Hearted Youtube comments on The Critical Drinker (@TheCriticalDrinker) channel.

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  922. Also, can we just talk about how Disney felt the need to elevate already strong female characters into "even stronger" by basically making their whole personality "badass female character"? For example, Belle was already a well written character, a girl who is nerdy and quiet but also knows where to stand up for herself or the people she cares about (rejecting Gaston directly, yelling at the Beast and refusing to join him for dinner, showing no qualms about walking away from him when he tried to scare her, scolding him later for not controlling his temper). But the live action? Belle is not strong enough, she needs an occupation to be a good character, so she is the scientist now. They also shoved in a few sexist comments that were too on the nose and cringy, to say the least. Jasmine? OG Jasmine was already strong. Again, she knew when to speak for herself and exactly what she wanted. She knew her own worth and she wanted a suitor who would accept her as a person, rather than for her title. But in the live action, Jasmine needs an ambition. She wants to be the sultan. And she positively insults all men (unlike in the animated version, where she only insults the over the top haughty princes) and has an entire song that talks about not allowing herself to be silenced when there were no instances of anyone trying to silence her. Again, "strong female character". And quite possibly the most unnecessary change was to Mulan. OG Mulan was arguably the most physically powerful female character but the creators felt the need to change that as well. OG Mulan was a socially awkward girl who cares about her family, and disguises herself as a soldier for selfless reasons. She is not perfect; she has to learn everything from scratch, she fails time and time again while training, she has to work her way to the top. She also used her brains in most of the fights because physical strength in itself isn't enough, and that's what made her stand apart from the others. She got along with the male characters perfectly well, with no need of comparison or proving herself to be better. But the live action version? That Mulan is born with magical chi, she has trained from when she was a child, so she has to face no difficulties when joining the army. The only thing stopping her from proving herself is the society; otherwise, she is perfect. She is far from being a realistic character because young girls would look at her and think, "well, she's strong because she was born with it". Not to mention, the live action Mulan was as boring as a slice of bread. She had no character other than "female warrior", emphasis on the "female". Basically, physical strength isn't everything. All of the OG princesses were strong in their own ways. Cinderella dealt with abuse and torment for years, but still kept her good morals and kindness. Snow White realized that running away from toxic situations is not cowardly. Tiana wanted to have an occupation to support herself and her mother, and worked hard for it. Ariel wanted to explore a new world that she didn't know, and be part of new experiences. Also. Romance is not weak. A strong female character can still fall in love. And if they choose to stay single, it should not be because "she's too independent for a partner". You can be in a relationship and still be independent. If the relationship is built on mutual trust and understanding, no one is "too strong" for it. I understand that aroace characters can exist, but their motive for not having a partner should not be "oh, I don't need a man"; it should just be that they're happier with friends or family, and they don't really feel the need to be in a relationship.
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  1136. CD; you got everything perfect except for "Love", who is in many ways used as a mirror for K. See Wallace calls ALL the replicants by the nickname "Love". It's not her name, it's just a generic nickname Wallace calls the replicants (and by extension, her). She wants DESPERATELY to be important, so her whole character is wrapped up in trying to please and get the attention of Wallace, it's her whole identity, even taking the nickname he calls everyone as her own name so she can lie to herself about how important she is. She wanted to be special and is so wrapped up in her lies she would instinctively lash out at those who WERE special (or she perceived as such). K in comparison also wants deep down to be special, to be more then just a replicant, it's why he works hard to make "Joi" seem more human, it's why he bites so hard on the possibility he was birthed (meaning he had a soul). However in the end, just before the final showdown he's confronted by the ad for Joi, and it all comes together in his head, when she (the ad) calls him by that same nickname his Joi used to call him (see the similarity with wallace and love?)... In the end he faces the truth. He's not special, joi never loved him, but was programed to make him feel like he was loved, and so he goes into his final battle at peace with the fact that he'll never be special. But he also makes an independent choice. He decides instead of killing Deckard like he was asked, like a good automaton should, he brings Deckard together with his daughter. He creates something real, rather then destroy, and dies. It's a lovely if understated tragedy.
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  1231. I have been in a wheelchair since I was 13 after being hit by a drunk driver when I was walking home from school. I'm 42 now. In that time, I have had met great people in my support group with different disabilities AND some really evil ones. Like their disabilities really messed them up and they hate everything and everyone in life. Davros should not be changed and it's insulting to think anyone who is disabled sees him as any representative of the community. He is an evil creature that happens to be in a type of wheelchair. The wheelchair does not define him, and it does not define me. I find it beyond insulting that creators think I am so emotionally and mentally weak that I can see a villian from my community. You know what really ticks us off? Treating us like we are broken and need kid gloves when around us! We are tougher than most of you. I want to see heroes and villians who don't hold back that both inspire or horrorify. They explore disabilities enough in fantasy. Its always the positive fake inspiration message that annoys the hell out of us. The reality is when you can't walk or do things like normal people, it does have an impact on you. Seeing how someone DOES NOT cope well with their disablity maybe unsettling storytelling that is easier brushed away due to YOUR discomfort, but I see it as important as making a hero out of a disability. You see how if you don't take care of yourself or let the disability overtake your mind with insecurities fear, hate, and other self destructive feelings that you can end up like this villian. That is as valuable of a story to my community as the annoying Mary Sue wheelchair characters we are forced to put up with. The reality is my life is good but not easy. I go through the entire emotional gamut. If you only see the happy times in my life, then you are not seeing the whole experience. There are times I go through some dark periods and treat people horribly. Like when my Dad died, I could not spread his ashes on this mountain side he loved. I was good friends and family in my life that reflected back (literally recordig me on their cell phone when I went off on a poor waitress for example), and showed me how I was acting to get me back on track. My point is seeing negative images can have a positive effect. Don't treat me like I'm broken. I am just a person like you with the same blessings and burdens to endure.
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  1310. There are two fundamental problems with this movie. The first is that it's not the movie we - or History Buffs to be specific- wanted it to be. We wanted to see the young, ambitious, cunning, intelligent, brilliant Corsican officer rise to become Emperor using his wits and talents. We wanted to see his genius in planning battles and why his men followed him to the bitter end. We wanted to see the political climber who used lies and manipulation to claw his way to the top and stay there. We even wanted to see the Liberal reformer who made many compromises in realising his agenda for France. However, Scott wasn't interested in any of that. He wanted to tell a much more personal tale of Napoleon and Josephine, showing the world through their eyes and romance. An interesting angle but ok. That then brings us into the second problem with the movie as it fails spectacularly at that too. Who is Napoleon? Who is Josephine? Why do they love each other? Why does she cheat on him and why can't he let her go? Why are they so obsessed with each other and what draws them to each other? I sure as hell can't tell you based on the text of the film. We're never given any of the details to help us understand who they are, why they're drawn together and why it's tragic when circumstances force them apart. We just don't understand or care about them as we're never given the time to as so much attention is spent on battles and the political moves of Napoleon which, again, also aren't very well developed so rather than being a deep dive into Napoleon is instead a jumbled, confused, unfocused mess. And what's so frustrating is that all of the pieces are there! Phoenix and Kirby could have been great, the set pieces are spectacular, the movie in general looks gorgeous and with more time or a better script, could have been great. Really, I think Josephine should have been the main character. Call it "The Emperor's Wife" or something and frame it through her eyes, so no battles or politics, just show how she viewed him on her own. That's the only way it could have worked. Cos trying to do ALL this, and for a theatrical cut? It was as doomed for failure as invading Russia.
    1500
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  1312. I still remember how during 'Commando,' Arnold's character John Matrix was originally supposed to have sex with one of the stewardesses when he was aboard the airplane after knocking out the guy that had taken him there at gunpoint. Keep in mind that John Matrix is about as shallow as the name implies. He's a vessel for action-violence with a single motivation for doing so. His character traits pretty much boil down to 'badass soldier that loves his daughter.' But when Arnold was told that Matrix would take a break form rescuing his kidnapped daughter to join the mile high club? He put his foot down. It didn't matter that he would be stuck on the plane for a static amount of time no matter what. He said that he couldn't see Matrix doing that because not only would it break from his character, but it would damage the audience's opinion of him. Imagine if Brie Larson had half the self-awareness and character understanding as Arnold Schwarzenegger during 'Commando.' Hell, imagine if she had reacted to the situation with the Don (even the original version where she just robs him) by trading some Kree technological trinket for his bike after showing him how much it's capable of. It wouldn't even need to be much. It could basically just be an iPhone that combines radio, phone, TV, etc in a single package. Hell-2, it's the 90s. Just being able to pick up internet on something so small would be insane. There could be a postcredit scene where SHIELD buys it off him, helping to explain their technology level even given Howard Stark's death.
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  1877. Hey drinker vfx artist and editor here You are spot on in most aspects but cgi and vfx, especially where I come from and projects I work on are very different to what you said. vfx and cgi artists don't get to choose what price we want, it's actually based off of commission and how low you're willing to do the job for. That's right vfx no matter the production boils down to how cheap can the most important part of the film be done. An excellent example of this would be the flash movie where the speed force scenes were actually done in one week... because that was all the time they had to work on it due to poor planning from the producers and directors. Vfx artists do not have the luxuries granted to us like writers, actors, or directors. No unions or protections are in place. This is why many production houses actually go out of business due to needing to finish one project and making massive changes on the flip of a dime with no compensation or residuals. This as you can imagine leads to bad CGI or effects. A great example is "Life of Pi" it won the academy award for best vfx... but the whole studio was shuttered before that because of that movies demands. In the vfx world I have to say that there is an extreme disconnect between the directors and producers where they seem to think that everything can be fixed in post production. This is some not all mind you. So in their eyes a messed up shot , dirt on the camera, or missing actor... can just be easily edited in/out because its simple right? That's not the case, and it's very time consuming and depending on the shot... and even then some things can't be salvaged without a re-shoot. ideally we need to be more involved with the teams and production on site. forge a contract and let us be on set and ask us how to plan certain shoots so we can achieve what the client wants. this current process of just filming a movie and sending it to a vfx house without insight on the production needs to stop. especially when you have 30 or more studios working on one film doing several other elements. it's a broken system and it's starting to really show. I hope you enjoyed the comment and I'll go away now....
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  1948. A couple free hints for those looking to play the game: 1. Don't underestimate the knife, and don't just carry one as an escape tool when an enemy grabs you. Lickers, in particular, really don't like getting slashed with them, and you can always drop a zombie on its back with enough headshots, leaving it vulnerable to slashes while grounded. They do eventually break, but they break faster if you use them to break free from grabs, so try to slash whenever you safely can to get the most out of them. You can unlock an unbreakable knife by finding and destroying certain objects in the world, 15 of them to be exact. Keep an eye out for them, and an ear if you have good headphones. 2. Headshots can be effective, but only if you let your crosshair shrink. Your shot will not only be more precise, but it'll do slightly more damage and I think it'll have a higher chance of exploding their heads for an instant kill. This is to encourage a style of shooting where you stand still and aim, just like the original games. 3. Mr. X does not like flashbangs at all. Lickers don't either. 4. Speaking of those guys, they're also the most reactive enemies when it comes to sound. Mr. X can hear you running when you're in the same room as him, but otherwise, it takes gunshots to attract him. Lickers can hear you running and they're very fast, but they can't follow you into other rooms, and you can walk past them as long as you don't touch them. They'll technically hear you walking, but they merely crawl towards you in search of you; don't freak out when they snarl and turn towards you, because they technically haven't found you yet. I could go on, because I've played this game almost as much as RE4; it's highly addictive, and unlocking the infinite minigun and infinite rocket launcher feels so good :) EDIT: YouTube decided to add extra line breaks. How nice of them -_-
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  2147. I am a 51 year old black woman, and one of my earliest memories is watching Doctor Who. PBS used to show entire stories (all the parts) every Saturday. They'd get to the end of the classic series and just start over again. I also rewatched them all with my kids when streaming emerged. So I've seen every episode of classic Who god knows how many times. In all that time - not as a kid - not as a teenager - not as an adult rewatching them - never had it crossed my mind that Davros was a "wheelchair user." I mean, obviously I got that he's IN a wheelchair, but until I watched the reviews of the absurdity Davies is doing, it never even dawned on me that he was representative of anything except a psychopathic evil maniac. And here's a question - if it's not ok for a character in a wheelchair to be evil, why is it OK to have ANY character of any gender, race, sexual orientation, nationality, age, height, weight, intelligence level, etc etc etc be evil? Is it ok to have a character who is a serial killer, since serial killers are suffering from psychopathology? Isn't that ableism? (I should probably not even be saying this since someone from the BBC or Hollywood may see it and destroy the entire crime genre) I feel like a real fool, because I really believed Davies was going to save this show. But he actually found a way to double down in an even more ridiculous way. I just can't believe it. I'll shut up, because otherwise I could go on complaining about this for 10 more paragraphs. JFC man.
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  2558. The problem with Thrawn has been there since he was first reintroduced in Rebels, where he was constantly on the backfoot and spouting cope like "no, I am four steps ahead of those puny teenage rebels, I merely allow them to make me look stupid as I locate their main base", with his vampire organ theme and his Blizzard game voice acting. He was never actually allowed to do anything wrong, even though Filoni wasn't brave enough to give him any significant victories over his beloved heroes. Fans just forgave it because they remembered him from the old Legends trilogy back in the 90s where he was a legitimately badass villain, and he had a hype train building from his new books reintroducing him into canon. In this show though, he's fat, middle-aged and looks constipated (Rebels Thrawn is clearly shown to be in shape and an expert martial artist), and seeing him in live-action was the last thing fans were holding on to before they gave up on Star Wars forever. OG Legends Thrawn was frightening because he had a clear plan, a cool-headed analysis of the empire's situation, and a roadmap to victory that allowed for things to occasionally go wrong. He knew what was important and what was a trivial defeat that wouldn't matter in the long run. That's what actually smart leaders do. It's what Gendo does in Evangelion. He's fully focused on his plan and he doesn't care at all about things that aren't important. Disney's Thrawn has consistently fumbled around trying to look like a mastermind when actually he has no idea what he's doing.
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  2819. I recall someone saying: "the game reeks of pseudo-intellectualism" and oh boy what a fitting description that was. There are huge fundamental flaws in the game's story which so many positive 'reviewers' tend to completely overlook. Apparently, emotionally traumatizing your audience by brutally killing off a beloved character, who by the way, was one of the only TWO main characters who the players had such a deep emotional bond to, by the hands of a new character who we know nothing about, and then try to build our empathy for this new person is meant to be considered as good writing? The game tries to do so much that ultimately it never managed to garner the same level of empathy for Abby as we did for Joel and Ellie. Let's face it, that's normal human psychology, when we have spent 7 years, bonding with someone, sharing their experiences and pain, the level of empathy we have for this character will always exceed that of a newly introduced character who we know nothing about. Like I said, the game is filled with pseudo-intellectualism, prompting many to believe the game challenges its player in new and interesting ways such as testing our capacity for empathy and understanding of its 'complex and deep' plot and characters. The difference between the first and second game though, is that the second game uses cheap and dirty tricks to ask us these questions and "challenge" our emotions, basically making the player do all the heavy-lifting without itself bothering to present its themes, ideas, questions, moral and emotional dilemmas in an interesting, compelling and thought-provoking manner, providing little to no encouragement to the player to do so. Ultimately, we have a game that is so emotionally unsatisfying, that despite all the 'grand themes' it tries to convey, it ends up sounding contrived, and all the darkness and misery inflicted upon on its character and players just feels needless and purposeless. Admittedly, like Drinker says, the game's story IS quite bold and ambitious at what it tries to achieve, but ultimately that risk doesn't payoff. I quickly come to the conclusion that it would have been better if the story of Joel and Ellie ended with the first game. So yeah, when I ask myself the question: "Was this a story that needed to be told?" No it wasn't, and it has become clear that Joel and Ellie's story should have ended with the first game.
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  3006. I kinda agree with your closing comments, Critical. James Cameron has been derided as a filmmaker before. Usually right before he blows us out the back of the cinema with his latest visual masterpiece. And frankly a simple, engaging story, told well, that entertains me for a couple of hours, is bloody light years ahead of pretty much everything else infesting Hollywood right now! It's why Top Gun: Maverick did so well this year. But, Avatar 2 is coming out at almost exactly the wrong time for what he needs it to do at the box office. People are having to make increasingly difficult choices about what they spend their hard earned money on. Going to the movies has always been firmly in the 'luxury' column. (Unfortunately these days, 'luxury' seems to be being redefined to 'we still have a roof over our heads for another week, everyone ate tonight, and no outstanding bills'.) I can't help but wonder if two billion dollars is needed because he's already shot the lion's share of the live action/mocap needed for four movies, barring pickups, and the studio has cut him off until they get some sort of return. $2Billion would pay for it all, and any box office for the next three sequels would be almost pure profit. It would also explain why the marketing for Avatar 2 has been a bit lackluster. They've already spent enough money. I hope it does well, or at least well enough to justify Cameron's continued career. I truly do not want him to disappear. His movies rarely fail to bring something interesting to the table. I don't want him to fail, but I can't see how he will succeed this time. Ultimately, it feels the same as the latest Matrix sequel to me. Like the creator is flogging a dead horse to extract that last bit of blood&bone. If these sequels had started dropping around 2012 or so, striking while the iron was hot, then $2Billion would probably have happened. But, it's been to long...
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  3197. One of the fairest reviews I've seen on this game, bravo mate. However I have to completely disagree about the game passing the message of "revenge destroys you" to the player at all. First of all, any time a character does a morally good action, the story punishes them for it (Joel saved a total stranger-> she kills him, Abby spared Ellie and Tommy->they come for her, ellie tried to get information from bf-dude and pregnant-lady without killing them->they try to kill her and she's forced to kill them). Ellie did indeed lose everything in her quest for vengeance and in the end did the morally right thing and forgave Abby, therefore forfeiting her revenge. Abby lost nothing in her quest for revenge and even accomplished it, most of her friends died at the hands of ellie in self defense and they weren't just innocent bystanders, they were accomplishes to Joel's murder, and in the end having satisfied her lust for revenge even gets a chance at redemption and a proper life in the form of Lev. So one of the characters gets her revenge, loses nothing to achieve it and in the end gets a chance at a new life while the other forfeits her revenge (having killed literally hundreds of unrelated people to get to that point), loses literally everything she has in the process and has absolutely no chance at redemption, having lost even her father's final gift to her (playing the guitar). If anything, the message I got was "seeking revenge or not, be as ruthless as you can be, lower your guard for no one even if they're tied up and at the point of a gun, leave no loose ends and never forgive", which I'm pretty sure is not the message ND intended, basically turning us all into tlou1's Joel, the guy they are trying so hard to frame as an irredeemable villain.
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  3859. Several things: 1. It's kind of odd that you complained about the logic and science of the steroid-esque herb when there are other more inexplicable things/characters in Marvel's foreground lore (e.g. the Hulk literally turns into the green giant because of gamma rays? Vision is a mesh of AI, two men's minds, and an INFINITY STONE? I don't hear any geologists complaining about that one). 2. I disagree that Wakanda's method of deciding king is inappropriate given its technological prowess. Not all nations have to abide by the same electoral and democratic model that western civilizations employ. Plus, it maintains traditions. Similarly, in Aquaman SPOILERS the king does not have to be the popular vote - just the one serving the beatdown. You may disagree with that model, but both socities, Wakanda and Atlantis, seem to cherish their traditions. 3. Who is to say that Wakanda did not open its doors to adjacent African nations before or around the same that T'challa and his sis went to the States? (No, really - I don't remember if they made it clear in the movie that they hadn't gone anywhere but to America.) Who is to even say that Wakanda's neighbors need their aid in the universe this is set in? 4. If the science of T'challa's brief plunge in ice is wacky, explain to me how Captain America or Bucky survived the first Captain America movie (in what would appear to be similar yet far less plausible situations). 5. Your stance on the marriage of traditional African elements within sci-fi is your prerogative, but it shouldn't exonerate other similar Marvel settings, such as Asgard. Truthfully, I don't know your stance on such other Marvel settings, but this one shouldn't endure your wrath alone. 6. If Bilbo or Gollum are known to be prominent in New York or London, why would they conduct a surreptitious business deal in New York or London? One could argue that they would seem to be going about ordinary business if they stayed "home," honestly, but it doesn't seem too out of place to have both travel somewhere mutually foreign. 7. The happenstance of vibranium and the subsequent affluence of its beholder isn't as absurd as it's made out to be in this video. The advent of steel weaponry, for example, gave European powers vast dominance mostly because no one else had it. That's just how the cookie crumbles sometimes. 8. Shuri's role is so vast simply because her intelligence is so incredible. I wouldn't entrust just any 15 year old off the street with my livelihood, but if she possesses medical knowledge eons out of my league, just show me where to sign. That's the beauty of the character - she's just that capable. It's unbelievable because her talent is. I'm not saying this movie is phenomenal and can deflect every critique, but I do think it fits in the lore of the MCU given prior entries to the franchise.
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  3905. Rey as a character had so much potential. But they turned her into a bland, boring Mary Sue and it took away any tension or even basic interest in what she was doing. You knew exactly how every conflict was going to turn out for her, the only question was how long it would take to get to that predetermined conclusion. I've seen adult films with more compelling characters. My biggest problem, aside from that, her character made zero sense for her backstory. Abandoned as a child on a harsh, desert planet, presumably a fairly dog-eat-dog place, making a living scavenging parts and fighting off attackers? How does that background result in a kind hearted, virtuous angelic figure whose main motivation - according to Daisy Ridleys interviews - is "doing the right thing?" Leaving aside how this abstract concept reveals how shallow and empty her character is, how does she even KNOW what the "right thing" is? Did the nuns smack her hand every time she tried to steal extra food? Rey should have been a mildly sociopathic, opportunistic thief and scavenger, a real "look out for number one" type. That would have made sense for her backstory, and would have been an incredibly easy roadmap for character development and redemption. But no, she was perfect. Girl power, or whatever. I didnt pay to see TLJ and I'm not going to see Ep IX when it comes out, and I'm not interested in seeing the han solo prequel when Disney releases that either. A charming rogue, smuggler, gun slinger and ace pilot? He's the quintessential space cowboy. If the last movies are any indicator, there is no possible way Disney isnt going to completely butcher it for social justice. Maybe they'll shoehorn in a MeToo lecture, or have Lando be part of BLM.
    24
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  3910. Just seen this, just want to say - bravo drinker for being so brave, not many people could build up a fanbase of harsh critics, then serve them content for them to potentially criticise. I also don’t think people realise how LITTLE money 300k is to create a film. I’m in project management. Films are very complex projects and require a lot of resources. Obviously not 250mil, but also not 300k. The list of liabilities, insurances and rentals is enough to make your head spin. Let alone logistics, crew costs, set costs, costuming etc etc etc. - then look at even just A wage. These are skilled workers who work in production, so while you might not be paying for a year salary, you can expect many thousands for people to just turn up. When assessing the scope and budget, it’s clear you’ve done great with what you have. Plenty of others have offered their thoughts, but I feel most criticisms i’ve read could be addressed with more resources. The accents are iffy at points (many for the english) some acting is a little stiff and feels “youtubish” but I’m genuinely not sure if that’s a fault of editing too -take the guy standing behind the car in the carpark scene. He walks up and then pulls the guy to the car. It might have been more impactful if we cut straight to the slam. As it were the contact felt a little rigged. the music could do with some more character, it feels a tad generic at times. But the concept is otherwise well presented and builds it’s characters well. The risk is people spend alot of time criticising much more expensive products on this channel, so they can’t bring down their comparative expectations. But I think it goes to show how far you pushed the pound. Great job drinker and team - have a whisky!
    24
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  3941. Into Darkness wasn't just a bad Star Trek movie. It set the precedent for Bad Robot Star Trek media as a whole. Even if I ignore the thesis of your entire video, I'd still agree it's a bad movie. I'll try to keep it from becoming a TL:DR: 1. What exactly does this Cold Fusion device do? Yeah, I know it freezes shit, but in what way? Does it just freeze the volcano, which would mean all the gas that's supposed to come out stays under the crust and transfers to the techtonic plates, causing massive earthquakes? Since the ash from the volcano supposedly ends all life on the planet, I'm going to assume the volcano is as big as Olympus Mons. Or does it freeze the core of the planet, which destroys the magnetosphere and thus all life on the planet dies from solar radiation? Eh, fuck science is what this movie is telling me. 2. Even by the logic of violating the Prime Directive, Kirk goes about it in the stupidest way possible. His plan was to steal the scrolls so that he could lead them away from the volcano so Spock can drop the freeze bomb in, but the first thing he does in the movie is shoot the getaway ride that he and Bones planned out, so they have to run on foot. Also, the ship is underwater instead of in orbit because visuals. Which is the key problem with this movie. That stupidity alone makes him unqualified to lead. 3. Kirk's motivations aren't even consistent in this movie. So, after he captures Khan, Kirk is seething mad. He wants revenge or at least put him on trial. But then Khan gives him the coordinates to the secret base. Kirk has absolutely no reason to want to investigate or even call Scotty (on his outdated Nokia flip phone) to investigate for him, but he calls Scotty anyways so that the plot can happen. 4. Shitty death scene is shitty. On a structural level, the death scene fails because it's exactly like Darth Vader's NO! You didn't think you'd be laughing at that point in the movie, but you did. Also, the pacing of the scenes after it fuck the somber tone of the death scene itself. In WoK, it was the falling action moment of the movie after the climax. The tone was slow and somber. In ID, the slow speed suddenly goes fast so that Spock can punch Khan in the face. So, instead of falling action, you get rising tension. It's like getting post-orgasmic tortured on screen.
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  4123. My Dad was a huge Bond fan, so I started watching as a lad with the One True Bond, Sean Connery. Neither my Dad nor I were ever sold on Roger Moore. I just never could buy his Bond as a stone cold killer if he needed to be, which you always felt was just below the suaver surface with Connery. I was happy, Drinker, that you put Brosnan second. I always thought he was the perfect Bond after Connery. Indeed, his Remington Steele was him playing a man playing Bond. As someone else pointed out, his Thomas Crowne shows how he could have played an older Bond. Not as physical but still sharp and able to use his wits to outsmart his opponents in an entertaining way. I thought Dalton was good, but I definitely agree he lacked the “twinkle in the eye”: that Bond needs so he’s just not another spy/assassin. That quickness with a quip or comeback is part of what made us all want to be Bond. We wanted to be that suave and sophisticated. Lanzenby’s Bond stuck with me perhaps the longest, but that was I think more for the supporting cast and the story than Lazenby’s portrayal. Finally, I never quite bought into Daniel Craig. He seemed too old to be as unsure and hesitant as his first picture as Bond, and found myself having trouble really remembering his movies after they were done. I think they tried to hard to be like Christopher Nolan’s Dark Knight and ground the character must more in reality, when it is the fantasy in part that make Bond Bond. So other than maybe putting Dalton ahead of Moore, far be it from me to disagree with the Drinker.
    6
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  4168. There is only one possible plot development that has any hope of retrieving this trilogy from oblivion. That is if Rey turns out to be some kind of constantly renewed clone who was purposely developed to be infused with all the memories and knowledge of previous Jedi, and only needs a certain word or psychological stimulus to regain them and so give access to them for herself and others, like some kind of biological back up device. A kind of cross between the Duncan Idaho ghola and the Reverend Mothers of the 'Dune' science fiction books. It wouldn't be the first time that SW has ripped off ideas from that series. This first occurred to me when Rey's lineage became such an issue, and was comfirmed when she looked into the cavern mirror on Luke's island after asking about her parents and a string of Reys appeared. This would explain a few things, like her Mary Sue abilities and how Luke didn't seem surprised by her appearance, and the precedence of large scale cloning being already established. It would also dash Kylo's denigration of her parents, because even if her original parents were 'nobodies' that wouldn't detract from her own significance. So you heard it here first. They could also reveal Jar Jar Binks as the ultimate master manipulator Sith Lord of the entire series, which would just be completely epic, but others have already put this forward before. Of course, this all relies on Disney actually having good science fiction ideas for the story. So I highly doubt that my above scenario will eventuate. R.I.P. Star Wars.
    4
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  4315. Ah! The vast nostalgia! Loved the old games! The second one especially. Thank you for playing the theme! Still to this day the best game theme ever composed! What made Lara so special as an action character & adventurer was, just as you say, she was sassy & from second one already fully evolved into what we are about to play & get to know her as. And what she is could be described as a lovely yet bold mix of Indiana Jones, Rambo & James Bond, since she raided tombs, killed anyone in her way that deserves to die & she kills just as efficiently as any action hero & sometimes her missions ends up saving the world as well. The exotic part of her was that she was a woman, having the same effect as Ripley got over the Alien franchise = a woman does what a man can do but without ever stopping being a woman & it's fully believable. And as a woman myself I loved playing Lara, it was a door into the gaming world for me. But I also loved the simple detail that Lara is English & therefor had the wonderful British accent. I'm also very glad you mentioned the atmosphere! Yes, most of the time it was more or less silent, with just ambient background noise & sound effects to accompany you & Lara through the tombs. But that was the wisest choice imaginable! It felt, even with the heavy pixels, as if you were in those tombs & caves because the sound brought you there & it was meant to have been untouched & not disturbed for hundreds & sometimes thousands of years. Sound is 50% of the experience as George Lucas once said & that is absolutely true. When the music score does show up you do react & react fondly to it. But the silence, or background noise is so immersive you don't see it as silence. Once you learn the controls & exactly how & most of all WHEN to make jumps it gets a lot easier. Once you get the hang of it it's even very emotionally rewarding once you pull it off in quite complex moves sometimes. Yet it never stops being challenging. Some of the hardest things are when you're swimming under water. Unless you beforehand know exactly where to go you will drown & that takes several tries until you memories the map. Tomb Raider, you could perhaps argue, stole Atlantis from Indiana Jones, maybe that was why he in his 4th film looked for aliens instead. Lara, for sure, took the better straw there. In the first series of games, besides Lara herself, the games had very good stories & strong co-characters & what is better than a fun game with a great story!? Makes the older games that much replayable. Her much weaker & vulnerable attitude in the latest games as well as the bad movie of last year pretty much destroys her character as much as Ruin Johnson turned Luke into Jake. It's not the same Lara. Hence why you can even for fun's sake argue that Angelina Jolie's two Lara Croft films are, even if they are not really very good, still supremely better than the latest film just because Lara was her good old sassy adventure self. A brave & adventures woman that dares to look death & discovery in the eye & yet risk it all to save a friend & the world. That's the Lara I've always loved & admired & will for as long as I live. Thank you for this memorabilia. And thank you for that end scene from Tomb Raider 2!
    2
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  4323. Rocky needed mickey in the first one (learn to fight better and not rely on just being a brawler), he needed mickey and adrian in the 2nd one (learning to gain more speed, and box right handed while needing adrian to get out of her coma and all of a sudden wanting him to box and win), he needed apollo and adrian in the third one (get it together after the loss of mickey, getting over his fear of thinking who he was was all a lie, and that their is more of a boxer inside of him). The fourth one was just all about revenge and that USA is number 1 over Russia. The fifth doesn't exist. The 6th one was all about coming to grips of his mortality but not wanting to give in to reality and that a near 60 year old man can go the distance with a prime 20+ year old boxer, while letting out his anger of losing his wife and fixing his relationship with his son.  In the Creed movie, Rocky no longer has any family/friends around, once again having a strained relationship with his son, lost his only buddy he ever had in Paulie...who was also his worst buddy. So without Mickey, Adrian, Apollo, or Paulie, he had no one there to give him hollywood speeches and training montages to keep him going. He basically just was going to keep living life until he believed death was calling for him and was willing to give in to it because their was nothing left on earth to fight for or care about. Which he took death was calling for him finally with the cancer.   Which of course, the only real bullishit that i couldn't stand in the Creed film was him getting cancer and not once did he care enough to get a hold of his son apparently.
    2
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  4333. It's so sad that The Drinker has to actually do what Movie Critics used to get paid. Don't get me wrong, I can listen anytime and anywhere to The Drinker. It is just that more and more, we are at a point when Critics don't exist anymore. The bullshit that the occupation has become now boils down to good or bad entirely based upon if it is woke or not-woke...If, I was a modern day critic who just watched this video,I would feel shame and humiliation that this guy had the balls to not only give an honest opinion, but actually backs up said opinion with details from the movie simply because he obviously watched it while paying attention to the entertainment factor and plot-points which is the sole reason people watch movies to begin with. We now instead, have replaced objective praise and criticisms of film with biased liberal art major's who are completely deluded about what their job title actually is while rating a movie as good or bad simply by their checklist of woke or not woke....Who cares that there is such a disconnect now between critics and regular people who watches films to be fucking entertained or not? Anyways here's to you Drinker, for doing modern critic's jobs for them and should be given their paychecks for watching a film instead of sitting with a checklist paying attention to the important talking points and whether it jives with their selfish political beliefs and not giving a shit that they whored away any kind of credibility or integrity that would make their old college professors proud and further adding the slow bleeding out of journalism that is almost extinct now.....
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