Comments by "Morgan King" (@MorganKing95) on "Top 10 Actors Who Have Never Been Nominated For An Oscar" video.
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jazztom86
Audience obviously watch movies, theatre performances, and operas only from the audience's point of view, so they don't notice the techniques in the same way practitioners and acting students do. If someone has gone to an acting school, studied acting techniques (as in evaluating actors the same way critics evaluate movies) or been an actor for a long period, then I can find their assessment a bit more reliable. If not, then I don't trust them as much.
I also base my assessments on my own experiences, and since it's now been a norm that Jim Carrey is a great yet underrated dramatic actor (as in the joint verdict is that Jim Carrey's performances are Oscar-worthy performance that was overlooked), it seems like my experience and thoughts are similar to that norm.
And yes, I've always looked up to Roger Ebert, and he has praised Jim Carrey a lot in "The Truman Show", "Man on the Moon", "The Majestic", and "Eternal Sunshine of the Spotless Mind", and he is obviously a lot more acclaimed and praised than the average movie critic
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jazztom86
Yeah, I don't always blindly trust Ebert. I also mostly looked up to him when I was into movie criticism for the first time, but now that I've learned even more about argumentation and aesthetic judgment, I've been more and more on my own. There have also been instances where I have been questioning his authority, for example when he criticized "The Cable Guy" almost entirely because he expected a light comedy like "Ace Ventura", or when he gave negative reviews to "The Usual Suspects" and "Gladiator". I also don't understand why he criticized Marlon Brando in "The Godfather". I therefore often read his reviews to see why he thinks the way he does, and not just look at how many stars he gave the film. Overall though, I really like his structure and disposition and his no-nonsense writing, as well as his philosophy on relativism.
I mostly do theatre criticism nowadays however since that's what I'm specialized in, and because I don't come across theatre reviews that often, so it's easier to stand by own words. Many of the reviews I've actually read are also not that good (I'm Norwegian, and many of the critics here are people who hate on avant-garde or post-modern theatre performances just because it's not traditional. Many of them are also way too subjective and look into every small detail just to find something to criticize), so I usually ignore them
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@ThatGuyNorm
No, everyone who's obviously not formal or intelligent or can actually use some real argumentation, as well as those say things like "It's retarded" and "Oh please!". If the person seems intelligent and serious however, it's a different story.
Look at this review from Roger Ebert on "First Blood" for example:
"When he explodes near the beginning of 'First Blood', hurling cops aside and breaking out of a jail with his fists and speed, it's such a convincing demonstration of physical strength and agility that we never question the scene's implausibility"
Formal and analytic yet direct, elegant, and engaging.
A bigger example would be from Michel Foucault here in "What is an author?":
"Instead, we must locate the space left empty by the author's disappearance; follow the distribution of gaps and breaches, and watch for the openings this disappearance uncovers"
I disagree with a bunch of things in the essay, but at least he knows how to use words.
And finally we've got Roland Barthes:
"Here the closed character of the form does not derive from rhetorical amplification or from grandiloquence in delivery, but from a lexicon as specialized and as functional as a technical vocabulary; even metaphors are here severely codified"
See? Poetry
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