Comments by "Kenneth Hammond" (@kennethhammond6683) on "" video.
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@american2126 Israel’s colonial violence, greatly funded by America and Americans of course, extends to the arts. The state of Israel prevents Palestinians from pursuing their right to artistic and cultural expression on both an individual and organisational level. The occupation state continues to dispossess, persecute and punish artists and performers like Dareen Tatour and Hafez Omar for daring to speak out against its violence. Israeli forces often attack cultural and artistic institutions, disrupt events, destroy archives or deny Palestinian artists access to their own archives. For example, the entire Palestinian national film and archive was stolen from Beirut by Israeli forces in 1982. Palestinians are prevented from accessing their own visual history—documents created by their own people.
Palestinians have no freedom to practice art, much less to travel to expand their practice, perform, exhibit and collaborate or participate in arts festivals abroad. The establishment of a dance group in Gaza would be near impossible, precisely because Gaza is besieged, and because arts initiatives are relentlessly targeted by Israel. Apartheid is not a theoretical concept, nor do we use the word lightly. It is a horrifying lived experience.
Self-expression through the arts is a right that Palestinians are not afforded. While suppressing and abusing all Palestinians, the Apartheid "Jewish state" regularly inserts itself into creative spaces, such as the Sydney Festival, in an attempt to launder its atrocities and fabricate legitimacy on the world stage.
https://overland.org.au/2022/01/from-safsaf-to-sydney-palestinian-resistance-and-the-festival-boycott/
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