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We decided to remove the story about Amasa Stone’s house as it was quite graphic. We will share the story in this pinned comment.
Amasa Stone’s house was a sprawling second empire style mansion with octagonal rooms. He was a railroad magnate and engineer who prided himself on his ability to quickly design bridges. But in 1876, one of his bridges collapsed as a train passed over it. 92 of the 160 passengers lost their lives that day, most of them surviving the initial fall to be consumed by the resulting fire. The disaster was called the Ashtabula Bridge Disaster by the press and Amasa was implicated for his faulty design of the bridge. He retired that day and began giving away all of his money to charities and churches, but never could shake the guilt he felt for his oversite. By 1882 he had been diagnosed with insomnia, suffering nightmares on the rare nights he could sleep, and in 1883 he told his wife he was going to lay down upstairs, but instead locked himself in his bathroom and shot himself through his heart. Upon hearing the sound, Mrs. Stone sent a man servant upstairs, but he couldn’t get through the door, so he climbed through the transom window to discover Mr. Stone face down in the bathtub. Mark Twain added commentary to the news of Amasa’s death- writing, “ Apparently nothing pleases the almighty like the picturesque.” A sarcastic way of declaring justice had been served. Now I know this is a heavy topic to discuss on this channel and I wouldn’t feel right talking about it without offering help. If you or a loved one are experiencing a crisis situation, there is help! In the united states you can dial 988 and speak with a caring person who will help you through your crisis.
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Hey everyone, there are a few corrections I (Ken) would like to make in regards to the information presented in this video. At the time, we had access to incomplete and wrong information and so I misspoke on a few elements in the house. A former owner of the home contacted me and provided me with clarity, so here are the corrections and elaborations that were submitted. Thank you so much MN for bringing this to our attention so that we can get true and accurate information to everyone!
The previous owners (who we will refer to as MN) owned the house for 22 years between 1996-2018. They spent a lot of time restoring the home as a labor-of-love. They have provided the following information:
“The home was built in the 1840s (it may be recorded as 1863, but that is when they started to pay property taxes on the house). The Keonigsmark’s then added the second floor in 1897. The staircase is in at least the third location, There is some evidence that the original went from the blue room and made a 90 degree turn to the left and followed the original roof line. The original porch sat above the fruit cellar in the rear and was where the kitchen and rear bathroom are today. The new porch on the side has a different stone foundation and was definitely added on (note brick reinforcement where they broke through the original foundation). The original way to access the rear two rooms (dining and blue) was from a hallway from the front door straight through to the blue room (under the original stairs).
The light and ceiling in the vestibule were new and installed in 1996.
Living room was redone in 2001. Tiger oak is only on the fireplace. The wood in the formal living room and the archway (which my husband did), is red oak. The baseboard, casings and rosettes are mostly old and pine. The newel post (ash) is from 1880 and from a house torn down in Pittsburgh, PA. The light is old, came from Montreal, but the shade is not original. We bought a reproduction that would have been of that time period, though.
Dining room was redone in 2004. The wallpaper in the formal living room and formal dining room (including the ceiling) was done by my husband. The walls used to be pink, in fact, there was a lot of painted pink in the house. The chandelier in the formal living room, the formal dining room, and in the “library” were replaced by the current owner(s) with cheaper, less elaborate ones. What we had in the living and dining rooms were not original, but very expensive ones that went with the house for that time period. The one in the “library” was antique and came with the house. The plaster medallions on the ceilings (living and dining) were installed by my husband.
The “apothecary” in the “library” was built by my husband and was a stereo hutch.
The hutch (with glass) in the kitchen is original and may possibly be considered tiger oak. The other hutch (that is painted white) is original too, but was already painted white. The current owner(s) remodeled the kitchen.
The bathroom off the kitchen (and blue room) was totally redone by my husband in 2009. The marble came from Turkey and the heated towel rack came from England. The claw-foot tub came with the house, but we had someone refinish it. The sink is from 1932 and added by previous owners but was refinished with the tub. The trim around the medicine cabinet is not old nor hand carved. My husband put it there. The ceramic handle to the toilet appears missing.
The blue room (which was also painted pink) was redone by my husband in 2007. We had an 1860s Murphy bed in there because it was a Koenigsmark piece of furniture and sold it (along with other Koenigsmark furniture) to the current owner because we thought they should stay with the Koenigsmark house, as well as numerous photos and documents that we gave to the current owner(s).
In the laundry room my husband built four pull down cabinets (to the right of the window) for our laundry. The hutch that is painted is original. The cabinet with the marble top is new but the marble on top is old and was originally on top of a dresser according to my husband’s grandparents. The top was sitting in their basement for decades. We also actually left a 1930 washer there that had the bill of sale and original owner’s manual. The adjacent closet in not cedar.
The butler’s pantry was added after the stairs were reversed in 2001. The stairs went from the rear foyer to the hallway upstairs. The upstairs were rented out (‘20s – 50s).
The shed in the back of the house is a summer kitchen, not a coal room.
The main level radiators are hot water (two pipes) and not steam (one pipe).
The first picture shown was from 1894, the second is from 1923.
No brick in the bedroom wall as stated. The slate mansard roof is on wood framing in that wall.”
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I am so incredibly sorry for your loss. It's heartbreaking to hear about the passing of your husband, John, and I can't even begin to imagine the pain and grief you're experiencing right now. Please know that your YouTube family is here to support you through this difficult time.
Your message is a testament to the beautiful bond that you and John shared, and the way you two found solace and connection through the content creators you watched together. You may feel like we don't know who you are, but in a way, we do. Our community is made up of people like you, who find joy, comfort, and a sense of belonging through our videos. And that's what makes it so special.
It's an honor to have been a part of your lives and to have brought some happiness into your days. As you continue to navigate this new chapter, I hope that our videos can provide a source of strength and distraction when you need it most. Remember that you are not alone, and we are here for you.
Wishing you all the love and strength on your birthday and in the days ahead. May John's memory continue to live on in your heart and in the moments you shared together.
- Ken & Dalton
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Here is Part II of K Raleigh's post:
OK, Part II: What makes this house Beaux Arts?
Size and scale are among the first indications. There were a few Antebellum Greek Revival mansions this large, but very few, and vitually no examples of this size in American Georgian or Federalist domestic architecture. Why is that? Two reasons. First, this house would have had central heating, electricity, and running water, making a larger house more practical. Georgian and Federalist houses had none of this technology, although rudimentary forms of central heating, plumbing, and gas lighting were available to the wealthy by the late Greek Revival period (after about 1850).
Second, many of the decorative details seen here would have been cast/mass produced and available to architects and builders. Everything was fabricated by hand in the Georgian and Federalist periods, though by the 1820s things like cast iron columns, railings and mantels began to appear. Even pre-made wooden elements were available by about the late late 1840s.
Now let's look at the details and combination of elements of this house. Yes, Corinthian columns and pilasters can be found in the earlier styles, along with pedimental roofs and cornice entablatures with dentils and other classical decorative trim. But note the main structure is pale yellow brick, with prominent (almost exaggerated) quion designs at the corners. Note also the green tiled Mediterranean style roof, and curvature of the front portico balustrade. These are all tell-tale Beaux Arts elements used into the 1920s, and never found on period Georgian, Federalist, or Greek Revival architecture. Nor on Colonial Revival architecture, though that's another post 😁.
Finally, it is interesting to note two "modern" styles slightly sneaking into the interior. Some of the leaded glass windows, mantels, and a few of the light fixtures have residual Art Nouveau features. That style was one of the first "modern" and not Revival styles of the late 19th century, also begun in Europe and emphasizing forms and elements found in nature. Finally, there are early Craftsmen cues in the entrance hall, most notably the wall paneling which extends up about two-thirds of the walls. And yes, it would have been shellaced or oiled natural wood originally, not painted, and there almost certainly would have been wallpaper similar what is there now. The Craftsman Movement, btw, grew in part out of Art Nouveau, and also as a reaction against the excesses of the Victorian Era and the reliance on revival styles. So very interesting to see little bits of these two "modern" styles mixed in with the mostly Revival inspired Beaux Arts.
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Introducing 'Minute Mansion,' our latest series to take the place of one of our weekly shorts! In these quick, one-minute episodes, we'll showcase unique mansions that, while fascinating, don't quite fill a full-length video. We're excited to bring you these bite-sized glimpses into intriguing estates and their stories. Don't worry, our regular, longer episodes will still be released every Sunday, Tuesday, and Friday. Stay tuned for these quick bits of history and architecture, and make sure to let us know what you think!
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Hi Tracey, we hope that you are enjoying your weekend. We wanted to clarify a few things..
The stained glass, while uncommon for the era, was actually a dowry gift that was installed before the original owners moved into the house. Stained glass doesn't flow downward, lead is a weak metal and will begin to warp over time, especially in stained glass with prominent vertical lines. This doesn't always happen so dramatically when the stained glass is in smaller panes with a good mix of vertical and horizontal lines with smaller sections of glass. When this is the case, stained glass will appear flatter for longer periods of time.
We like to interact with the audience and ask them questions even if we do know the answers. It is a good way to engage in interactive learning.
Also, we do not represent the sale of the homes we feature nor do we benefit in any way from the sale of any individual house that we feature. We are not realtors, we are old house enthusiasts who love and appreciate historic architecture and provide educational entertainment centered around architecture and history. With that in mind, Ken does have a degree in Architecture and is working to improve his knowledge base of old and historic homes.
Thank you for watching,
Production
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Hey! Thanks for commenting! We were just going off of the real estate listing info! This house was built before tax records in waterloo, so there is little to no info online besides the real estate listing. Also, at about 5:30 you can see pictures of the house before the alterations. As for the home being Queen Anne, the home has a mansard roof (sometimes called a French roof). Mansards are a key feature of the second empire style. Queen Anne homes also often have rounded, squared, or polygonal towers, steeply pitched roofs, dominate front facing gables, and a porches covering all or much of the façade. Also, Second Empire is from France, whereas Queen Anne comes from England! We break down the major differences in Victorian Era styles in this video here: https://youtu.be/lTv41DyVo0Q
Thanks for watching!
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