, the more we are convinced that if John Williams did not write the score, ANH would have bombed badly.
And another thing, the 80's were a terrible time. The early 1980s had many people fear the Cold War wasn't going to end well. The Latin American debt crisis. President Reagan wanted more nuclear missiles in Europe, envisioned the Star Wars defense system and the "Evil Empire" speech reflected the "Red Scare" at a time "the Bomb" was still making everybody nervous. The Cold War, Berlin Wall and Apartheid did fall, but only near the end of the decade. Unemployment and economic crisis were a huge problem in many Western countries in the early years of the decade and the high speculation led to a bubble which fatigued in 1987 and burst in 1989. AIDS caused many victims because governments were slow to inform the general public on this disease as most people at first dismissed as just a problem for blacks, gays and drug users. TV shows and movies were extremely escapist and PCs and video games were prohibitively expensive. MTV did bring music videos on TV, but the downside was that how a pop star looked and danced became more important than the music, which was now created by computers, becoming increasingly sappy and repetitive as samples became the norm, becoming a disadvantage for those who still wanted to use actual instruments, chords and tunes. Metal and rap were seen as crime-mongering and even "satanic" as a whole. Also drugs went artificial during this time, turning Florida into a Crapsaccharine World. The nuclear power plant explosion in Chernobyl caused another major fear among people about the dangers of nuclear power.
So why don't you do something else with your life? How about you act your age? How about you do something else instead of make vids that are all "WAAAAAAAAAAAAA! I want my childhood back!" You are an adult now. You are the product of millions of year of evolution. So ACT LIKE IT.
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I did not like the Dragon Prince. Callum sounds like 10,000 nails on a chalkboard and Adam Sandler. Now I'm sure his actor's a nice guy, but he is not qualified for fantasy. Maybe he could work in Disenchantment which is parody of fantasy, but the only reason they cast him was because he's also Sokka, and I fucking hated Sokka. As for Calum himself, he's just a diet Sokka. To be fair he's not as annoying as Sokka, and is more quiet than Sokka, but he's still not a very interesting character. He's clumsy, oafish, not very smart, but it's ok, he has a good heart. He'll fall for whatever stupid plan you throw at him, but he's just so wide eyed and curious you can't help but feel sorry for him.
I'm going to say this right here and right now, I hate heroes who are clumsy and oafish. Their not qualified for their roles, almost never develop beyond being a clumsy oaf, often get their abilities handed to them without training(and even if they ARE trained, their not often properly trained), and they send badly written messages about being humble to people who believe that hard work is the best reward. And that lizard thing his brother has only exists to sell toys.
And Reyla changes from a rather interesting badass elf warrior, to a badly written waifu. Now I know waifu's can be badass, but a waifu should not start off as respect demanding badass elf girl. And her Waifu traits completely take over her respectable traits. Clearly someone still has not learned how to write anime characters properly.
The comedy is bad, the show refuses to take risks in storytelling. That being said, I might pardon the show if all the following happens. If Calum becomes stronger, more competent, grows up and gets smarter he could become a much better character. If the comedy becomes more restricted, I'll be very happy. If Calum's brother is given better writing I'll be happy. If Reyla becomes more serious again, and begins to teach and influence Calum I'll be happy. And Callum better not put his dick in Reyla. I wanted to break Aang's neck when he choose putting his dick his southern water tribe whore and dooming the world over sacrificing his feelings for her and saving the world.
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k @MetallicaRules She's a boring Mary Sue who had little training, and somehow became a better waterbender then the best benders of the Northern Tribe, who should be the best of the best as they still have benders, while the Southern Tribe had none. And her relationship with Aang was terrible. She distracts him from duty, and gives him, and the audience a very naive view of the world and of war. She talked about hope so many times I almost hate the concept of hope now.
And him getting with her in the end is a huge lore break. If the only way for him to master the state was to give up his feelings for her, then he should have done that. He gives up his feelings for her, defeats Balon Greyjo... er I mean Ozai and saves the world, but now he and Katara can't be with each other. BOOM! That is drama, that is sacrifice, that is development.
How do I know this could work? Because I've seen it before. The Last Unicorn. The titular character is turned into a human woman in order to hide from an evil kings pet demon, but this makes her vulnerable to human emotions. As a result, she falls in love with a human prince and they have a shot at happiness with each other. But the cost is that her kind will remain the kings prisoners forever, maybe even die out. She gives her happiness, turns back into a Unicorn and frees her kind, and slays the demon, but now she and the Prince can't be with each other. And since Unicorns are immortal, she gets to spend eternity knowing what she lost.
Or Voltron Legendary Defender. Two of the main characters, a male human, and a female alien fall in love with each other, and it seems that they will make it. But the villain of the final season damages the source of time and space itself. causing reality to cease to exist. However, the female's alien magic(it's a sci-fi fantasy) can stop it. But the cost is that she is going to die. She gives up her mortal form, becomes a goddess, heals time and space, but now she and her lover can't be with each other, at least until he dies.
If Aang had do this, I'd applaud the show for showing that sometimes for the greater good, sacrifices must be made.
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@MetallicaRules Pfft. Yeah, and from then on she's the best of the best with little training at all. Her insecurities were brought up in one episode, then never mentioned again. They go through hardships that should change and scar them, yet in the next episodes their the same idiots like before. The only training she had was up north, but a few days is NOT a full training. And Rey has one advantage Katara does not have. Rey is full grown, enough time to become self trained in combat and learning to fly ships(which also came with hazards). Children are not old or experienced enough to be the best at ANYTHING. Even prodigies require extensive training, be it with a mentor, or self training.
As for her in the movie, sure, people who don't live in warzones where you could get killed any day are SO cheerful... not. ANYONE living in a warzone would be cynical. That's the problem with Airbender. It shows humanity in the way we'd like it to be, but not as it truly is, just like how the movie shows the cartoon for what it really is... one giant piece of shit.
It was made perfectly clear that in order to unlock the state, a sacrifice had to be made, that sacrifice being giving up his feelings for her. And if the greater good demands it, sacrifices must be made. I gave up beef and corn for the sake of the environment. I sacrificed my future as a biological parent when I chose to never be a biological parent to prevent our surplus population from growing. And there's not a day that goes by where I mourn the loss of sweet hamburgers, corn on the cob, and holding a child that's all my own.
I'd even give up my humanity if it would be for the greater good. But Aang chose his selfish desires over his duties. And if his duties demand giving up emotional attachments if it means saving the world, he must do it since it's for the greater good. That is the mark of a true hero... which Aang is not. He's a selfish cowardly idiot who chose fun and games and his southern whore over duty, and thought that sparing the life of Balon Greyjo... er I means Ozai(Who is a flat, boring villain, and a complete rip-off of Balon Greyjoy, who's a much better written villain, AND was a TRUE waste of Mark Hamil's talent) was justice. Yeah, because the Allies SO would have spared Hitler had they captured him.
Go to hell and take your shit anime rip-off and fellow fans with you.
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I did not like the Dragon Prince. Callum sounds like 10,000 nails on a chalkboard and Adam Sandler. Now I'm sure his actor's a nice guy, but he is not qualified for fantasy. Maybe he could work in Disenchantment which is parody of fantasy, but the only reason they cast him was because he's also Sokka, and I fucking hated Sokka. As for Calum himself, he's just a diet Sokka. To be fair he's not as annoying as Sokka, and is more quiet than Sokka, but he's still not a very interesting character. He's clumsy, oafish, not very smart, but it's ok, he has a good heart. He'll fall for whatever stupid plan you throw at him, but he's just so wide eyed and curious you can't help but feel sorry for him.
I'm going to say this right here and right now, I hate heroes who are clumsy and oafish. Their not qualified for their roles, almost never develop beyond being a clumsy oaf, often get their abilities handed to them without training(and even if they ARE trained, their not often properly trained), and they send badly written messages about being humble to people who believe that hard work is the best reward. And that lizard thing his brother has only exists to sell toys.
And Reyla changes from a rather interesting badass elf warrior, to a badly written waifu. Now I know waifu's can be badass, but a waifu should not start off as respect demanding badass elf girl. And her Waifu traits completely take over her respectable traits. Clearly someone still has not learned how to write anime characters properly. The comedy is bad, the show refuses to take risks in storytelling. That being said, I might pardon the show if all the following happens. If Calum becomes stronger, more competent, grows up and gets smarter he could become a much better character. If the comedy becomes more restricted, I'll be very happy. If Calum's brother is given better writing I'll be happy. If Reyla becomes more serious again, and begins to teach and influence Calum I'll be happy. And Callum better not put his dick in Reyla. I wanted to break Aang's neck when he choose putting his dick his southern water tribe whore and dooming the world over sacrificing his feelings for her and saving the world.
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The New World. This 2005 historical film is about the settlement of Jamestown and the relationship between the settlers and natives. Unlike Disney's 1995 historical mess that makes From Hell look like a masterpiece, this movie paid more attention to history and portrays both the settlers and natives in a grey light. Both sides have their good and bad apples and some even want cooperation since we have accounts of people on both sides trying to maintain good relationships. It only has one inaccuracy I know of, but knowing you, it may or may not ruin the movie for you. Like Disney, they altered Pocahnontas's age and made her older then she would have been. Though to be fair, they do show her real fate in the end. The only other problem I have is that's too long and being directed by Terrance Malik, it's very artsy. But apart from that I enjoy the movie.
Also, after it comes out, and regardless of how well it does, you should review The Disaster Artist, because The Room has quite the behind the scenes story.
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1. No one laughed at the scene when I saw it in theaters, me and the others were surprised.
2. The point was to distract the First Order while the Resistance escapes and place more doubts into Kylo Ren. Obi-Wan dueled Vader not to defeat him, but to distract him until the others escaped. Both Luke and Obi-Wan knew that there was no way they were going to survive this. Plus, Luke's X-Wing was submerged in the ocean. No way is it going to fly again after all that water damage so he can't psychically go to Crait. Instead, he takes the next best option.
As for how Luke got there, Luke is not a wise, perfect saint. He is a human. And remember that the Jedi of old made terrible mistakes and decisions as well as Luke in the past. Hell Luke almost killed Vader in Return of the Jedi. The Dark Side has an even stronger grip on his nephew and in an act of pure fear and instinct that's when he went for the lightsaber. But as Luke said, "It passed like a fleeting shadow, and I was left with shame." If Ben had not woken up, Luke probably could have tried to help his nephew out, but alas he woke up before Luke could explain anything.
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@aaronlogue6281 Here are other predictions I have.
From Season 2 and onward, the series becomes a dramedy. Don't worry, all the Matt Groaning comedy you'd expect from him will still be here, but after everything that's happened in the last 2 episodes, the tone of the show has been permanently changed. So from then on, in addition to comedy, there will also be moments where the comedy stops and the show needs to be dramatic, serious, warmhearted, sad, and maybe frightening.
Cloyd is Dagmar's father, and is the one who captured or arranged to have Luci captured. When Luci arrived, we learned that he was sent by Emperor Cloyd and his Enchantress to turn Bean evil, but we don't know why. I suspect it has something to do with her unknown magic powers. Dagmar also seemed to know what Bean's future held. So it might make sense if the two are in cahoots, or worse related to eachother. Cloyd however did not forsee that Bean would use the Elixir to ressurect her mother, but nontheless he is pleased by it, and we learn that he was the one who sent the ship that rescued Bean and Dagmar. As for Luci, he also ordered Luci to be captured as well... as he has failed.
Bean learns that Dagmar and Cloyd want her power to free a dark God of Evil from Hell. If Luci is a demon, that means there are dark forces at work in this world, so what if the highest authority in that party is introduced. I doubt this god will be present immediately and should be saved for the series finale. That being said, we learn that through a parody of the Chosen One trope, this God needs to devour Beans power and soul because she is also the only one who can defeat him once and for all.
Zog and Derek embark on a quest to find Bean, Oona and restore Dreamland. Since Zog and Derek were the only survivors of Dreamland, this makes it logical for them to find ways to reverse it. In this quest, Zog makes some much needed, and comedic character development to help him become a better person. Derek gets some more development as well, and is also looking for Oona.
Bean, Elfo and Luci escape from Cloyd and Dagmar and set off on a quest to find out about her destiny, find a way to ressurect Elfo, and save Dreamland. You didn't think I'd ignore the arc of our leading characters did you? While comedic misadventures still happen, the stakes are higher and all three go through character development. However, I dunno how this development should go. All the ideas I'd create would weaken the comedy that would be bad for a dramedy since both comedy and drama must be kept in equilibrium.
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If this is a cinematic universe, the battle between the three guys here should spill into the Village, revealing the truth to it's inhabitants. Mel Gibson is institutionalized because he claims he fought demons(If you guys had paid attention while watching Signs, you'd know that they are demons, not aliens). Walberg is also curious about Dun, Glass and Kevin and wonder if their abilities are connected to the plants, we also learn that the Lady in the Water also a connection to wherever all these powers are coming from. We also learn that the institution the 3 guys are kept at is where Nana and Pop Pop were held before they escaped.
In a later movie, a new heroine called Korra enters the frey who ponders if what has been happening to all the others guys, is what's allowing her to manipulate the 4 elements. She later recieves vision from a mysterious being of Light called Raava, as well as two other strange fish like beings who claim to be the moon and ocean. All three of the tell her to seek out the other heroes. The mysterious force that is causing all this crazy stuff to happen is also causing animals to become wilder and more ferocious, and if that's not enough, Osmond ponders why Dun looks like a ghost teacher he had as a child. Also, for the cherry on the top, all the heroes come face to face with a strange guy who seems to always pop up all the time. One time he appeared as Osmond's doctor, he later was Gibson's neighbor, later as a security guard at a national park, and most recently he was the landlord of Macavoy's psychiatrist. Turns out he's some sort of magic advisor who will sometimes appear to give advice, wisdom or help people out with their problems. If all the heroes then unite to stop a new yet to be revealed villain, the strange guy then says "My work is done." and vanishes.
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