Comments by "" (@colummulhern8865) on "The Aesthetic City" channel.

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  14.  @aartdegoojer6733  It shows youre versed in the details, however you may be misunderstanding a few points. As you say, architrecture that is more human in scale doens't automatically need to use “historic details“. But it doesn't automatically have to abandon them, as we're tahgt to do at atchitectural scool. The word historic implies the CIAM/Bauhaus requirement that everything present in architecture before the 1920s had to be condemned to history. Qualifying any details of architecture before that time as historic is accepting to condemn them to history and refuse their use. In the case of vernacular architecture, for example, which is human scale, cornices, mouldings, cills, overhanging pitched roofs etc. are technological elements developed over time to protect buildings and guarantee their long life. Over time carftsmen, proud of their work, also made them beautiful. Often they used proportion and imitated classical details to enhance them, and wealthy patrons spent more to have them decorated and built using more expensive materials to make them more beautiful. Modernists discarded all these elements thinking they were mainly expunging decoration in order to come back to the essential and claimed to be inventing a new “aesthetic“ for the brave new world. Their stripped architecture, using cement and glass, has never produced buildings that lasted as long as they had done previously. Some of the early buildings were ruins after just a couple of years. However they kept on building them, putting out fires and treating symptoms with elemnts that created new problems, right up to the present day. Construction methods were also developed over millenaia and produced buildings that lasted for centuries with relatively little maintenance. So traditional architecture and construction methods must be the most desirable and ecological way of building, as well as being the most sound investment. Traditional architecture were always by very definition, traditional, and were also contemporary, as is everything we do at any time in history. It isn't either or ans CIAM & co. would like us to believe. For more insight into how modernism became established and survived I suggest you read Making Dystopia, by James Stevens Curl. It's the result of 60 years of reasearch and explains especially the manipulations we've all been subjected to.
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