Comments by "Morgan King" (@MorganKing95) on "Top 10 Harry Potter Characters" video.

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  4. Anthony Stargaryen You haven’t been responding with any relevant argument for his character; all you’ve been saying is “Snape isn’t a complete good guy, so that automatically makes him a badly written character”. Even now you still do it. People like you are the reason why Alexander Kielland didn’t get paid by the government and Knut Hamsun went into obscurity despite them being gifted authors, and also the reason why movies like “Birth of a Nation”, “Citizen Kane”, “Triumph of the Will”, “A Clockwork Orange”, and “Raging Bull” weren’t immediate successes. I’m not saying that characters need to be good to be considered great; I’m going against that belief. Voldemort is obviously not a good guy, but he’s being praised for how he is written as a villain, while Snape is being praised for how he is written as an anti-hero/tragic villain. Moralism is not an argument because it only looks at how morally good/bad and politically correct/incorrect something is, and not on how they excel in their artistic and aesthetic aspects. Art is not a representation of something else; it’s autonomous! I’m not denying that Snape was a bully and an asshole, but a character like that can be still considered complex and well-written if their background and motivations are clear enough. To be honest, I saw him as bland and cartoonish until I knew about his background, but things quickly changed. Snape obviously lived a tragic life and was bullied by James, so his bitter personality and his antagonism towards Harry and other Gryffindors make sense. And while he became a Death Eater, it’s still obvious that he wasn’t completely loyal and therefore changed sides after Lily (a person he at least felt some love and compassion for despite not being completely nice to her) was killed. Another thing to take into consideration is that Harry having resemblances to both James (most of his physical appearance) and Lily (the eyes) obviously overwhelm Snape, but he can’t let go of it because when you have experienced a trauma and see associations to it, you most likely only see the dark aspects of things. But being a double agent in the Wizarding World equivalent of WWII and ultimately being on the heroes’ side is definitely not everyone has the courage and bravery to do, and while it doesn’t make him a complete good guy and make up for the bad things he has done, it definitely makes him way more complex and interesting than your average anti-hero/tragic villain. I’m not praising Snape because I see him as a hero (on the contrary), but because I enjoy seeing a character clearly having both bad and good qualities to him and being in the middle of good and bad, and the fact that he has made mistakes and acted badly, but tries to learn from it despite not being completely able to makes him way more human than most characters in the Harry Potter series.
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  45. What does Harry Potter really have going for him? He’s just the archetypical hero protagonist who is supposed to fight evil and save the world, and just happens to have a tragic background and experiencing traumas during the process as a cheap attempt to make him interesting when in reality, he’s no different from heroes you can even find in Disney movies such as “Aladdin” and “The Lion King”, or any fictional war hero. And no shit that he develops; the story and atmosphere themselves develop, and Harry Potter would of course need to change as well to not seem misplaced during this development, but it still doesn’t make him any more interesting. And if we’re gonna use the “spectrum” angle you’re mentioning, then Harry Potter is 95% good and 5% “bad” based on how his character is explored, and that ratio is still too immense and unrealistic for him to actually seem human. I also think you need to read “The Catcher in the Rye” over again, because Holden Caulfield and Harry Potter are nothing alike; Caulfield is a representation of the teenage angst and rebellion during the 1940’s and 1950’s, and a 17 year old whom has the mindset of a 30 year old, but gets aliened from the society and his peers because his mental age makes them seem too mentally young for him in his eyes, and he is constantly viewed as a whiny brat who always complains about school and society (even by many readers) when he’s actually the only one who is able to sense the materialistic mindset of society, as well as the school’s manipulation of students and the pressure they’re putting on teenagers who haven’t even become adults yet. Not to mention that Caulfield is a representation of the idealistic childhood innocence, and someone to prevent children from growing up too fast and instead enjoy the parts of your life where you don’t have to worry about money, marriage, education, work, relevance in society etc. What is Harry Potter? Just a teenage hero whom is chosen to save the world and gets aliened for a year simply because he constantly insists that Voldemort has returned when he doesn’t even have any proof of it, and whom just occasionally shows some sassiness and arrogance to him even though it doesn’t affect his personality very much at all. Harry Potter has a function in the franchise, but his character and inner psychology are so rarely explored since the franchise always put story and action first. His character development is also much more descriptive rather than affective. And no, I think it’s fair to see Harry as dull when he’s too pure simply because that’s how you expect the hero to be! What are we taught by our parents and even teachers throughout our whole life? Be a good person and treat other people with respect, so when you get a character that is 95% good, that’s very expected and kind of a “well duh” thing. Even if a character is 100% evil, you become more intrigued to find out what are the driving motivations behind this since you most of the time expect a person to be good. The only times I care about a complete good guy is if it’s the character’s psychology and inner conflicts that move the plot, if the character and his/her environments clash with each other, or if the character is developed in an affective way and does actions that are either undeniably moving (such as Oskar Schindler and Paul Rusesabagina saving over 1000 people from genocide, which is even more effective when you realize that they were actual people) or inspiring (such as John Keating from “Dead Poets Society” inspiring his students to seize the moment and go against the norms or Rocky Balboa inspiring the audience to chase your dream). I can also view a complete good guy as interesting if the author adds elements of defamiliarization, deconstruction, and post-structuralism into a story or character, but that really isn't the case with Harry Potter
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