Comments by "Morgan King" (@MorganKing95) on "Top 10 Ultimate Decade Defining Actors" video.
-
6
-
3
-
2
-
2
-
2
-
2
-
2
-
Brandon Griffiths you said "people inside the industry", which include actors. And I guess you have some proof for your claims and statements? And if you have not even seen "A Streetcar Named Desire" (and obviously not many other of his movies), and the reason for it is "because it's boring", you have already lost much of your credibility. I have also already noticed that you have not taken many acting classes or studied acting techniques
Many actors could have played Brando's roles, but could they have played it the same way? One of the reasons his performance in "On the Waterfront" is considered to be so great is because he thought outside the box, especially in the taxi scene; instead of being angry and yell at Rod Steiger like most actors would do, he remained calm and sounded more disappointed because he felt it would be unnatural to not be frightened if a gun was pointed at him, and he slowly pushed down the gun. He also made Terry a very complex character; on one hand, a rebellious dockworker, on the other hand, a tender soul. If you canot sympathize with Terry or relate to the iconic taxi scene, I really wonder what life you have been living. With "The Godfather", he managed to highlight the fatherly and Mafia-like side of Don Vito, as well as being able to play him despite being much younger than what he is described as in the novel (I have read the novel, and Brando portrayed Don Vito's personality and mannerism just like they are described there). He also had a natural authority and improvised his death scene (Brando also improvised a lot in his younger days, which was not common or acceptable at the time). In addition, he had an ability to read from cue cards while still making it look natural and that he had memorized his lines
With "A Streetcar Named Desire" alone, you can see many new interpretations of scenes, line delivery, and physical action:
- While his diction was bad, his line delivery nevertheless sounded more realistic than the poetic and rhythmic line delivery more fitting for theatre
- The way he establishes the room when he first meets Blanche in the kitchen
- The way he actually reacts to what's being said and takes pauses to think about what's being said to him
- The way he constantly tries to get Stella's attention and reacts on that she is not listening. Most actors back then would just exchange their lines
- The way he builds up his anger when Stella offends him at the birthday party. Most actors would probably just be really angry right away
Brando brought a gripping realism to film acting; he was not just a pretty face. You can go to IMDB and Wikipedia, and both will say that he was one of the greatest and most influential actors of all time. Elia Kazan considered Brando's performance in "On the Waterfront" to be one of the best male performances ever, and Kazan was considered to be one of the most honored directors in Broadway and Hollywood history. There are also quotes from Jack Nicholson and Martin Scorsese:
- "There was before Brando and after Brando"
- "We are all Brando's children"
Just because you're an adult and favor James Stewart over Brando doesn't mean that you can just sound pretentious and hate on Brando without having any reasonable arguments for why you don't like him. And if you think Brando didn't do anything revolutionizing, you need to refresh your acting history. I guess you claim that Stanislavski or Lee Strasberg didn't do anything either
2
-
1
-
1
-
1
-
1
-
1
-
1
-
1
-
1
-
1
-
1
-
1
-
1
-
1