Hearted Youtube comments on The Critical Drinker (@TheCriticalDrinker) channel.
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“Why can’t more shows be like this?”, the drinker asks. The answer may well be in his preamble. He literally took years to come around to countless recommendations to watch The Expanse, worried that he would be wasting his time on an unknown franchise. However, he will religiously watch every instalment of ever diminishing mega franchises, vainly hoping they will rekindle a spark of the lost magic they once had. We are all guilty of this, drawn to the safety of known brands and less willing to take chances with our time and money on “risky” unknowns. If we, as customers, are not willing to take risks on something different, why, then would the studios take even bigger risks producing it?
It is worth noting that, while a critical success for its original network, The Expanse was to be cancelled for financial reasons 2 seasons ago. It is only because Amazons Bezos was a fan of the series that it got resurrected on Prime.
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I started reading LOTR when I was a child, it’s been some 20 years since. I am Mexican so needless to say, I am not white, but never, not even once I thought, “why aren’t there any brown skinned elves?” In a world where there are dwarves, elves, tree people, orcs, huge impossible towers, and magic I think it takes a sick mind to see the halls of Khazad-dûm, and think “hey, why aren’t any of these dwarves black?”
The world Tolkien created more than 80 years ago has endured the current of time like no other, it was influential like no other and it is close to so many peoples’ hearts that it’s no wonder everyone is taking it so seriously. We as fans of Tolkiens work, had this niche away from The Message that stood strong like the White Tower of Echtelion from the forces of Mordor, but unlike in that story, in our story nothing can escape the darkness
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I don't think we should gloss over the fact that WonderWoman RAPED the guy Steve Trevor was inhabiting. You can't give consent if you're not in control of your body, which makes it as bad as what Bill Cosby was convicted for except that wonderwonman didn't put Steve's soul in the guy, she just happily took advantage of him. It's like if a guy found an unconscious woman in a park, put the mask of his dead girlfriend over her face and then raped her, except wonderwoman also willingly put his life in danger multiple times, had him break laws and attack the secret service and was actually SAD that she had to give the poor guy his body back, not because it was the right thing to do, but so she could get her powers back. What if the guy had a girlfriend or was married? What if he was a devout Christian and virgin and was saving himself for marriage? What if he was gay? What about the crimes they committed with his body? The violation of this poor guy's dignity, privacy, autonomy, and life is utterly astounding and Wonder woman is now a totally self centered terrible person and RAPIST and Patty Jenkins wrote this garbage which speaks volumes about her character.
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Also, can we just talk about how Disney felt the need to elevate already strong female characters into "even stronger" by basically making their whole personality "badass female character"?
For example, Belle was already a well written character, a girl who is nerdy and quiet but also knows where to stand up for herself or the people she cares about (rejecting Gaston directly, yelling at the Beast and refusing to join him for dinner, showing no qualms about walking away from him when he tried to scare her, scolding him later for not controlling his temper). But the live action? Belle is not strong enough, she needs an occupation to be a good character, so she is the scientist now. They also shoved in a few sexist comments that were too on the nose and cringy, to say the least.
Jasmine? OG Jasmine was already strong. Again, she knew when to speak for herself and exactly what she wanted. She knew her own worth and she wanted a suitor who would accept her as a person, rather than for her title. But in the live action, Jasmine needs an ambition. She wants to be the sultan. And she positively insults all men (unlike in the animated version, where she only insults the over the top haughty princes) and has an entire song that talks about not allowing herself to be silenced when there were no instances of anyone trying to silence her. Again, "strong female character".
And quite possibly the most unnecessary change was to Mulan. OG Mulan was arguably the most physically powerful female character but the creators felt the need to change that as well. OG Mulan was a socially awkward girl who cares about her family, and disguises herself as a soldier for selfless reasons. She is not perfect; she has to learn everything from scratch, she fails time and time again while training, she has to work her way to the top. She also used her brains in most of the fights because physical strength in itself isn't enough, and that's what made her stand apart from the others. She got along with the male characters perfectly well, with no need of comparison or proving herself to be better. But the live action version? That Mulan is born with magical chi, she has trained from when she was a child, so she has to face no difficulties when joining the army. The only thing stopping her from proving herself is the society; otherwise, she is perfect. She is far from being a realistic character because young girls would look at her and think, "well, she's strong because she was born with it". Not to mention, the live action Mulan was as boring as a slice of bread. She had no character other than "female warrior", emphasis on the "female".
Basically, physical strength isn't everything. All of the OG princesses were strong in their own ways. Cinderella dealt with abuse and torment for years, but still kept her good morals and kindness. Snow White realized that running away from toxic situations is not cowardly. Tiana wanted to have an occupation to support herself and her mother, and worked hard for it. Ariel wanted to explore a new world that she didn't know, and be part of new experiences.
Also. Romance is not weak. A strong female character can still fall in love. And if they choose to stay single, it should not be because "she's too independent for a partner". You can be in a relationship and still be independent. If the relationship is built on mutual trust and understanding, no one is "too strong" for it. I understand that aroace characters can exist, but their motive for not having a partner should not be "oh, I don't need a man"; it should just be that they're happier with friends or family, and they don't really feel the need to be in a relationship.
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My wife & I took her little sister and her boyfriend to see this afternoon, and my god what a miserable experience it was. There was a decent amount of people in the cinema (mostly younger date-night couples), and we got 30 minutes into the movie, with not a single person in the entire cinema laughing once, until my wife leaned over, said she felt sick and if I could drive her home, and we left.
As we got to the car, she said she lied about feeling sick and just wanted to get us out as she genuinely felt embarassed for me as her husband. My wife is in no way engaged in the culture war, has no idea what the word "woke" even means, and is the biggest normie there is, and even she could see through this crap. Later we met up with her sister and her boyfriend for dinner, and they told us they left shortly after as her sister felt the same way. Again, those two are complete normies like my wife, and the sister and her boyfriend started ranting for a good 10 minutes how terrible movies are now, and how they "all have this weird agenda they keep pushing".
Who are these movies even made for anymore? Regular normies absolutely hate this shit, and every production company seems to be losing cash hand-over-fist. That ESG money must be on a whole other level if they still haven't learned anything.
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CD; you got everything perfect except for "Love", who is in many ways used as a mirror for K. See Wallace calls ALL the replicants by the nickname "Love". It's not her name, it's just a generic nickname Wallace calls the replicants (and by extension, her). She wants DESPERATELY to be important, so her whole character is wrapped up in trying to please and get the attention of Wallace, it's her whole identity, even taking the nickname he calls everyone as her own name so she can lie to herself about how important she is. She wanted to be special and is so wrapped up in her lies she would instinctively lash out at those who WERE special (or she perceived as such). K in comparison also wants deep down to be special, to be more then just a replicant, it's why he works hard to make "Joi" seem more human, it's why he bites so hard on the possibility he was birthed (meaning he had a soul). However in the end, just before the final showdown he's confronted by the ad for Joi, and it all comes together in his head, when she (the ad) calls him by that same nickname his Joi used to call him (see the similarity with wallace and love?)... In the end he faces the truth. He's not special, joi never loved him, but was programed to make him feel like he was loved, and so he goes into his final battle at peace with the fact that he'll never be special. But he also makes an independent choice. He decides instead of killing Deckard like he was asked, like a good automaton should, he brings Deckard together with his daughter. He creates something real, rather then destroy, and dies.
It's a lovely if understated tragedy.
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I'm a girl and I totally LOVED the trilogy with Legend, Anniversary, and Underworld. I might have been a little late for the Tomb Raider series, I haven't played the previous games, still, I was almost instantly hooked on Legend. I actually loved her outfits and it never bothered me that she always looked sexy. Just the opposite, it showed me that I don't have to be the typical girly girl to be attractive. She's become one of my greatest role models. When the new series came out, I haven't played it because I wasn't attracted when I saw the trailers, I watched a walkthrough, it instantly seemed like a disappointment. I think the video greatly summarizes the problems. I would like to add, that in the new series, they basically took away her sexiness, inside and outside, and made a neutral character. The acrobatic moves were my favorite things in the games I played. In the new games (2013 and up), she could easily be replaced by a male character. Sorry to say that, feminists ruined the game.
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There are two fundamental problems with this movie.
The first is that it's not the movie we - or History Buffs to be specific- wanted it to be. We wanted to see the young, ambitious, cunning, intelligent, brilliant Corsican officer rise to become Emperor using his wits and talents.
We wanted to see his genius in planning battles and why his men followed him to the bitter end. We wanted to see the political climber who used lies and manipulation to claw his way to the top and stay there. We even wanted to see the Liberal reformer who made many compromises in realising his agenda for France. However, Scott wasn't interested in any of that. He wanted to tell a much more personal tale of Napoleon and Josephine, showing the world through their eyes and romance. An interesting angle but ok.
That then brings us into the second problem with the movie as it fails spectacularly at that too. Who is Napoleon? Who is Josephine? Why do they love each other? Why does she cheat on him and why can't he let her go? Why are they so obsessed with each other and what draws them to each other? I sure as hell can't tell you based on the text of the film. We're never given any of the details to help us understand who they are, why they're drawn together and why it's tragic when circumstances force them apart. We just don't understand or care about them as we're never given the time to as so much attention is spent on battles and the political moves of Napoleon which, again, also aren't very well developed so rather than being a deep dive into Napoleon is instead a jumbled, confused, unfocused mess.
And what's so frustrating is that all of the pieces are there! Phoenix and Kirby could have been great, the set pieces are spectacular, the movie in general looks gorgeous and with more time or a better script, could have been great.
Really, I think Josephine should have been the main character. Call it "The Emperor's Wife" or something and frame it through her eyes, so no battles or politics, just show how she viewed him on her own. That's the only way it could have worked.
Cos trying to do ALL this, and for a theatrical cut? It was as doomed for failure as invading Russia.
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Let's just say they made Joel's choice a lot more ambiguous and morally gray than in the game. In the game, the Fireflies knocked him out when he was pumping out Ellie who had drowned in the water, they were not going to return his backpack to him (he found it himself) and even more so to pay him for delivering Ellie with weapons, it was not explained exactly how the vaccine would work and why they could not conduct experiments on Ellie's blood. In the series, Ellie is treated much more carefully, Joel was going to return his things and be paid, how the vaccine works, explained quite realistically. At the same time, Joel kills people who have already surrendered, and not just armed ones (although he spared the nurses).
However, in both cases, Ellie was not allowed to make a choice and give consent or refusal. Despite the fact that she is a minor and has not reached the age of consent ... And most importantly, even if the vaccine is administered to all people (which is impossible), it still will not save the world. Millions of infected people who tear and devour people, thousands of cannibals and robbers will not go anywhere, and there will simply not be enough hands and heads to restore the energy grid, the economy and the social system. So summing up, I'm still on the side of Joel.
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The explanation of why the UFO transformed into a kinda flying jellyfish is a really good example of “show don’t tell”. It’s repeated all through the movie that the thing is a predator, and predators goes for easy prey. With OJ, the main character, he has multiple run ins through the movie, and it couldn’t get him. The characters theorised that it was pissed off after eating the wooden horse, and in the final act you can see it actually angry. And when it tries to eat the IT guy and fails cause it’s wrapped in barb wire, it spits him out and growls, presumably in pain. So it unfolds itself to appear larger, a thing that animals and predators do when they are threatened. And when it stares at OJ, it shows that green thingy with exaggeration. It sensed that OJ was a threat, and was scared. They stand in front of each other, not backing away, like real animals do. And it chases the sister when she rans, cause if it runs, its prey. I like that is not explained but implied with real animal behaviour.
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In the original film, there's a shot that lasts for a few seconds. Ariel grabs the reigns of the carriage she's riding with Eric and swings them, causing the horses to speed up. Eric stumbles a bit but is clearly happy. Ariel's carelessness appeals to his own desire to not live according to the rules set by others and he's clearly having a fun time. All this is communicated in a few moments.
In the remake, Eric asks if Ariel would like to take the reigns, which she agrees to. This immediately takes away from Ariel's curious-to-a-fault nature, since her riding without experience was Eric's idea. Then the horses speed up but oh no: There's now a cart in front of them sideways, going... Somewhere, I guess. Ariel dodges the cart expertly and Eric looks scared. Then they drive into a little outdoor farmers market and Ariel makes really tight turns to make it out safely, until halting the carriage right on the edge of a cliff. As they ride off, much slower now, Eric turns around and meekly says "sorry about that" to the people at the market.
Curious, fun-loving, brave and lucky --> Rey Skywalker energy. 😂
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A few years back in history graduate school (yeah, yeah, I know, but I had just got out of the military and Uncle Sam paid for it, so it seemed like a good idea at the time), any time a book review was written, it was strongly suggested that we analyze said book through the "lens" of race, class or gender (people actually referred to this as the Holy Trinity, sarcastically of course). So, if someone ever, EVER, uses the word "lens" to talk about your critique of a film, book, whatever, you know that a bunch of pretentious bullshit is soon to follow....
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A couple free hints for those looking to play the game:
1. Don't underestimate the knife, and don't just carry one as an escape tool when an enemy grabs you. Lickers, in particular, really don't like getting slashed with them, and you can always drop a zombie on its back with enough headshots, leaving it vulnerable to slashes while grounded. They do eventually break, but they break faster if you use them to break free from grabs, so try to slash whenever you safely can to get the most out of them. You can unlock an unbreakable knife by finding and destroying certain objects in the world, 15 of them to be exact. Keep an eye out for them, and an ear if you have good headphones.
2. Headshots can be effective, but only if you let your crosshair shrink. Your shot will not only be more precise, but it'll do slightly more damage and I think it'll have a higher chance of exploding their heads for an instant kill. This is to encourage a style of shooting where you stand still and aim, just like the original games.
3. Mr. X does not like flashbangs at all. Lickers don't either.
4. Speaking of those guys, they're also the most reactive enemies when it comes to sound. Mr. X can hear you running when you're in the same room as him, but otherwise, it takes gunshots to attract him. Lickers can hear you running and they're very fast, but they can't follow you into other rooms, and you can walk past them as long as you don't touch them. They'll technically hear you walking, but they merely crawl towards you in search of you; don't freak out when they snarl and turn towards you, because they technically haven't found you yet.
I could go on, because I've played this game almost as much as RE4; it's highly addictive, and unlocking the infinite minigun and infinite rocket launcher feels so good :)
EDIT: YouTube decided to add extra line breaks. How nice of them -_-
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I am a 51 year old black woman, and one of my earliest memories is watching Doctor Who. PBS used to show entire stories (all the parts) every Saturday. They'd get to the end of the classic series and just start over again. I also rewatched them all with my kids when streaming emerged. So I've seen every episode of classic Who god knows how many times. In all that time - not as a kid - not as a teenager - not as an adult rewatching them - never had it crossed my mind that Davros was a "wheelchair user." I mean, obviously I got that he's IN a wheelchair, but until I watched the reviews of the absurdity Davies is doing, it never even dawned on me that he was representative of anything except a psychopathic evil maniac.
And here's a question - if it's not ok for a character in a wheelchair to be evil, why is it OK to have ANY character of any gender, race, sexual orientation, nationality, age, height, weight, intelligence level, etc etc etc be evil? Is it ok to have a character who is a serial killer, since serial killers are suffering from psychopathology? Isn't that ableism? (I should probably not even be saying this since someone from the BBC or Hollywood may see it and destroy the entire crime genre) I feel like a real fool, because I really believed Davies was going to save this show. But he actually found a way to double down in an even more ridiculous way. I just can't believe it. I'll shut up, because otherwise I could go on complaining about this for 10 more paragraphs. JFC man.
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Back during the 80s, we took in a retired racing greyhound as well. He was already entering his twilight years, and also he'd broken his leg at some point on the past - so while the injury had fully healed and didn't cause him any pain (which will become relevant a bit further down), his racing days were well and truly over. But that was one of the sweetest dogs my family ever had (and we had quite a few during those years, always one at a time).
One day, we took him along as we went to a dog racing ground (my uncle, one seeing our greyhound, had promptly gotten two of his own, and wanted to see what they could do). You should've seen him perk up when he saw all the other dogs racing. He looked so excited, we decided to let him have a run (as I said above, his leg was fully healed by that time). He actually came in second in that final race of his career :)
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The TVA and their tech was something that i just couldn't buy, throughout the whole season. Like, the ONLY weapons they ever seem to possess were those shock batons, and i always wondered: If theyre already having such a hard time restraining two average people and a CHILD, now how the hell would they be able to capture, say, a Thanos? A Captain America Variant? Yes, apparently all magic or supernatural / superhuman powers don't work in TVA realm, but even then, how would they handle a 8ft tall giant in combat, or a regular human in peak physical condition with expert training in Martial Arts? How would they handle , say, a Winter Soldier Variant? Or , as it was once shown very briefly, a Hulk(-ish) Variant of Loki?
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5:18 Speaking of "death's only funny when it happens to men", something way back in Cybrerpunk 2077 made an impression on me.
Depending on which ending you choose to have, either the male Saul or the female Rogue dies at the exact same time, killed by the exact same boss.
The male gets a gruesome death, despite him being a warrior, his head squished, and his defiled corpse remains for the rest of the game. The female, despite being super old, fights back and gets a heroic death, and her body disappears immediately, because it would've been too disrespectful for the game to keep her defiled corpse on the floor like it does with the male. Just a fun fact I noticed. One of billions.
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The problem with Thrawn has been there since he was first reintroduced in Rebels, where he was constantly on the backfoot and spouting cope like "no, I am four steps ahead of those puny teenage rebels, I merely allow them to make me look stupid as I locate their main base", with his vampire organ theme and his Blizzard game voice acting. He was never actually allowed to do anything wrong, even though Filoni wasn't brave enough to give him any significant victories over his beloved heroes. Fans just forgave it because they remembered him from the old Legends trilogy back in the 90s where he was a legitimately badass villain, and he had a hype train building from his new books reintroducing him into canon.
In this show though, he's fat, middle-aged and looks constipated (Rebels Thrawn is clearly shown to be in shape and an expert martial artist), and seeing him in live-action was the last thing fans were holding on to before they gave up on Star Wars forever.
OG Legends Thrawn was frightening because he had a clear plan, a cool-headed analysis of the empire's situation, and a roadmap to victory that allowed for things to occasionally go wrong. He knew what was important and what was a trivial defeat that wouldn't matter in the long run. That's what actually smart leaders do. It's what Gendo does in Evangelion. He's fully focused on his plan and he doesn't care at all about things that aren't important. Disney's Thrawn has consistently fumbled around trying to look like a mastermind when actually he has no idea what he's doing.
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I enjoyed Season 1 much better. The actor was a little smaller which made sense given the nomadic lifestyle of the character, Roscoe and the Tweed Tornado had different ways of dealing with Reacher, Roscoe and Reacher’s chemistry and interest felt organic and realistic, each of the trio had something to contribute, mercenaries who posed a serious threat, and Reacher himself was a LOT smarter. Contrast the S2 group of 4. Less for Reacher to do, fewer cold reads on enemies, no ex military baddies who posed a challenge in combat, even with 4 characters it felt bloated, and an antagonist who seemed very smart quick-thinking and resourceful who never poses a direct threat to Reacher and gets shot very un-climatically.
However, I will check out S3 and hope they learn from mistakes of S2.
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I think it's a HUGE red flag how many characters are in this movie, sure the fans will know who they are, but it would be difficult to introduce so many heroes and villains in the first film, especially when a lot of them aren't famous ones
Superman, Krypto, Mister Terrific, Hawkgirl, Guy Gardner, Metamorpho, Kelex, Lex Luthor, Ultraman
And that's just superhero/villains that people care about, there's even more Muggles nobody gives a shit about, like Lois Lane, Jimmy Olsen, Perry White, Steven Lombard, Cat Grant
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I recall someone saying: "the game reeks of pseudo-intellectualism" and oh boy what a fitting description that was.
There are huge fundamental flaws in the game's story which so many positive 'reviewers' tend to completely overlook.
Apparently, emotionally traumatizing your audience by brutally killing off a beloved character, who by the way, was one of the only TWO main characters who the players had such a deep emotional bond to, by the hands of a new character who we know nothing about, and then try to build our empathy for this new person is meant to be considered as good writing? The game tries to do so much that ultimately it never managed to garner the same level of empathy for Abby as we did for Joel and Ellie.
Let's face it, that's normal human psychology, when we have spent 7 years, bonding with someone, sharing their experiences and pain, the level of empathy we have for this character will always exceed that of a newly introduced character who we know nothing about.
Like I said, the game is filled with pseudo-intellectualism, prompting many to believe the game challenges its player in new and interesting ways such as testing our capacity for empathy and understanding of its 'complex and deep' plot and characters. The difference between the first and second game though, is that the second game uses cheap and dirty tricks to ask us these questions and "challenge" our emotions, basically making the player do all the heavy-lifting without itself bothering to present its themes, ideas, questions, moral and emotional dilemmas in an interesting, compelling and thought-provoking manner, providing little to no encouragement to the player to do so.
Ultimately, we have a game that is so emotionally unsatisfying, that despite all the 'grand themes' it tries to convey, it ends up sounding contrived, and all the darkness and misery inflicted upon on its character and players just feels needless and purposeless.
Admittedly, like Drinker says, the game's story IS quite bold and ambitious at what it tries to achieve, but ultimately that risk doesn't payoff. I quickly come to the conclusion that it would have been better if the story of Joel and Ellie ended with the first game.
So yeah, when I ask myself the question: "Was this a story that needed to be told?"
No it wasn't, and it has become clear that Joel and Ellie's story should have ended with the first game.
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Thank you, it's fine to enjoy the duels of the Prequels, they may not have the emotional weight the Original Trilogy fights have, but they're nonetheless spectacular and goosebumps-inducing. That ain't bad at all, but just imagine if the Prequels were more refined and the fights got spectacle AND emotional engagement together, they would've been perfection.
...The throne fight in The Last Jedi or Finn vs Phasma aren't either emotionally impactful or even spectacular.
We have zero attachment towards the red guards (why the fuck are they even attacking Kylo, isn't he their superior?), and Phasma is like a much worse version of Episode I Darth Maul, and the choreography is either bland (the only visual thing in Finn vs Phasma is the powerless Michael Bay explosions around them) or it's pure shit (the red guards being purely stupid because otherwise Rey and Kylo would lose, and the infamous dagger being edited out). Fucking rubbish.
I really have no clue how Episode 9 will make me care in the slightest for the well-being of anyone. I already know that I'll yell "USE THE FUCKING LIGHTSPEED KAMIKAZE" at every space battle. Fuck you very much, Ryan.
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The big problem I see with WB's handling of Suicide Squad, is that they're trying to copy the dynamics between the Guardians of the Galaxy, but keep forgetting that that's exactly what Suicide Squad wasn't supposed to be. It was partially a means to get villains with strong personalities to work together, but not get along.
In the comics (and even the animated movies), the fact that each member is ultimately disposable and easily replaced, creates a sense of tension. The only goal for the ones stuck in the Squad, is to stay alive until Waller had enough fun, or they find a way to get rid of the bombs. But much of the entertainment is centered around seeing the Suicide Squad deal with each others' abrasiveness and the issue that some of them openly despise each other, plus they all become the laughingstock of the criminal underworld. But at the end of the day, they are only driven by their desire to get back at Waller, and it's also the only unifier between them, which isn't a whole lot.
So ,the movies trying to sell this dumbass sense of camaraderie between them just feels wrong on way too many levels, especially with Captain Boomerang among them - y'know, the insanely racist and constantly cursing aussie? Hard to imagine that anyone would want to be friends with him, when he's always the asshole.
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I will always believe this until the day I die: the best way to promote positive cultural and social change in media is to ensure that every character is treated the same way, regardless of their gender/race/ethnicity/religion/sexuality/etc.
Uhura was such a revolutionary character because she was just another part of the crew. She didn’t get special treatment, both positive and negative, because of her race and gender. Neither did Sulu.
That’s what modern Hollywood needs to understand. The majority of people don’t hate strong women, or gay kiss scenes, or transgender characters because of those traits, but how it’s constantly portrayed as some kind of unique difference that makes them better than other people because they have had to suffer more.
Their is a time and place for social commentary, and movies/shows can have discussions about it (like Static Shock did with Richie’s dad), but it should not be the core focus of the content.
It’s kinda like adding spice to a recipe. To little, and it lacks the kick that makes the meal exciting. To much, and you just made an inedible meal that’s impossible to digest.
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True story here: When this came out, my friend Tom dragged me to it. I fell asleep at one point. At the end, I challenged myself to say something nice about the movie. I said, "That's the most like-able I've ever seen Rosie O'Donnell." Tom replied, "That was Melissa McCarthy." THIS movie is the one that inspired me never again to pay to see another prequel, sequel, remake, reboot, or YET ANOTHER comic book superhero movie. That means sometimes there are no movies that qualify, and sometimes only one. As a result, my sanity has remained largely intact.
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The main issue with the weirdly sudden black goop injection is that the film did an extremely poor job at conveying why that decision was made. It's supposed to be that the pregnant woman with the injured leg is too injured to make it back to the ship, so she injects the goop into her because earlier Andy and the others were talking about it potentially helping her but since she was around to see what the goop was, she didn't know it was an experimental xenomorph serum.
So the scene is supposed to portray that she only knows that it's some kind of medicine that Andy said has a chance to heal her, so she gambles on that to heal her enough to make it back to the ship without knowing of the repercussions. HOWEVER, the scene doesn't show her getting healed at all as she hobbles the same as she did before the serum injection, which defeats the point of injecting it in the first place. She SHOULD have become unable to move due to her injury having gotten worse over time, so after the serum injection she should have begun moving more easily, possibly with an amazed smile for a "Wow, it does work!" moment to tease that maaaaaaybe the serum has a chance (i mean, we all know it doesn't, but it's for the characters more so than the audience).
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I kinda agree with your closing comments, Critical. James Cameron has been derided as a filmmaker before. Usually right before he blows us out the back of the cinema with his latest visual masterpiece.
And frankly a simple, engaging story, told well, that entertains me for a couple of hours, is bloody light years ahead of pretty much everything else infesting Hollywood right now! It's why Top Gun: Maverick did so well this year.
But, Avatar 2 is coming out at almost exactly the wrong time for what he needs it to do at the box office. People are having to make increasingly difficult choices about what they spend their hard earned money on. Going to the movies has always been firmly in the 'luxury' column. (Unfortunately these days, 'luxury' seems to be being redefined to 'we still have a roof over our heads for another week, everyone ate tonight, and no outstanding bills'.)
I can't help but wonder if two billion dollars is needed because he's already shot the lion's share of the live action/mocap needed for four movies, barring pickups, and the studio has cut him off until they get some sort of return. $2Billion would pay for it all, and any box office for the next three sequels would be almost pure profit. It would also explain why the marketing for Avatar 2 has been a bit lackluster. They've already spent enough money.
I hope it does well, or at least well enough to justify Cameron's continued career. I truly do not want him to disappear. His movies rarely fail to bring something interesting to the table.
I don't want him to fail, but I can't see how he will succeed this time.
Ultimately, it feels the same as the latest Matrix sequel to me. Like the creator is flogging a dead horse to extract that last bit of blood&bone. If these sequels had started dropping around 2012 or so, striking while the iron was hot, then $2Billion would probably have happened. But, it's been to long...
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I've seen soooo many analyses on TLJ. You would think that people would run out of criticisms or deconstructions or plotholes but no. Yours is a welcomed voice. I have never, never, never in my life heard so MANY poingiant, striking, well thought out, thorough, and downright ingenious critiques of ANY other film than I have of this one. It just goes to show you how deeply this movie wounded so many, how disrespectful it was, and how much these characters were loved. Ruminations like these don't come from just seeing a bad movie, they come from some place much deeper. There is NOTHING close to the complexity of emotion and psychology that goes into these critiques on the side of those who defend this movie. I've been done with Star Wars for quite some time, but I am just starting to realize that the damage this movie has done will be spoken of passionately for decades to come.
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I am an old-school comic book fan. I started collecting them in the early 80s and Amazing Spider-Man quickly became my favorite. For many years, I was looking forward to a genuinely good superhero movie. We got Blade, in 1998 which I really enjoyed, but I didn't feel that the dream had really been achieved until Tobey MacGuire graced the screen as Spider-Man in 2002. Finally, a GOOD representation of my favorite childhood superhero. Then, six years later, we got Iron Man--my brother in law's favorite character. And again, it was GOOD! The MCU was just starting and we got a whole host of excellent (and some not-so-good) superhero movies. This all reached a crescendo with the two part Infinity War story arc. At this point, we are already starting to get hefty doses of the political activist garbage, but you could overlook it because the stories were still really good. Then it was over. Spider-Man: No Way Home was a really good late-comer, but really, the superhero genre was pretty played out at that point. Speaking as an old-school comic book fan, I can tell you with absolutely certainty that I am thoroughly done with superhero movies. They have overstayed their welcome and now I just want them to go away.
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It's one of the saddest movies ever and it's very haunting, I think some audiences don't like the ending but the point of the movie is it's a story about the soldiers, they focused at the main character's path to war and he portrays the embodiment effect of horror of war. In the end, they fight for nothing, fighting for another rich man's war, they fight for the generals and kings, leaders who are the most coward of all and one of the striking moments of the movie is food, food resembles life and satisfaction, the movie shows a good contrast between the food of the soldiers and the food of the officials, Food is living and the soldiers only wants that, every food they eat reminds them of home , home that they should never left in the first place, and they regretted to leave their food just for the misleading excitement and joy for war.
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The games in the 90's had generally more soul within them. No microtransactions, no fancy graphics, but compelling gameplays and fascinating stories. I cannot recall anything as epic as Baldur's Gate Saga, which, within its good vs. evil narrative, managed to present a whole spectrum of moral stances, provided companions and NPC's whose strengths were not their sexual orientations, but their stories and dilemmas they faced, and gave the players some freedom in terms of dealing with certain problems. And now one developer wants us to get hyped about adding NPC's to a deeply flawed game that used to be a great franchise, another claims tgat we should get excited, because the new game would be a single player without microtransactions. To paraphrase the witty, yet inebriated genius himself - F**k off, devs!
Thank goodness there is Cyberpunk on the horizon
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One of the fairest reviews I've seen on this game, bravo mate. However I have to completely disagree about the game passing the message of "revenge destroys you" to the player at all. First of all, any time a character does a morally good action, the story punishes them for it (Joel saved a total stranger-> she kills him, Abby spared Ellie and Tommy->they come for her, ellie tried to get information from bf-dude and pregnant-lady without killing them->they try to kill her and she's forced to kill them). Ellie did indeed lose everything in her quest for vengeance and in the end did the morally right thing and forgave Abby, therefore forfeiting her revenge. Abby lost nothing in her quest for revenge and even accomplished it, most of her friends died at the hands of ellie in self defense and they weren't just innocent bystanders, they were accomplishes to Joel's murder, and in the end having satisfied her lust for revenge even gets a chance at redemption and a proper life in the form of Lev. So one of the characters gets her revenge, loses nothing to achieve it and in the end gets a chance at a new life while the other forfeits her revenge (having killed literally hundreds of unrelated people to get to that point), loses literally everything she has in the process and has absolutely no chance at redemption, having lost even her father's final gift to her (playing the guitar). If anything, the message I got was "seeking revenge or not, be as ruthless as you can be, lower your guard for no one even if they're tied up and at the point of a gun, leave no loose ends and never forgive", which I'm pretty sure is not the message ND intended, basically turning us all into tlou1's Joel, the guy they are trying so hard to frame as an irredeemable villain.
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I think the main reason why they've written themselves into a corner is because the approach they took with the character of Rey. It was too heavy-handed and they became too obsessed with the female empowerment issue.
Making Rey powerful from nowhere, where she has no training, all these positive virtues has made her feel very dull and as you said very unrelatable. They took this idea and i dont know if it were Kathleen Kennedy's or purely Abram's idea but someone wanted to have a "empowered female" character in Star Wars.
This is good but it has to come over time, and it has to be earned in some way. To allow the audience to follow that character, see them fail, find out their flaws and actually "learn", train and grow. So yes as you say "character development".
The Star Wars saga was built up over time where we followed characters, watched them grow - Anakin and Luke skywalker and develop.
But the writers and people behind this sequel trilogy, they seem to have been so drunk on this female empowerment that they simply expected that us fans would love Rey no matter what, if we just saw her stand next to or go on a little adventure with one or two of the Original Trilogy characters.
Well this is not good enough, plus one really messy issue with Rey is in their quest to give Rey female empowerment, they have purposefully segregated her from the OT characters, namely Han Solo and Luke Skywalker, and this does come across purely just because those specific characters are male.
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The “Go Away Now!™️” is a dead giveaway to: alcohol consumption, movie quality, anger, pity, sadness, happiness, confusion, needing to have a piss, and just pure aggravation.
This one sounded like you didn’t much care for the movie. And I really must agree. It seemed to have some potential, but about a quarter through, I realized I was wrong and I quit watching.
Great review!! And thank you!! Again, your insight is spot on. I’ll go away now.
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My husband and I loved this show; spot on analysis on Reacher's personality and his knowledge of human nature.
One of my favorite scenes is when, after several episodes, he (and we the audience) think we know all there is to know about Finley when during a stakeout, as he's playing with his wedding ring, Reacher sarcastically tells him that it's time to get over his divorce. That's when Finley tells him his isn't divorced, his wife died and the reason he left Boston to move south was that he missed her so damn much, it was too painful to live where every street, every building, hell even the weather, reminded him of her. It shuts Reacher right up and he doesn't treat it like it's nothing. It's a great scene and one that really makes Finley's character make sense, why he's so stubborn and determined to do the right thing.
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My biggest gripe with the movie was that they missed so many opportunities to imbue the story with emotion. The ending had absolutely no emotional resonance whatsoever. They didn't spend enough of the story building up the characters' involvement with the events, and what things meant to them.
Imagine, for example, that instead of Shang-Chi and his sister being opposed to their father, they learn that their father found a way to bring their mother back and join him, only to realize that they're on the wrong path, and have to pay a cost for this lesson. And instead of just beating up an old man, they have to try to save him from self-destruction, only to have him realize at the last moment that they were right, and he sacrifices himself so they have a chance to beat the creature he's unleashed. If we could empathize with his desperate attempt to get his wife and the mother of his children back, instead of rolling our eyes at him for being fucking stupid...
Anyway, hugely disappointed in this movie. It could have been so much more.
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I’ll never understand why Sony thinks we want movies about Spider-Man’s most least interesting side characters. Like we were supposed to get a movie about el muerto, a character that was in 2 Spider-Man issues 20 years ago and a rumored aunt may spy movie. We could be getting projects like a Spider-Man 2099 film, superior Spider-Man film, scarlet spider film, Silk film, a film about one of the spider women, iron patriot film, a showdown between Otto Octavius and Norman Osborn, ends of earth Spider-Man film, a black cat and vulture heist film, a May Parker film, a carnage film, an agent venom film, a film about a serious Venom instead of that obnoxious dipshit in the last 2 venom movies, a Kraven or Morlun film hunting down spider people, and a sinister six film with the most popular Spider-Man villains instead of morbius, but nope, we apparently need solo films about madame web, that blind old woman that never fights in the comics and is just a guide, el muerto, a background wrestler that hasn’t made an appearance since 2005, and morbius, that c list vampire that ppl only know of because of Spider-Man and Blade.
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4:16 - 5:05 is pure, unmitigated cinema.
A 49 second summary of the disingenuous, and complete incompetence of an individual whose mind is warped by lies. fed by others, themselves, or a combination of the pair.
I have no sympathy for Kathleen Kennedy as a movie executive, her work speaks for itself. I do have sympathy for Kathleen Kennedy the woman; and the misinformed, petty, childish, and delusional existence she must live within.
She truly believes she has done no wrong, and we are to blame for her failings; with no room for introspection, or self-reflection.
That is an un-enviable position to be in.
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Alright, everyone, let’s settle down for a moment and raise a glass, or indeed an entire bottle, to mark the release of Rogue Elements.
Now, Drinker, we all know the odds were stacked against you from the start: a scrappy lad from Scotland, armed with little more than a sharp wit, an endless supply of cynicism, and, let’s be honest, a liver that's seen more action than most Hollywood blockbusters. But somehow, you turned those odds into an opportunity and presented us with this glorious, gut-punching, testosterone-fueled tribute to the classics of the genre.
Rogue Elements is as sharp as your tongue after a few wee drams, and a testament to your ability to mix grit with charm. Just like a fine whisky, it is smokey, bold, and delivers a kick that leaves a lasting impression.
So, to The Critical Drinker, we salute you. Cheers, mate!
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I applaud you for all of the content, Drinker. You hit the nail right on the head with this one. I am a filmmaker, and actor, that writes his own feature films. I currently have two streaming across the globe on VOD, and have had two amazing film festival runs. Both movies, BOTH, were done for under 7k. Audiences seem to be loving it, and it is amazing how one can actually make great films (not content), if the heart is there. I go in not wondering if the audience is gonna like it or not. I went in seeing if I could actually do it, and I did. Didn't need backers, associate producers, or someone to give sensitivty training. In the end, we are story tellers. And that is what fuels the fire for the viewers. Great story, great relationships, characters arc.. The audience thrives on that, because they see themselves up there. It's all run on empathy. I could only dream of what I could do with a budget of a mere 100 million. Heck, 100k for that matter. Thanks, Drinker. Been watching you for awhile now, and I look forward to new videos. Keep on doin what you are doin. Joke em if they can't take a fuck, yeah? -Travis Greer
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Several things:
1. It's kind of odd that you complained about the logic and science of the steroid-esque herb when there are other more inexplicable things/characters in Marvel's foreground lore (e.g. the Hulk literally turns into the green giant because of gamma rays? Vision is a mesh of AI, two men's minds, and an INFINITY STONE? I don't hear any geologists complaining about that one).
2. I disagree that Wakanda's method of deciding king is inappropriate given its technological prowess. Not all nations have to abide by the same electoral and democratic model that western civilizations employ. Plus, it maintains traditions.
Similarly, in Aquaman
SPOILERS
the king does not have to be the popular vote - just the one serving the beatdown. You may disagree with that model, but both socities, Wakanda and Atlantis, seem to cherish their traditions.
3. Who is to say that Wakanda did not open its doors to adjacent African nations before or around the same that T'challa and his sis went to the States? (No, really - I don't remember if they made it clear in the movie that they hadn't gone anywhere but to America.) Who is to even say that Wakanda's neighbors need their aid in the universe this is set in?
4. If the science of T'challa's brief plunge in ice is wacky, explain to me how Captain America or Bucky survived the first Captain America movie (in what would appear to be similar yet far less plausible situations).
5. Your stance on the marriage of traditional African elements within sci-fi is your prerogative, but it shouldn't exonerate other similar Marvel settings, such as Asgard. Truthfully, I don't know your stance on such other Marvel settings, but this one shouldn't endure your wrath alone.
6. If Bilbo or Gollum are known to be prominent in New York or London, why would they conduct a surreptitious business deal in New York or London? One could argue that they would seem to be going about ordinary business if they stayed "home," honestly, but it doesn't seem too out of place to have both travel somewhere mutually foreign.
7. The happenstance of vibranium and the subsequent affluence of its beholder isn't as absurd as it's made out to be in this video. The advent of steel weaponry, for example, gave European powers vast dominance mostly because no one else had it. That's just how the cookie crumbles sometimes.
8. Shuri's role is so vast simply because her intelligence is so incredible. I wouldn't entrust just any 15 year old off the street with my livelihood, but if she possesses medical knowledge eons out of my league, just show me where to sign. That's the beauty of the character - she's just that capable. It's unbelievable because her talent is.
I'm not saying this movie is phenomenal and can deflect every critique, but I do think it fits in the lore of the MCU given prior entries to the franchise.
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Rey as a character had so much potential. But they turned her into a bland, boring Mary Sue and it took away any tension or even basic interest in what she was doing. You knew exactly how every conflict was going to turn out for her, the only question was how long it would take to get to that predetermined conclusion. I've seen adult films with more compelling characters.
My biggest problem, aside from that, her character made zero sense for her backstory. Abandoned as a child on a harsh, desert planet, presumably a fairly dog-eat-dog place, making a living scavenging parts and fighting off attackers? How does that background result in a kind hearted, virtuous angelic figure whose main motivation - according to Daisy Ridleys interviews - is "doing the right thing?" Leaving aside how this abstract concept reveals how shallow and empty her character is, how does she even KNOW what the "right thing" is? Did the nuns smack her hand every time she tried to steal extra food? Rey should have been a mildly sociopathic, opportunistic thief and scavenger, a real "look out for number one" type. That would have made sense for her backstory, and would have been an incredibly easy roadmap for character development and redemption.
But no, she was perfect. Girl power, or whatever. I didnt pay to see TLJ and I'm not going to see Ep IX when it comes out, and I'm not interested in seeing the han solo prequel when Disney releases that either. A charming rogue, smuggler, gun slinger and ace pilot? He's the quintessential space cowboy. If the last movies are any indicator, there is no possible way Disney isnt going to completely butcher it for social justice. Maybe they'll shoehorn in a MeToo lecture, or have Lando be part of BLM.
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Just seen this, just want to say - bravo drinker for being so brave, not many people could build up a fanbase of harsh critics, then serve them content for them to potentially criticise.
I also don’t think people realise how LITTLE money 300k is to create a film. I’m in project management. Films are very complex projects and require a lot of resources. Obviously not 250mil, but also not 300k.
The list of liabilities, insurances and rentals is enough to make your head spin. Let alone logistics, crew costs, set costs, costuming etc etc etc. - then look at even just A wage. These are skilled workers who work in production, so while you might not be paying for a year salary, you can expect many thousands for people to just turn up.
When assessing the scope and budget, it’s clear you’ve done great with what you have. Plenty of others have offered their thoughts, but I feel most criticisms i’ve read could be addressed with more resources. The accents are iffy at points (many for the english) some acting is a little stiff and feels “youtubish” but I’m genuinely not sure if that’s a fault of editing too -take the guy standing behind the car in the carpark scene. He walks up and then pulls the guy to the car. It might have been more impactful if we cut straight to the slam. As it were the contact felt a little rigged.
the music could do with some more character, it feels a tad generic at times.
But the concept is otherwise well presented and builds it’s characters well.
The risk is people spend alot of time criticising much more expensive products on this channel, so they can’t bring down their comparative expectations. But I think it goes to show how far you pushed the pound.
Great job drinker and team - have a whisky!
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Into Darkness wasn't just a bad Star Trek movie. It set the precedent for Bad Robot Star Trek media as a whole. Even if I ignore the thesis of your entire video, I'd still agree it's a bad movie. I'll try to keep it from becoming a TL:DR:
1. What exactly does this Cold Fusion device do? Yeah, I know it freezes shit, but in what way? Does it just freeze the volcano, which would mean all the gas that's supposed to come out stays under the crust and transfers to the techtonic plates, causing massive earthquakes? Since the ash from the volcano supposedly ends all life on the planet, I'm going to assume the volcano is as big as Olympus Mons. Or does it freeze the core of the planet, which destroys the magnetosphere and thus all life on the planet dies from solar radiation? Eh, fuck science is what this movie is telling me.
2. Even by the logic of violating the Prime Directive, Kirk goes about it in the stupidest way possible. His plan was to steal the scrolls so that he could lead them away from the volcano so Spock can drop the freeze bomb in, but the first thing he does in the movie is shoot the getaway ride that he and Bones planned out, so they have to run on foot. Also, the ship is underwater instead of in orbit because visuals. Which is the key problem with this movie. That stupidity alone makes him unqualified to lead.
3. Kirk's motivations aren't even consistent in this movie. So, after he captures Khan, Kirk is seething mad. He wants revenge or at least put him on trial. But then Khan gives him the coordinates to the secret base. Kirk has absolutely no reason to want to investigate or even call Scotty (on his outdated Nokia flip phone) to investigate for him, but he calls Scotty anyways so that the plot can happen.
4. Shitty death scene is shitty. On a structural level, the death scene fails because it's exactly like Darth Vader's NO! You didn't think you'd be laughing at that point in the movie, but you did. Also, the pacing of the scenes after it fuck the somber tone of the death scene itself. In WoK, it was the falling action moment of the movie after the climax. The tone was slow and somber. In ID, the slow speed suddenly goes fast so that Spock can punch Khan in the face. So, instead of falling action, you get rising tension. It's like getting post-orgasmic tortured on screen.
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Funny I was just thinking about this very thing this morning... damn, I thought I put all this behind me! ;) I completely agree with you on all points, particularly that complete farce of a back story justifying Kylo Ren's betrayal. That moment literally takes a shit on Luke's entire character arc in the original trilogy. When Luke faces Vader, is goaded into giving into hate to defeat him, then realizes what he's done and in doing so finally becomes the master, it's the realization of his entire story. When faced with the greatest evil in the galaxy, he THROWS ASIDE HIS LIGHTSABER! He won't fight anymore and instead works to turn his father from the dark side. He is literally dying and still never reaches for his lightsaber, or resists in any way. So flash forward and we are expected to believe that when faced with his own nephew struggling with the dark side this same person could even consider murdering him in his sleep!?!? Impossible! Luke has shown time and time again that he would sacrifice anything, including himself, to help the people he cares about. In the Last Jedi he was simply dancing to the needs of the plot, and his character was sacrificed to set up whatever bullshit they were trying to set up. Gah!! It would be one thing if they pulled this with some new character that they invented that we weren't already invested in, but to do this to Luke of all characters... ugghh... It's just so heartbreaking that this is the story we're stuck with now :(
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You guys did a terrific job. I love that, while Frost is tiny, she uses her wits to hold her own in the fight (not "Girl Boss annihilates Huge Man Twice Her Size because plot"). In fact both ladies, Frost and Anja, are EXACTLY how I imagined them in the books (I'm stealing "shitbird", just FYI). I LOVE Dietrich - his wardrobe and swagger were also exactly as I imagined.
The lighting and film quality are quite impressive, and the story is fun. I really enjoyed how the villain brought a hammer to a gunfight.
There were some small things I took issue with - some of the accents could use some refining. Also, I feel like Ryan Drake needs shorter hair. Reading the books, I never pictured Ryan's hair being so, well, luxurious?
But these are small things. For a POC short film created with a day's worth of Disney's catering budget, this is very, very well done. I'm proud to say that I was a donor for this project, and I can't wait for the next one. Bravo! 👏💐🎭
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Bruce Wayne: devotes entire existence to mastering martial arts, stealth, parkour, powerlifting, interrogation, criminology, psychology, computer security, stunt driving, piloting, chemistry, sleuthing, electronics, lockpicking, forensics, deception, the use of multiple strange and highly specialized gadgets, and so on and so forth. Still there are times when he's barely able to survive what the criminal world throws at him.
New Batwoman: wastes life being a clueless loser, traumatized by simple things, but becomes a fearless juggernaut of justice the instant she puts on the suit
I'm trying to think of a lesson more harmful than, "Dedication, hard work, and preparation are worth less than nothing. You can skip all that and be more powerful than anyone just by wishing." Little kids look up to superheroes, which means they are absorbing this caustic monster-vomit as we speak.
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My Dad was a huge Bond fan, so I started watching as a lad with the One True Bond, Sean Connery. Neither my Dad nor I were ever sold on Roger Moore. I just never could buy his Bond as a stone cold killer if he needed to be, which you always felt was just below the suaver surface with Connery. I was happy, Drinker, that you put Brosnan second. I always thought he was the perfect Bond after Connery. Indeed, his Remington Steele was him playing a man playing Bond. As someone else pointed out, his Thomas Crowne shows how he could have played an older Bond. Not as physical but still sharp and able to use his wits to outsmart his opponents in an entertaining way. I thought Dalton was good, but I definitely agree he lacked the “twinkle in the eye”: that Bond needs so he’s just not another spy/assassin. That quickness with a quip or comeback is part of what made us all want to be Bond. We wanted to be that suave and sophisticated. Lanzenby’s Bond stuck with me perhaps the longest, but that was I think more for the supporting cast and the story than Lazenby’s portrayal. Finally, I never quite bought into Daniel Craig. He seemed too old to be as unsure and hesitant as his first picture as Bond, and found myself having trouble really remembering his movies after they were done. I think they tried to hard to be like Christopher Nolan’s Dark Knight and ground the character must more in reality, when it is the fantasy in part that make Bond Bond. So other than maybe putting Dalton ahead of Moore, far be it from me to disagree with the Drinker.
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I can think of way better actual heroes, Sith, and dark Jedi that are way more powerful than this SJW character who got every ability handed to her who were actually trained and lost but became these dangerous force users. Obi-Wan Kenobi, Anakin Skywalker/Darth Vader, Luke Skywalker, Emperor Palpatine, Count Dooku, Kylo freaking Ren because he has a actual backstory to why he turned to the dark side, Qui-Gonn Jin, Darth Malak, StarKiller because he was actually trained by Darth Vader and went from hell to get to where he is even as a clone who retains the memories of the original, Darth Maul, Darth Plagus who can BRING BACK THE DEAD, Shaak Ti, Master Rahm Kota, and hell even General Grievous is even stronger and smarter...and he's not even a force user, he's a cyborg that's mostly more machine than alien
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This game was the equivalent of today's Naughty Dog games. You simply HAD TO like it just because it was a Final Fantasy game. But it was just horrible. The story was nonsensical on multiple levels, full of gigantic plot holes and deus ex machina moments, and the characters were insanely stupid and unlikable. The late 90s was that time when that god-awful emo trend was mostly active, and you could really see it in this game. The gameplay was tedius, unenjoyable and annoying, basically all the things that make RPGs good, were filtered out or scaled down. On the contrary, FF8 had amazing music and some really good visuals, qualities that were ultimately wasted in this shitshow of a game. But yeah, some people like the Twilight movies, why would some not like FF8 too?
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Keep in mind, folks: what we're seeing in movies and on streaming is the cultural zeitgeist on a 2-3 year delay. Studios know what's popular right now, you bet your ass, but they have to release these craptastic films or suffer a complete, total 100% loss on them, so 10% on something is better than 0% on nothing.
This makes me wonder if Hollywood needs to stop with these bloated, over-budgeted films that take years to produce. Maybe they should just stick to making small, low-budget flicks for awhile that they can pump out in six months. A little palate cleanser for all the shite they've made.
Unfortunately, it's likely the people making these films are the primary roadblock to the studios' path back to profitability. It may make more sense to fire entire production companies and shut down studios to reform new businesses without the people making these films, but that's going to lead to massive industry layoffs and severe industry disruption. Well, I guess it sucks to suck, but it has to be done. Cancer must be eradicated.
Also, my paid comment wouldn't go through with specific words I wanted to use. Make of that what you will, and consider the Community Guidelines I'm following.
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Ah! The vast nostalgia! Loved the old games! The second one especially. Thank you for playing the theme! Still to this day the best game theme ever composed!
What made Lara so special as an action character & adventurer was, just as you say, she was sassy & from second one already fully evolved into what we are about to play & get to know her as. And what she is could be described as a lovely yet bold mix of Indiana Jones, Rambo & James Bond, since she raided tombs, killed anyone in her way that deserves to die & she kills just as efficiently as any action hero & sometimes her missions ends up saving the world as well. The exotic part of her was that she was a woman, having the same effect as Ripley got over the Alien franchise = a woman does what a man can do but without ever stopping being a woman & it's fully believable. And as a woman myself I loved playing Lara, it was a door into the gaming world for me. But I also loved the simple detail that Lara is English & therefor had the wonderful British accent.
I'm also very glad you mentioned the atmosphere! Yes, most of the time it was more or less silent, with just ambient background noise & sound effects to accompany you & Lara through the tombs. But that was the wisest choice imaginable! It felt, even with the heavy pixels, as if you were in those tombs & caves because the sound brought you there & it was meant to have been untouched & not disturbed for hundreds & sometimes thousands of years. Sound is 50% of the experience as George Lucas once said & that is absolutely true. When the music score does show up you do react & react fondly to it. But the silence, or background noise is so immersive you don't see it as silence.
Once you learn the controls & exactly how & most of all WHEN to make jumps it gets a lot easier. Once you get the hang of it it's even very emotionally rewarding once you pull it off in quite complex moves sometimes. Yet it never stops being challenging. Some of the hardest things are when you're swimming under water. Unless you beforehand know exactly where to go you will drown & that takes several tries until you memories the map.
Tomb Raider, you could perhaps argue, stole Atlantis from Indiana Jones, maybe that was why he in his 4th film looked for aliens instead. Lara, for sure, took the better straw there. In the first series of games, besides Lara herself, the games had very good stories & strong co-characters & what is better than a fun game with a great story!? Makes the older games that much replayable. Her much weaker & vulnerable attitude in the latest games as well as the bad movie of last year pretty much destroys her character as much as Ruin Johnson turned Luke into Jake. It's not the same Lara. Hence why you can even for fun's sake argue that Angelina Jolie's two Lara Croft films are, even if they are not really very good, still supremely better than the latest film just because Lara was her good old sassy adventure self. A brave & adventures woman that dares to look death & discovery in the eye & yet risk it all to save a friend & the world. That's the Lara I've always loved & admired & will for as long as I live. Thank you for this memorabilia. And thank you for that end scene from Tomb Raider 2!
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Rocky needed mickey in the first one (learn to fight better and not rely on just being a brawler), he needed mickey and adrian in the 2nd one (learning to gain more speed, and box right handed while needing adrian to get out of her coma and all of a sudden wanting him to box and win), he needed apollo and adrian in the third one (get it together after the loss of mickey, getting over his fear of thinking who he was was all a lie, and that their is more of a boxer inside of him).
The fourth one was just all about revenge and that USA is number 1 over Russia.
The fifth doesn't exist.
The 6th one was all about coming to grips of his mortality but not wanting to give in to reality and that a near 60 year old man can go the distance with a prime 20+ year old boxer, while letting out his anger of losing his wife and fixing his relationship with his son.
In the Creed movie, Rocky no longer has any family/friends around, once again having a strained relationship with his son, lost his only buddy he ever had in Paulie...who was also his worst buddy. So without Mickey, Adrian, Apollo, or Paulie, he had no one there to give him hollywood speeches and training montages to keep him going. He basically just was going to keep living life until he believed death was calling for him and was willing to give in to it because their was nothing left on earth to fight for or care about. Which he took death was calling for him finally with the cancer.
Which of course, the only real bullishit that i couldn't stand in the Creed film was him getting cancer and not once did he care enough to get a hold of his son apparently.
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Im sure this is a thought many fans had, and here goes... we dont care if its man, woman, White or black, or any ethnic background, its about the story, if the evolution of the character seems natural to the story, then it would be a winner, however, they just seem to be doing it for the sake of it, so they can tick that diversity box.. good to know my licence fee is in the hands of caring professionals, and not lazy hacks that want to bein the in crowd.. BTW Im the enemy, White Male Hetrosexual, sorry about that, I'll go kill myself immediatly
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