Comments by "Tibore Goldberger" (@tiboregoldberger6817) on "NATO's eastern flank nations demand better protection against 'Russian threats'" video.

In May 1934, five months before Hitler and his accomplices held their second Nazi Party Congress in Nuremberg, Germany, Leni Riefenstahl traveled to the city to prepare for the film she would make about this spectacle. She had already impressed Hitler and his minister of propaganda, Joseph Goebbels, with her documentation of the first Nazi Party Congress, Sieg des Glaubens (Victory of the Faith) (1933), celebrating Hitler’s rise to power. They saw in her style the ability to create an operatic image of a Germany imbued with an overwhelming might, order, and beauty that matched their own vision. So they provided Riefenstahl unstinting cooperation and resources, and, together with her, choreographed the Congress to optimize her filmmaking. She was given a company of cameramen and guards and freedom to construct elaborate bridges, towers, and tracks for her cameras. The result was Der Triumph des Willens (Triumph of the Will)—a Nazi propaganda film widely considered to be among the most effective of its kind.yui
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@lukedziuball2298 Radio helped bring the Nazis to power and keep them there On 18 August 1933, Goebbels opened the 10th International Radio Show, in Berlin, with a speech declaring “Radio as the Eighth Great Power"—a nod to Napoleon's notion that the press was the seventh great power. Goebbels argued that “the radio will be for the twentieth century what the press was for the nineteenth century." He noted the failure of the Weimar Republic to embrace radio and claimed that the National Socialists would not have been able to take power without it.
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