Youtube comments of Bernadette Banner (@bernadettebanner).

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  7. Hi All! Sorry for the delay in getting the captions back on this--it's a long one, so they're still in progress, but should be in by end of today if you require captioning. ALSO apparently it is now a thing that YouTube INSISTS on automatically stuffing 12 midroll ads into every video which MAKES ME RAGEY. I've unticked the midroll ads box that keeps somehow re-ticking itself despite opting out of this new system entirely, so if you see any midroll ads in this (or any of my other videos) please let me know--I work way too hard on editing a nice calming story into my videos to have that constantly interrupted by ads. πŸ˜‘ EDIT TO ADD: as much as I hate midroll ads, I canNOT condone the use of ad blockers on YouTube (especially). If ads are not getting through to you, creators are not getting paid . I used to be an ad block user myself but whitelisted YouTube when I found this out, before turning it off altogether, as I realise now how important advertising is in bringing us good online content to be accessed for free. That being said, it's up to creators and online distributors to be reasonable about advertising-- to let it exist in a way that pays the bills but does not interfere with enjoyment of the content (as I personally believe mid-roll ads do to my videos). But I leave pre- and post-roll ads on for a reason--because I do need to make a living if I'm to continue devoting my full time to creating complex videos regularly. This video alone took over 35 hours to edit--and that's not including the month and a half I spent sewing (and shooting) the dressmaking process. I'm paid only per thousand monetised views, and according to my analytics I'm receiving compensation for a bit under 2/3 of the views the video actually gets. Some of these are intentional--YouTube doesn't serve ads to viewers who have been watching a lot of content (because that would be annoying)--but the majority of this is due to users viewing with ad blockers. Thankfully I'm doing just fine with ad revenue, despite adblock users and without midrolls--but not every creator is so lucky . I know ads suck, but...so does paying for 9028359074 subscription services to view all the paywalled content on the internet. Thank you for coming to my TED talk :)
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  13. So this video has been done and listed quietly for a number of days now, but I just haven't felt right releasing it to the public and potentially distracting from the voices of black creators that need to be heard with particular strength. This is to say: do not be alarmed if you see comments dating several days back--these are from early access Patrons; the publication date of this video is correct, and your notifications are probably working fine. :) BUT, just because I've finally decided to publish this video does not mean that the voices of our PoC creator friends do not still need to be heard. Here are a few of my personal favorite black creators/channels, who I would highly encourage you to check out! Feel free to boost your faves below. x This webseries, Black Girl in a Big Dress, follows the story of a black historical costumer and her struggles to engage with 21st century life: https://www.youtube.com/channel/UCsfdAYPzeQ7kPLZ9-pz2I2Q Cheyney of Not Your Momma's History, a black reenactor and living historian striving to educate on the real history of American black and enslaved people: https://www.youtube.com/channel/UCEVpwIpE7PpD2rt1SGtAkJw Dandy Wellington on all things vintage menswear and lifestyle. He's so close to monetisation--go give him some watch time! https://www.youtube.com/user/indiglonyc TinyAngryCrafts, who has relatively recently joined the CosTube ranks! https://www.youtube.com/user/okamishoujo If you're into BookTube, I've just discovered NayaReadsandSmiles and have been greatly enjoying her videos! https://www.youtube.com/channel/UC52OEyEFO3p-5Qkahcv0REg
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  26. Hand & Lock’s Expert Embroidery Guide: Throughout this film, many references have been made to various embroidery techniques & processes. Below, the Hand & Lock team have put together this helpful guide to recap on each. Each process chosen for this project was carefully considered and utilised to replicate the 18th century waistcoat design chosen by Bernadette and her team, as closely as possible. β€˜Hand Guided’ is a form of machine embroidery that requires a person to physically control the machine, and manually manoeuvre the fabric under the needle as the machine sews, creating fluid embroidered shapes. The beauty of hand guided, is that it has an organic aesthetic and often the embroidery artists individual style is evident in the work. β€˜Digital Machine embroidery’ is a modern, computerised technique which requires expertise with both digital embroidery design softwares and complex machinery. Digital embroidery must be carefully designed and rigorously prepared to ensure a successful outcome where the two elements work seamlessly together. Experienced digital embroidery designers are able to manipulate their stitch files to mimic the effects of hand guided or hand embroidered stitching. β€˜Hand Embroidery’ is an umbrella term that covers many of the highly specialised techniques mentioned, all of which are created completely by hand. These include: β€˜Goldwork’ is the ancient art of highly decorative embroidery using metal bullion wires. Bullion wires are tightly wound metal springs that come in long lengths. It is another umbrella term that has many more specific techniques within it. The main Goldwork techniques we have used in this project are: β€˜Cutwork’- is a process where bullion is cut down to size and the embroiderer can use it like a 'flexible bead', passing their needle and thread down the centre of the spring to stitch it onto the fabric. β€˜Essing’- is a technique where the bullion wire is manipulated by the embroiderer, stitching it down at angles to create curved shapes. β€˜Passing’ - is a thick goldwork thread made of a cotton core wrapped in metal. It can be used like a normal thread and stitched through the fabric, or it can be worked only on the surface and 'couched' down. 'Couching': is the method of laying materials on the surface of your fabric, and stitching over them to attach them down. 'Embellishment': refers to the application of beads and sequins. 'Silk shading': uses colourful silk or cotton threads, in long and short stitches to create blending. You can try all of these hand embroidery techniques for yourself with the Hand & Lock X Bernadette Banner Embroidery Kit. The kit includes a panel of pre- machine embroidered fabric for you to work on top of! If you would like to find out more about Hand & Lock, including their bespoke embroidery services, ready made products, and worldwide embroidery classes, please visit: https://handembroidery.com/
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  394. You're right, and that was poor wording on my part. As this video is focussing on corsetry primarily (as construction and shape start to differ in the realm of bodies and stays that complicate the comparison to modern corsetry), we're talking about the Victorian period in this video. And while, yes, there is no such thing as an 'always' in history--that we can't fairly claim all clothing was tight-fitting--the vast majority of photographs, extant garments, and portraits show garments that are fit snugly throughout pretty much the entire Victorian period, with examples spanning a range of classes. That's not to say that there weren't people then who detested tight fitting clothing, were in the habit of wearing older, looser styles, or lived in areas with regionally specific dress that wasn't tight-fitting in the manner of the general (English) stylistic trend of the time, but I think it is reasonable to assume that a vastly higher percentage of the population had regular daily experience wearing tight-fitting clothing and would therefore have no unfamiliar discomfort with it in the way that the majority of the population today would have. But yes, this is also the Western (in my case, English) assessment; things were certainly different in other parts of the world, but alas, this is the particular region of dress I have studied in depth and am qualified to speak on with any nuance. I would love to hear the perspectives of those whose area of study encapsulates different geographical regions.
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