Comments by "Morgan King" (@MorganKing95) on "Top 20 Actors of the Last Decade" video.

  1. Candie in "Django" was one of the finest supporting roles in history? It's one of the cringiest villain performances I have ever seen, especially compared to these: - Vincent Price in practically every movie he played a villain in - Marlon Brando in "A Streetcar Named Desire" and "Apocalypse Now" - Lee J. Cobb in "On the Waterfront" and "12 Angry Men" - Anthony Perkins in "Psycho" - Malcolm McDowell in "A Clockwork Orange" - Louise Fletcher in "One Flew Over the Cuckoo's Nest" - Laurence Olivier in "Marathon Man" - Michael Douglas in "Wall Street" - Joe Pesci in "Home Alone" and "GoodFellas" - Anthony Hopkins in "The Silence of the Lambs" - Ralph Fiennes in "Schindler's List" - Samuel L. Jackson in "Pulp Fiction" (if you consider Jules a villain) and even "Django Unchained" - Kevin Spacey in "Se7en" and "The Usual Suspects" - Brad Pitt in "Fight Club" - Daniel Day-Lewis in "Gangs of New York" and probably "There Will Be Blood" (if you consider Daniel Plainview a villain protagonist) - Meryl Streep in "Devil Wears Prada" - Forest Whitaker in "The Last King of Scotland" - Heath Ledger in "The Dark Knight" Simply put; wearing a suit, yell, constantly hold a cigerette holder, and make a constipated face does not a great actor make. You should also at least have that villainous aura rather than looking like you belong in a porn movie. As for leads, there are tons of performances that have blown me away a lot more than anything Leo has done (except in "What's Eating Gilbert Grape" and "The Revenant"): - Marlon Brando in "A Streetcar Named Desire", "Julius Caear", "On the Waterfront", "The Godfather", and "Last Tango in Paris" - Vivien Leigh in "A Streetcar Named Desire" - James Dean in "Rebel Without A Cause" - Anna Magnani in "The Fugitive Kind" - Al Pacino in "The Godfather" trilogy and "Scent of a Woman" - Robert de Niro in "Taxi Driver", "Raging Bull", and "Awakenings" - Meryl Streep in "Sophie's Choice" - Ben Kingsley in "Gandhi" - Nicolas Cage in "Leaving Las Vegas" - Daniel Day-Lewis in "My Left Foot", "Gangs of New York", "There Will Be Blood", and "Lincoln" - Jim Carrey in "Man on the Moon" and "Eternal Sunshine of the Spotless Mind" - Edward Norton in "American History X" and "25th Hour" - Heath Ledger in "Brokeback Mountain" - Jamie Foxx in "Ray" - Philip Seymour Hoffman in "Capote" - Forest Whitaker in "The Last King of Scotland" - Adrien Brody in "The Pianist" - Tom Hanks in "Cast Away" There are several more I could mention, but I'm stopping there. And you believe Leo to be the next Brando? Yeah, right! Brando revolutionized modern film acting in an unprecedented way, and he never had his show stolen in addition to always mastering eye contact, gestures, posture, expressivity, and mannerism in addition to bringing a sense of naturalism. You always remembered him, even in minor roles such as in "Apocalypse Now" and "A Dry White Season". Leo hasn't even appeared in Empire and Premiere Magazine's lists for best characters and performances of all time, and they did include modern movies. The only reason people like Leo is because he looks good, but put him alongside actors like Samuel Jackson, Daniel Day-Lewis, Brad Pitt, and Christoph Waltz and you quickly forget about him
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  20.  @nikeshsapkota8904  Qualitatively, Joaquin Phoenix has in this decade taken on roles that requires an advanced control of a complex set of emotions, gestures, and postures. Leonardo DiCaprio has been more prominent, but most of the roles he has taken on requires minimum efforts for Hollywood actors’ standards; it’s most of the time him just using his basic acting abilities, and the only distinctive thing about him is him yelling every single line. His emotive range is limited, and he never really challenges himself; he mostly just plays a businessman and/or upper-class man who relies on his charisma, and once again yelling as if that’s meant to equal intense acting. Can you really make a distinction between Leo’s performances in “Wolf of Wall Street”, “The Great Gatsby”, and “Once Upon A Time in Hollywood” from his performances in “Titanic”, “Catch Me If You Can”, “Gangs of New York”, “The Departed”, and “The Aviator”? Even in “Blood Diamond” he’s only the package, so “unwrap” it and remove the accent and you see the same old Leo doing his usual things. Unlike actors like Jack Nicholson, Samuel Jackson, and Morgan Freeman, Leo’s personal branding doesn’t translate well to a wide range of characters, and a lot of this has to do with him lacking the necessary masculine aura; he looks too feminine and like he’s more fitting for a photoshoot rather than actually playing a real human being. He’s never grown from the archetype he played in “Titanic” since he’s always looked too young for his age. This problem carries over to “Django Unchained” where he looks more like a spoiled man-child rather than an intimidating authority. Actors like J.K. Simmons, The Rock, Clint Eastwood, Samuel Jackson, Daniel Day-Lewis, Jack Nicholson, Al Pacino, and Michael Madsen would own him in a wrestling match or an argument, and some of them have already done that. Leonardo DiCaprio is hands down the most overrated actor of his generation, and I’m willing to bet that if nobody knew who he was and saw his performances for the first time, they wouldn’t be very impressed. Joaquin Phoenix’ performance in “Joker” alone is more impressive than anything Leo has ever done; playing a character with a mental illness is hard enough on its own, but doing a convincing laugh is one of the most difficult things to emote along with drunkenness and crying, and it’s made even more difficult when he has to force it in a non-comedic situation and has to make it look like pseudobulbar affect rather than “I’m laughing because I’m Joker”. Then there’s the aspect that a lot of the film is done through close-ups where the audience can see every potential shortcoming, so Phoenix managing to not ruin the illusion is very impressive. Just in one scene alone he displayed anger, insanity, despair, spitefulness, and vengeance in rapid succession through tableaus, gestures, and facial expressions alone, which is accomplished through a meticulous control of facial muscles, expressivity, and spontaneity. Finally, there’s a meta-aspect where Phoenix has to act like a man losing his sanity and taking on an alter-ego that’s on one hand clearly distinct from his original self, but still grounded enough to feel like an ordinary human rather than a comic book character. That’s way more impressive than Leo in “Once Upon A Time in Hollywood” who practically repeated his own performance in “Gangs of New York” whenever his character was himself, and “Django Unchained” whenever his character played a villain, and none of those performances were very impressive either.
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  104. I agree; I've never understood the hype, and people's reasoning is usually just "Watch this and this" or "He's appeared in this and this movie" without any elaboration at all (yes, that includes you, Vinil Tej), so it makes me wonder if people actually believe what they say. My biggest issue with him is that I rarely feel that he's challenging himself and going out of his comfort zone (seriously? How distinguishable are his performances in "Titanic", "Gangs of New York", "Catch Me if You Can", "The Aviator", "The Departed", "The Great Gatsby", "The Wolf of Wall Street" apart from the superficial stuff?), he whines too much and looks too caricatured whenever he's supposed to be dramatic, his gestures and tableaus are virtually non-existent, his aura is too feminine, and he generally looks more like a blank slave and window dressing. His performance in "Django Unchained" in particular is laughably bad; he genuinely looks like a rebellious teen wearing a suit trying to act like an intimidating adult, his subtexts are the same, his death looks incredibly staged, and I'm just waiting for more masculine actors like J.K. Simmons, The Rock, Clint Eastwood, Michael Madsen, Stallone, Schwarzenegger, Jason Statham, Al Pacino, Brad Pitt, and Danny Trejo to give him a nuggie since I don't see how anyone can feel intimidated by him. If Daniel Day-Lewis or Jack Nicholson had acted alongside him again, then everybody would forget about him. I mean, Samuel Jackson stole the show as soon as Candie died
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