Comments by "Screen Apple" (@screenapple1660) on "How Lion Rock became an ever-changing symbol of Hong Kong identity" video.

  1. The imposition of the national security law has dealt a significant blow to the esteemed legacy of Chinese martial art history, films, and the broader narrative associated with communist China. Carrie Lam's enforcement of this law (National Security Law) in Hong Kong is perceived as a detriment to the principles of Chinese communist ideology. The portrayal of male martial artists as weak and overly compromising runs counter to the core tenets of strength and resilience that communism advocates. Filmmakers are grappling with formidable challenges in capturing the essence of iconic communist martial art films from the 1960s, particularly those produced by the Shaw Brothers. The prevailing cinematic landscape, shaped by the national security law, introduces elements that appear perplexing and contrary to the historical perspectives upheld by Chinese communists. This situation deviates from ancient Chinese history, which did not have a parallel concept of a national security law. The article underscores that the national security law is causing considerable damage to both the Chinese and Hong Kong film industries, resulting in a decline in overseas investments. This impact raises grave concerns for various audiences, including Chinese communists, who may view these legal measures as conflicting with historical Chinese values and as detrimental to the cinematic heritage. The collapse of the Hong Kong film industry, under the influence of the national security law, is a complex issue that necessitates a thorough understanding of the intertwining factors involving political ideologies, artistic expression, and historical narratives.
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