Comments by "Don" (@dct124) on "TIME" channel.

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  9. +alexander andrew  Before I get into this, how is Lupe Fiasco relevant (real quiet over there) The only person mentioned that's still at an all time high is Kanye West and it's not based solely on his music either. Stay focused my man, we're only talking about relevance of hiphop music artist from 2000-2010 and whether they are still relevant today, and Lupe most recent album didn't sell more than 50Cent last album which was mediocre (Animal Ambition). This is why I said numbers really don't matter but what you do at shows currently does to judge a persons relevance. So no I wasn't comparing 50 last album to Lupe recent album as far as content but relevance. 50Cent is currently independent, meaning you do not get and will not get the same exposure you've gotten in the past from a long list of reasons. Think about this, Curren$y is one of the best hiphop artist out and has been for the past 5 years consistently yet you won't hear him on the radio or club (east coast at least) and he's rarely talked about in the same breath as a Kendrick or J Cole b/c he don't have anywhere near the same sales figures but can still pack out shows. I could care less about numbers, but since yall have no idea what they are, here you go. 2013 - KANYE WEST - Yeezus : 1,200,000 (1st wk 327,000) 2014 - YOUNG JEEZY Seen It All : 320,000 (1st wk 121,000) 2014 - EMINEM Shady XV  290,000 (1st wk 138,000) 2014 - TI Paperwork 236,000 (1st wk 80,000) 2014 - 50 Cent Animal Ambition 124,000 (1st wk 47,000) *Independent 2015 - Lupe Fiasco Tetsuo and Youth 79,000 (1st wk 42,000) 2015 - Ludacris Ludaversal 125,000 (1st wk 62,000) 2015 - THE GAME The Documentary 2  146,238 (1st wk 83,171) Since your claim is that all people know 50 for now is him owing some money minus the movie he just made, minus a world tour, minus the fact that he was the 5th richest hiphop artist in 2014 & 2015. Bankruptcy was for his boxing promotion company and all bankruptcy is, is relief, it doesn't mean you're broke. All that being said, I realized that you base your information off of media outlets and not from the masses. Before someone says but 50Cent said he only worth 5 million dollars, if you believe that flock of crap you're a fool. Lastly pointing out that 50Cent is independent means he's made more money than most of the guys. As for net worth in some cases 4 to 5 times as more. Who knows until all this legal stuff is cleared. Figured I'd throw out these other guys DRAKE - If Youre Reading This Its Too Late : 1,051,000 J COLE - Forrest Hills Drive : 1,033,000 KENDRICK LAMAR - To Pimp A Butterfly : 714,000
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  11. +King Kunta  Lil Wayne I was talking about artist established in hiphop from 2000-2010 that are still relevant today and I'll add, at a decent to high capacity. To me Lil Wayne has been experimenting since "I am not a human being". Granted Wayne is technically still relevant; that I agree. Krit and CyHi CyHi has 1 Album, and came out in 09, the same goes for Krit, he just became relevant around 2010 with Krit was here, he's still trying to establish his rap career outside of the US and really outside of the South. Artist 2010-present Curren$y, Wiz Khalifa, Skeme, Nipsey Hussle, Hopsin (Funk Volume), Angel Haze, Earl Sweatshirt, Childish Gambino, Joey Badazz (Pro Era), Asap Rocky (Asap Mob), Chance The Rapper, Ty Dolla $, J Cole, Kendrick, Rick Ross, Wale, Drake, Big Sean, Mac Miller, MGK, Nicki Minaj & Meek, YelaWolf, Lil Dicky, Macklemore, Kid Ink, Future, FrenchM, SchoolBoy Q, Locksmith, Ab Soul, King Los, and many others are the NEW SCHOOL and they are all after 2010 as for there career gaining footing, pace and expanding beyond the US (the US is tiny compared to the world as far as hiphop) New heavy hitters Drake is not letting up and is making it very hard for others to shine. If I say Drake, Kendrick, J Cole, Macklemore and Nicki Minaj, these 5 are in a whole-nother zone in terms of footprint on the world in hiphop compared to their piers. Hiphop is in a Renaissance right now plus we have way more people on the planet, right now we have 7.3 billion people on the planet, back in 2000 it was 6.1 and less during the 90's plus you had insane amounts of black and Latino men and women being incarcerated, killed or strung out on drugs.
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  12. Dude I'm seriously not about to go through all this twice with people who don't understand what the word Relevance means. Relevance by definition a. having significant and demonstrable bearing on the matter at hand b.  affording evidence tending to prove or disprove the matter at issue or under discussion c. having social relevance Lupe Lupe didn't rule anything. Eminem killed everyone from the 2000's hands down. He pretty much out sold everyone I mentioned below put together if I'm not mistaken. CyHi CyHi first mixtape dropped in 2009 meaning he does not have an established career in hiphop due to lack of material and exposure. CyHi is in the 2010 to 2020 era of hiphop, don't bring him up if this is about artist from 2000-2010 whom established careers during that time. Industry As for the industry; that was covered too. An artist on a label has to sell aif I'm not mistaken 4 times as many records than an independent artist. I made the point about 50 Cent still being relevant b/c he's currently independent and sold 124K where the next independent artist not on a label at all that year sold 55K or less irregardless of era. The Game I mentioned Game and others as well already minus Lil Wayne. Here you go... Eminem Lupe T.I. Ludacris Kanye West 50 Cent *The Game Jeezy Lil Wayne *Talib Kweli *Mos Def *Lil Wayne Hiphop I know it's not about sales which is why I focused on shows, tours and events. The US is small in terms of Hiphop now, you got many places around the world living, breathing, doing hiphop more than the US.
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  16. Really? Really? You do realize I covered what hiphop is even what it was?  The question, argument, what this was about is relevance in hophop (not numbers) if you were an artist from 2000-2010 and established your career during that time and you're still relevant today (criteria), numbers is merely a basis of coming to a legitimate conclusion of if you're relevant in hiphop partly. I even went so far as to say if you're a commercial artist you'd have to sell 4 times the amount to equal that of an independent artist. Not only did I do that, for one I believe that if you're a hiphop artist your relevance in hiphop should be based on shows, tours and events basically your exposure to those aware of your arts existence (numbers of sales was just something of a supplement to compare).  Hiphop evolved from its core and this was already covered. Hiphop of the 80's is not hiphop of the 90's, 00's or current and it never will be at least in the US. I literally defined hiphop for the illiterate already. I'll let Mos answer you. Mos Def - Fear Not of Man "Yo Mos, what's gettin ready to happen with Hip-Hop?" (Where do you think Hip-Hop is goin?) I tell em, "You know what's gonna happen with Hip-Hop? Whatever's happening with us" If we smoked out, Hip-Hop is gonna be smoked out If we doin alright, Hip-Hop is gonna be doin alright People talk about Hip-Hop like it's some giant livin in the hillside comin down to visit the townspeople We (are) Hip-Hop Me, you, everybody, we are Hip-Hop So Hip-Hop is goin where we goin So the next time you ask yourself where Hip-Hop is goin ask yourself.. where am I goin? How am I doin? Til you get a clear idea"
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