Comments by "soundscape26" (@soundscape26) on "Millions Visit This City, But Nobody Wants To Live There. Why?" video.

  1. Is there anyone mixing the two?
    22
  2. These AI thumbnails are not that great, it cheapens the channel.
    11
  3.  @happynightmare2332  Almost every video. And the thumbnail as well.
    8
  4. Does anyone even mixes the two?
    4
  5.  @JK-dv3qe  What? They change the titles and thumbnails to perform better with the algorithm. Any creator knows that.
    4
  6. The one for the Netherlands video is hilariously bad... have nothing to do with the video itself. Nor does the title for the matter.
    2
  7. The thumbnail for the Netherlands video from last week is even worse.
    1
  8. How do you know? Most people surely are against illegal immigration.
    1
  9. I don't like the AI thumbnails either but the current one with the sign ends up being the best one. The previous 2/3 were terrible.
    1
  10. The one for the Netherlands video is hilarious. 😂
    1
  11. @@mikemongrel5587 As many as I feel like to.
    1
  12. I have to agree but let's face it... entering a prompt on Midjourney is much faster and cheaper than to hire an artist.
    1
  13. Many YouTubers do that.
    1
  14.  @desireer6915  Also because it requires minimal effort, just enter a prompt and that's it. They are quite cheesy imho.
    1
  15. No, this has nothing to do with immigration.
    1
  16. Yes
    1
  17. Thoughty2: yes
    1
  18. Not really... it was never as cheap to travel as nowadays.
    1
  19.  @JK-dv3qe  They are all slaves to the algorithm. They all now have a feature where they can upload 3 different thumbnails, compare the results and pick which one performed better.
    1
  20. It is.
    1
  21. People from the Middle East hate everything about you and your culture? That's not true for the majority of them but with that attitude I'm not surprised they hate you in particular.
    1
  22. Yes, the changing thumbnails and titles serve that exact purpose, to see which version gets the more views.
    1