Comments by "redfish337" (@redfish337) on "Japan’s Schoolgirl Pin-Ups| Unreported World" video.

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  7. It's a (paid) public event. Anyone can watch who can get to the venue and pay the entry cost. But since she is super indie, she can't really advertise. It's word of mouth, and while idol fans are something like 70% male, it is usually +90% at these niche super indie events. They invite their friends- or rather, the people they're acquaintances with at other idol events and the ratio gets high enough it starts to be uncomfortable even if others want to be fans. You know what would have been really nice? If a foreign news team came in and promoted Yune to a wider audience. I mean, how does this video get made in the first place? They obviously misled about their intentions when talking to Yune's manager to get permission to film. There's no way they were straight with them. Yune could have talked about how she started doing videos after watching other kids' videos and that she hopes one day many of the kids watching her tik-tok videos will be able to come in person sometime. Manager or mom could have talked about hoping for a wider audience but it's hard to break stereotypes that the media has set up for decades. And someone could have asked that everyone who watch this go send a nice message to Yune on twitter. Which you can do now since you're here: https://twitter.com/yune_yune_go_go You can just send this: "Your music is super good and absolutely amazing!! You are super talented." so she can actually receive the compliment. In the end, this production team stabbed Yune in the back for money.
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  41.  @justaguyinwonderland  I lived in Japan. I've been to 100+ concerts there of most types, including 50+ idol shows and even "accidently" something quite like this. It was an opening act on the same ticket as a group I wanted to see . So I've actually been to something like this in person feeling awkward. I've seen shows where it's all guys in attendance. And I've seen how many actually have quite a few girls. And I can draw some conclusions on why some have few and some have many. Again, only been to that one event (well, it was a two parter I think), so I'm not an expert on the kiddie shows. But I've at least seen it and seen how the people there act. One group I follow (much older than here... I think oldest is 26) decided to push for female fans- female ONLY events, either free or very cheap. You know why they pushed? One of the girls wanted to do some female only lives before she quit, and the manager was willing to waste money on it as a parting gift of sorts. And guess what? They could get them. You see, many of the girls who went LIKED IT, especially without that big crowd of guys there who they tend to find intimidating. And some of them even started going to the regular events with the crowd of guys when they decided they liked it enough to put up with the guys there. So if it works, why don't more do it? Well, when you're barely making ends meet in a competitive market, how can you rent a venue for $1500-2000, pay your other expenses and stuff and probably run $3000 in total expenses, and not charge money, to maybe get a few new fans? These sorts of guys are going to an event no matter what- all you gotta do is get them to choose your event instead of someone else's. If you want girls or kids to come you need to throw a lot of money at them and a lot of people this far into the indies aren't in position to be able to do that.
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  42.  @justaguyinwonderland  This video demonizes it. Moreover, the comments suggest that it is "normalizing" it. My position is that (most of this) is normal and the problems that aren't are in large part because it's long been demonized. Basically, I find the video to the counterproductive. What was it aiming to do besides give the guy a paycheck and earn this channel some clicks? What is Yune actually doing? One or twice a week on weekends or holidays she performs for 20-30 minutes, mostly singing cover songs in outfits inspired by the artists she covers. Afterwards she talks with fans. This is normal stuff. It's not significantly different from gymnastics or youth theater or figure skating or sports. And especially no different from a young band member. The core of this is legal, supervised, and all sorts of people appreciate her talent and enjoy her performance (in other words, it's POSSIBLE to like it for positive reasons). She goes to school like a regular kid and then does this extracurricular like all the gymnasts and figure skaters and 12yo bassists. While some things are a little sketchy, the basics of what she does is normal. It's not normalizing fetishes, it's just normal. If she was performing in front of 12 year olds no one would care. Even most of the weird stuff here, if it was 12 year olds, no one really cares. Quirky little thing at most. The issue is the audience. And the audience is what it is because of demonization. In recent years the media has pulled back from demonizing nerds and regular idol fans so much and the result is more young fans and more female fans. Higher up, it's not so monolithic anymore. But it hasn't transferred down this far yet. This stuff should be normalized. You normalize it and younger people and kids will show up. The cameras will get put away. Everything will sterilize. Demonization keeps this as a fringe element. Now obviously you can't normalize everything if the core of what they do is sketchy like fetish modeling or something. But the core of what a young idol does is no different from a young band member so the key is to get girls and kids and everyone else to believe that it's okay to go to something like that. Girls show up and THEY'LL CATER TO THEM. They'll sell makeup cases and phone straps and crap like that instead. This guy had opportunity to push it in that direction. If just 1/1000 girls who watched this video went and posted something positive on her twitter, you'd flood out the guys and could actually promote change for the better. That was lost by making this a hit job.
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  60. This is very indie, so they're taking advantage of preset fandoms they can reach without having to pay to advertise. So most people won't even know she exists. Many indie idol fans go to events almost every day and it's just a matter of getting them to go to yours. Camera geeks takes photos and record all of the frankly, very few events that you can actually record. And probably there are some undesirables there who looked for this exact thing specifically for the wrong reasons. Women in Japan have long been told they aren't supposed to like female idols. By poll, some of the more popular groups actually have 20-40% female fandom, but it's hard to convince many of them to actually go to shows. And as the male % at shows increases, the women feel more awkward and it makes it even harder to convince women fans to go or stay, and they will tend to congregate as fans of a few specific groups where they are able to maintain a decent minority, meaning many other groups will basically have 0. Personally, I really liked the Backstreet Boys back in the day but I wouldn't have been caught dead at one of their concerts. Lots of guys liked it, you just couldn't say it too loudly. It wasn't cool. Even though I liked them and should have liked all sorts of indie style groups like them, I didn't bother looking into it. Heck, I didn't even really look into indie stuff in the first place until late high school. The multi-national corporations mostly told me what music I thought I liked before then. Which is part of why there aren't kids there. If she gets more popular, both will come naturally. Forcing it is extremely expensive.
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  66. Retroactive bans (possession) are a can of worms. I don't think it actually did much of anything in practice except be a virtue signal though. What's the problem with possession laws? I'll even say something totally innocent in case you're someone who has never had any porn. Let's say if the government said you could no longer own pictures of people under age 18 no matter how clothed or innocent the picture to try to be absolutely sure no CP is being created. Now maybe you've got 10000 photos- as you go through all your old photos, are you going to be 100% effective at weeding out the people under 18? If not, you'd be in possession. Usually they have to show intent, but they could still charge you and get you judged in the court of public opinion- or threaten you if you don't plead guilty to something else. Moreover, while I can sympathize with getting rid of all the CP, this law that I've proposed right here seems to really overstep bounds- lots of totally innocent stuff would be banned. And instead of just banning the taking of the pictures until someone with more sense comes in to repeal the law, the law tries to delete all such pictures since the beginning of time. Again, I can sympathize with trying to get rid of all the CP- but possession laws judges the whole past by the present without opportunity to appeal, so I would prefer the government not be given such power at all and stick to focusing on production and sales. Which I think is what they actually do in practice. BTW, the UK law for appearing in porn was only changed from 16 to 18 in something like 2003. That's not all that long ago either...
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  89. Jojo Siwa got popular through TV- heck, TV targeted toward kids and moms. The show regularly got about 1,000,000 views. She took that popularity and branched off to music. I don't know how involved she was with the music, but her original popularity came from that TV show... which if you follow the money back up, is basically a Disney-joint venture platform. Maybe Disney wasn't pushing her in particular, but they were invested in the success of her show and that show gave her massive exposure. Compare to this girl, who is starting from zero. How many kids are already listening to stuff outside the mainstream? Their favorite music is mainstream stuff or stuff that gets play on their favorite anime or TV shows, etc. She'd need to do an anime theme song or something to get wide exposure, but you're not going to get that job as a nobody. Until she makes a big enough name for herself to get signed to a national focused company (IMHO she'd already be signed if not for covid but I digress), she's stuck fighting it out in the live houses. I personally think the cameras give a bad feeling- but most established artists in Japan don't let you film at all. I kinda think those ones are more camera geeks than anything. You know one guy with video of Yune's performance... you know what else is up on his channel? https://www.youtube.com/watch?v=wtF2fG7YlQY Oh, and this: https://www.youtube.com/watch?v=mWmi2c1m8Ho They're just going around to whatever shows allow filming. When they post the description of the performance... they also list the camera and microphone type used... who does that besides a camera geek? While there's opportunity for predators... it's complicated and even at this sort of event which would be prime for pedophiles, I'd still say that at least a majority of them have good motives. I would think it would be better to keep away from events that focus on younger idols... but it's hard to say. Maybe SHE likes those ones better because those are the ones her friends perform at. And there's also the idea that older idol fans may look creepy, but it's the younger ones that DO creepy so in the end it might actually be safer.
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  103. It's a hit job video. They take hours of interviews and footage and pick and choose to tell their predetermined story. Fortunately we can just look on twitter to see what people actually say: "や、本当まじ上手すぎない??? いつか生で聴きたいな…" This is really good! I want to hear it live sometime! "うまっ!!!!" Great "さすが歌柱、アカペラもいいね!佑音ちゃんの歌声に癒やされる" As expected.... a cappella is great huh? Your voice relaxes me. "さすがゆうねちゃん 最高(◍˃̶ᗜ˂̶◍)ノ" As expected Yune! It's the best! "佑音映ってなかたら大人が歌ってる感じがした(*´∇`*)" When you aren't being filmed, it has the feeling of being sung by an adult! "綺麗な声だね ガンバ" Isn't it such a pretty voice? Do your best. "オレはゆうねが歌う方が好きだ!" I like the way that you sing. "もしかして!?お風呂場かな" 映画めっちゃボロ泣きしたよ 佑音ちゃんの上手な歌聴きながらまた(emoji) Ehhh... are you singing in the bath? When I hear Yune's pretty voice I want to cry. "映画感動した 佑音ちゃんが主題歌歌っちゃえば" I was moved by the video. Wouldn't it be great if Yune could sing a theme song? "上手だね♫" You're good, huh! "ホントに綺麗な声ですね 凄く上手で聞き惚れました これからも応援しているので、がんばってください" Truly a beautiful voice. Extremely skilled, I greatly enjoyed listening. Please do your best! "すてき∩^ω^∩" Amazing!
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  126. Typically, idol parents don't show themselves. And you mention dad, but did you notice that there's also older brother? Even of those shown in uploaded pictures or whatever, the majority to family choose to keep a mosaic over their face- perhaps for their own privacy or because it's policy of their work or school or just to try to keep Yune anonymous. However, at Yune's age she needs a guardian, so mom already has to chaperone and be so involved in everything so there's no real point in hiding. Basically, that he isn't shown is the normal. That a parent is shown at all is only normal because of her age. Additionally, their apparent economic situation from looking at their apartment means it's VEEEERY likely that dad is the one paying the actual bills. Full time indie idols still make significantly less money than people with a salary position- they perform about 4-5 days a week and make enough money to support themselves. Yune can usually perform 1-2 times a week. In order to actually see how they are without any potential bias of this video, I watched one of her streams. Dad was mentioned, and they know who he is, they know how old he is- IIRC it was given, but I don't remember it at all though it's not clear if he's still an everyday part of the family or not. However, to me the stream is "boring" (it's about 25% her telling each person good evening), and while staying up until 3am or something to watch it to make sure it was clean and how it's administered was fine, I'm not going to be a regular. He's mentioned on her twitter or blog on rare occasion. One day she went to his work. One day they picked him up at the station. One day he and her brother were watching a soccer game on TV together. Nothing really recent though. If you actually went to her meet and greet it's likely you could ask around the subject (eg, what sports does your family like) and you'd get a better feeling for her family than is typically mentioned on SNS. You probably could ask around it on SNS too but it'd be a little bit harder, as they're aware all of that is visible to every Joe Shmoe on the Internet. If you actually appear at an event, you are slightly vetted, and that increases as you go to more. (eg, once you appear at her show and meet her, if you are recognized in her hometown, that's sus, a vulnerability the Internet stalker doesn't have). tl;dr Idol family members usually choose to remain anonymous so info is rare, but it seems at the very least he's been involved in her life for at least part of the time she's spent as an idol.
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  128. I thought the LGB crowd were trying harder to appear to not be abiding of stuff concerning minors, considering recent backlash. The general anti-LGB feeling up through the '90s or maybe some of the '00s or so became by and large acceptance though middle '10s and the recent backlash concerns compliance (ie, when you make non-LGBT into stakeholders in the matter by making them swear fealty or face a penalty), or issues concerning kids, where they are still stakeholders on account of their kids. I've mostly played devil's advocate on this video because I think it is insidiously biased for the sake of gaining clicks and leads people to too extreme of an opinion that isn't inline with the actual safety concerns- where she's frankly probably safer doing this than most people's kids are just existing on account of where they live. Moreover, I think the "actually a fan" opinion is the prevailing one, with the degenerates being a minority and not the 99% that the comment section suggests. But I really don't think she should be doing this at her age on account of the degenerates that are there. Nevertheless, as I think it's by and large safe so long as mom is chaperoning and I think most people are just there to enjoy an innocent performance, I would only go so far as to recommend parents not have their kids do it. And that's it. It's not even dangerous to the extent that I judge the mom for letting her do it- only if she forced her to do it. The recent LGBT controversy has to do with strong-armed promotion of stuff in front of everyone, particularly the kids. Of course there will be backlash. Kids won't even know this girl exists unless they see her on tiktok or whatever, let alone are they being encouraged to be like her- that's why she has to promote to these older guys, who will actually come and pay for a ticket at a venue. It's a gray zone, but it avoids backlash because it keeps to itself. The commercial virtue signaling for LGBT has put it in front of everyone and makes them stakeholders. This drives backlash.
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  140. Because the actual translation is more like: "In the case of Yune, the people who come for her voice, the singing voice, and such... the people who come for that point are many." Which was translated as "I think for Yune people come for her singing voice." Which is an okay enough translation if you weren't trying to read too deeply into every word. And in all likelihood they didn't sit her down for a 1 minute interview. It is likely that 90-99% of her words have been cut and framed, as is the typical cut rate for documentaries, so I won't even try to read too much into the long translation I gave. If you get a 99% cut rate you can make any narrative the truth. It's a dodge, but she's obviously aware that some people are there for the wrong reasons. She mentions them later as a bother that must be overcome. However, she's trying to explain to him, and I guess also to people like you, that many if not most people there really are just good fans. And in the grand scheme of her activities- not this 24 minute video, but supporting and moderating the livestreams, and reading hundreds of comments on twitter or other SNS praising her voice specifically, she's not without evidence. Mom actually gave a measured response. She said some are good and some are not. You accuse them all. Which is a pretty ridiculous position. I'd say it's even less likely that it's all of them than that it's none of them. She plays "regular" events too- not just with the young idols... there's opportunity for her to pick up "regular" fans. Anyway, one more important point: Yune wears a different outfit every performance. In fact, she had a short 5 minute performance earlier in the day which used a different more conservative outfit. This outfit wasn't beyond what she's done before, but it's one of the raciest things she's ever worn. THEY KNEW THE CAMERA CREW WAS COMING. The outfit was chosen for that day in particular. WHY? Why wear the raciest thing in your wardrobe for a camera crew trying to sexualize you? Mom could have even just flipped with the dress she wore early in the day. Pretty sure this was a setup- a bait and switch. They acted friendly with them while taping, encouraging her to wear something that would appeal to Western audiences and fans of pop stars like Ariana Grande, and then 9 months of editing later it's "pin-ups".
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  167. Let's switch the topic. Go look at a concert for NSYNC and let me know about the gender ratio of fans. It's high pitched squeals. But let's be clear... lots of guys LIKED some of those songs. I remember "Bye bye bye" was a karaoke favorite. Cuz people were goofing around. What guy would actually admit to really liking them? Like, really really liking them? To the point of going to a show? Nah, a lot of guys wouldn't be caught dead at such a show... again, even if they liked some songs. It really only goes the one way... girls like boy groups, boys aren't supposed to like pop groups, so girl groups need girl power or girl crush to have enough fandom. In essence, in the West, both boy and girl groups depend on girl fans. In Japan, it actually goes both ways. Girls follow boy groups. Guys follow girl groups. Again, basically to the point that if you go against the grain and like the same gender group too seriously, you're weird. You can like them a little bit, but not enough to go to shows. So girl crush is fairly irrelevant in Japan, and girl groups instead focus on stuff like cuteness and rock/metal to appeal to the male audience that is expected to follow girl groups. As this is very fringe in Japan... that push is even stronger. A girl walks around town or watches TV, she'll hear and see Nogizaka46, maybe becomes a fan. But to actually GO to a venue and CHOOSE to see girl performers no one has heard of? That'd be strange in Japan, and in conformist Japan, it would take a lot of bravery. So in general, there are few girls in the scene, especially at this indie of a level. And they tend to congregate as fans of the same few groups for morale support.
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  220. ​ @lunajack9947  K-pop fans will post that BTS has something like 40% male fans. And the male fans actually at a show will post that they're extreme minorities there. I haven't actually been to BTS so I can't attest to it, but it seems like there's a difference between casuals and the fans. One thing I will say though is if BTS played shows like she did, how long until the pre-teen and even young teen audience gets priced out? How many parents will pay $100 a week ($50 x 2), every week, to take her to a show? (oh, and add transportation costs...) This is what causes the middle-aged illusion of idol groups. (the gender split is pretty common in all sorts of idols in Japan and is plenty true of indie AF boy groups who don't promote broadly too) But back to that... Yune is young so she can only perform 1-2 times a week in most cases, though charges higher for each to try to compensate. Many underground idols can perform about 5 times a week. Which runs about $7000 a year, not including transportation, just to go to all the shows. College kids with no income or part time income can't afford that. So they go to five shows a month or something, which after transportation and such, is still probably around $2000 a year. Well, if a group has 50 college-age fans and 50 40+ fans... well, once you account for who can actually pay for it, maybe 40 of those 40+ fans show up at a particular event and only 10 of the college age fans. And of course it's a bit of a feedback mechanism on top of that because fans will be more comfortable around similar fans. Idols themselves often advertise that a show is "free" you just have to pay the drink charge ($5-6, or sometimes $10-12). It's their job to spin it as just a little extra even when it's paid. But I remember one who graduated going to some event commenting something like oh, that drink charge is quite painful huh!? Indeed- big fans might put down $1500 a year on the BS forced drink charge. That's the scale we're looking at here. Which is why when he gets asked about promoting to younger fans at 14:16, the manager gives a look of "nice fantasyland you've got over there in your head but here in the real world 11 year olds don't have $2000 a year to waste on this."
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  229. The problem with this video is it drops you in without explaining idol culture. I know they're trying to be brief... and frankly considering the channel, be a hitjob, but if you're showing something people aren't familiar with to begin with then it needs to give an explanation of the whole thing before focusing in on the fringe. The long and the short is the 60/40 fan rate at the mainstream for J-idol, drops down to 95/5 or so by the time it gets this far indie, no matter the performer. Longer: This is like basement 4-5 or so of the underground, girls really only have critical mass to be able to make other female friends at shows and therefore want to stick around until about B-1 or B-2 so of the underground. It's a social event. A lot of these guys after the show are going to go eat dinner and have a beer together. They're doing this rather than go drinking with their boss. That makes the girls feel more and more out of place when there's just one or two of them at a time and they tend to flake off easily without forming a critical mass. Pretty much no matter what the group is. And it's mostly explainable with economics and group dynamics. Getting female fans this far out in the fringe is expensive. And I'm pretty sure they bring in less money on average. Same for kids, but even worse. If they get close enough to the mainstream they'll pick them up naturally, or are at least in position to throw money at it and make and keep female fans. Throwing money at it at this point doesn't guarantee they'll get enough for critical mass.
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  243. There are 1000s of idol groups in Japan. Are some being promoted to a younger audience? Sure. Most are 16-26 year olds or so, aiming for the 14-40 demographic or so though. Lots of songs about high school, graduations, fun on the beach, etc. Some of the slightly more major ones maybe get some anime theme songs which would be known by a wider audience. One of the most famous groups, Momoiro Clover actually did a morning kids' show. https://www.youtube.com/watch?v=nhmNurdsIeY One group I like, LinQ, which a regional group of medium popularity. But they got a job for some Yokai Watch material. https://www.youtube.com/watch?v=trNLdKQhnEY https://www.youtube.com/watch?v=sCyW8M-iiX0 Who goes to their theater shows? Mostly men, as that's par for the course with this level of idols in terms of day to day shows. What about major concerts? Well, then it's up to maybe 20-30% female audience. And as regional idols, they often perform at public music festivals and such, and since kids are passively watching, they almost always perform their Yokai Watch songs there. But by and large kids aren't really the actual paying customers- aside for the initial payment for doing the Yokai Watch stuff, they aren't supporting the group's survival. If they relied on them they'd have broken up already. Yune is performing in the underground. Maybe about 2-3 tiers lower than LinQ. She probably has more talent than them, but there's no mainstream appeal for super young girls, so she's still in the deep underground. That probably means no media deals, so you do have to rely on fans to pay the bills, and one salaryman is probably worth 10 college students or 30 kids. And that's probably being generous. These are underground live idols. A salaryman can just go to a show after work in lieu of going drinking with his boss. It's easy to go often. A young child is probably out of the city center... so a parent has to actually take them into the city and bring them home. It's a family affair to get a kid to one of these shows- a salaryman just drops by on the way home after work. So the idols that young people like are the mainstream ones they see on TV, not the ones performing in little holes in the wall downtown. But she's good and has exposure so she'll have opportunities once she gets old enough to gain mainstream appeal. LASTLY, despite whatever assumptions you come up with from appearances.... crap idol fans are called "pink ticket" fans... or youth discount despite age, due to the high rate of troublemakers among the youth. And the people who actually get banned or arrested are almost all 18-32 or so, focused around 26. Do the older people look creepy? Well, then you're not looking in the right place to help defend her. The staff will be eagle-eyed on the younger fans who are muuuuuch more likely to DO creepy.
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  247. Yes, the tickets are expensive. But what would you have them do? They rent out a nice sterile seminar hall for $3000. However dark and dreary they try to make it look, it's a seminar hall meant for stuff like company orientation ceremonies. It has a seating capacity of 127. So even to just pay for the rental fee on the venue, they have to charge about $24. Assuming they sell out, which doesn't seem to be the case. It's very likely that the $50 entry fee almost completely goes to paying for the venue, and then paying for amenities, staff, sound, ticketing, etc... with the performers themselves mostly relying on photo and goods sales to actually make money. The fans understand this. Not only does it take $50 to show up, you then actually have to buy something for money to actually go to Yune and not just cover the venue expenses. And management understands it too- fans who pay for a ticket and don't actually buy anything extra are likely almost useless in terms of making any money. Of course, they could just rent out a B2 livehouse in the red light district reeking of piss, vomit and most definitely cigarette smoke. The smoke permeating the walls. And then maybe that'd just be $1000-1500 for the day and they could charge a lot less. But yeah, then you're making everyone go to the red light districts and perform in a venue that smells like smoke and piss- even better for picking up young fans, huh? Also, while it does price out kids, it also prices out people without real jobs. Go to a free idol show if you want to see the real creeps come out of the woodwork. Anyway, kids mostly don't have a way to know she exists. And even if they do, they don't have a way to get to and pay for the ticket. But there are multi-billion dollar companies telling them what to like, in addition to lots of peer pressure. It'll be a while before they realize there's other stuff out there. As for the women, the powers that be have long pushed men to like girl groups and women to like boy groups. It's already very strong at the mainstream level, and it's all the worse at the indie level. And this is super niche even for indie because it's basically the people who are interested in the up and comers. It's like how guys aren't going to even admit to liking Backstreet Boys or One Direction or whatever, let alone go to shows... let alone then start researching indie groups that sound like them... let alone then start actually going to those indie groups. I was already peer-pressured against openly admitting to liking BSB, no way I would be caught at some indie show. It's shaky linking anything on youtube these days, but just search for "メンズ地下アイドル ライブ" here. That is "men's underground idol live". The fandom is basically 99% female.
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  273. It's open to the public. Anyone can buy a ticket and go. Yune's event is too rich for even my blood though. So yeah, I wonder why the kids don't go... It's not like they can lower the price if they want to keep playing that venue though- just the basic hall rental for a Saturday is ~$3100... add sound+equipment+ticketing staff+etc. 127 seats,... I'll do the math for you. If seats were sold-out (and they aren't), just to pay for the hall rental means charging about $25 per seat. One event a week... so being a serious fan would cost a kid about $1300 a year + transportation. Just to pay off the hall rental. Of course that's not the actual price... after other expenses they end up having to actually charge people $45-50 a seat so it's actually about $2600 to be a serious fan who attends all events. Plus transportation... maybe another $500. So if you're a parent taking a kid to one of these shows every week, maybe it runs $6000 for the year. Kids can talk their parents into tossing $500 a month into a fandom? Yeah... I think they'll just watch her tiktok videos for now and beg for a new iphone instead. Actually, I found a funny event of hers when doing a search. Normally she's just with the other kid idols, but I found an event she did with some mostly idol groups. 【新宿系ガールズミーティング 夏休みスペシャル!全員集合!】 This was the lineup: /NECRONOMIDOL/鶯籠/NEO BREAK/Si☆4(シーフォー) from Si☆Stella/xoxo(Kiss&Hug) EXTREME/櫻井佑音/Tokyo Girls Project/ミラクルキャンディーベリー+/SPARK SPEAKER/969/NaNoMoRaL/れ音/Dan te Lion/爆裂女子-BURST GIRL-/Carya/OrderDoll These probably mean nothing to you, but I just gotta laugh. Burst Girl. Necronomidol. They're actually probably as much if not more famous abroad than in Japan. Punk rock idol group. Black metal idol group. Yune. But that's how you have to get your name out there when you can't really advertise. You perform for whoever shows up to your show- you perform at whatever gigs you can get. Lots of people will follow or watch on youtube or tiktok. It's hard to get people to actually show up. Especially if the ticket price is $50.
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  278. Quite simply, too indie. You know who targets people her age? All the multi-hundred million / billion dollar companies who are looking for fans not yet attached to anybody yet. That's why she's into Ariana Grande, etc. Pretty much everyone is into what the mainstream feeds them when they're 10-12... until one day they have an awakening that there is other stuff out there. Some of these guys are perhaps sick of the attitude of actual stars and started supporting nobodies who are more down to earth. As for the outfit. It's a different outfit every day. It probably was what it was because of her love of Ariana Grande though... so... what can you say? No, that's not what normal Japanese kids wear. But nor is it what normal Japanese idols wear. (There are a few different types, but here is an example: https://www.youtube.com/watch?v=dkTcA3L1P7w&t=1430s ) As an under-14, she is very limited in how much she can perform. She pushes more photo session sales by using a different outfit every time so basically every performance is one-chance-only, and with only 1-2 performances a week, it's fairly manageable, compared to groups with 4-6 per week and need to have set costumes for simplicity. Here is a recent one: https://twitter.com/naohira_kase_8g/status/1328186736858386432/photo/4 Looks quite covered up, don't you think? Also, idols don't often wear "normal cloths".... You see, part of idol culture is the concept of "on" and "off" and using costumes helps enforce that. They go on stage, perform with their costume, and change into civilian clothes... and then are NOT TO BE BOTHERED. Letting her perform in truly regular clothes breaks down this divide and is considered dangerous.
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  280. It's a red herring anyway. It's 18 here. It's not enforced. Only if over 18 is with under 18. That means two people who CANNOT consent aren't actually bothered by the government. But it's sexual assault. Heck, the entertainment industry glorifies it to the chagrin of many parents. It's sexual assault. So, de facto, age of consent isn't actually 18. But since that's the law, it's sexual assault. They can write 18 as a consent law so they look better, but it's not 18 because they don't enforce on all the under 18 people being intimate with under 18s who can't consent. Because consent is a status of a person- you can or you can't. It doesn't matter how old the other person actually is. Whatever age the other person is, it's sexual assault because there's no way to consent. If you're not actually going to enforce consent, just protect minors from adults, you're just doing what Japan does anyway. "Consent" is 13, but it's still illegal until 16 or 18 (depending on jurisdiction). So under 13 is sexual assault because consent is not possible. Between 13-16/18 is not necessarily anything unless one of them is an adult taking advantage of a minor, which is then prosecuted as adult corruption of a minor. So, Japan's is "13" and California's is "18". What's the actual difference? Japan's looks worse if you just look at the number without understanding anything. But the laws are more aligned with how it's actually enforced while California just looks the other way at literally millions of under 18 sexual assaults. Which again, is what they are since consent is supposedly 18. Which no one de facto actually believes. I'd be okay with it though. Cuz I'm a prude.
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  298. You know you can omit what they say just with editing, right? Fortunately we can just go on twitter and pick out comments: 初めましてです。 めちゃんこ歌が上手くてびっくりしました。 お顔も整っているし歌も上手いしで、これからが楽しみな方ですね。 佑音ちゃんの歌とっても良かったです!また観に行きますね!! お見事な歌声でした パチパチパチ(*’ω’ノノ゙☆パチパチ 素晴らしい歌声の連続 動画アップ、ありがとうm(_ _)m やっぱゆうねお嬢様の歌声最高でした いくらか前のアイドル劇場で見たときは、そこそこ歌の上手いおこちゃまやな~って印象でした。 久しぶりに見たら身長も伸びててよりレディになってて驚きました。 そして歌は相変わらずダントツの歌唱力。さすがでした~。 久しぶりのゆうねちゃんの生の歌はやっぱり最高でした 久しぶりのライブ、楽しんでるね 声も磨きがかかってるしグッド やっぱ、生で歌うのはサイコーだね 衣装はヌマさん手作りかい いや歌上手すぎません 久しぶりに、歌っている姿が観られて、感動 おはゆうね(*^^*) ゆうねの歌声最高 歌声とっても好い 歌うますぎる歌うの楽しいね 嬉しいね As for the people at the show, it's pretty common among idol groups in general no matter what age they are, especially at a relatively expensive event like the one they filmed at. To be clear, I'm not 100% behind everything they do. I just want to be fair.
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  303.  @nickolaskerria2963  I haven't seen. I have no interest. I also have no interest in Junior idols and no real interest in Yune. That's not why I'm here. I'm here because I object to this sort of video. White guy goes to Asian country to white knight- who stops giving a shit as soon as he gets his paycheck, proving he never really gave a shit in the first place... using all the editing techniques to portray the locals as degenerates and his country as morally superior. He conducts interviews, but he makes himself the main character and might even speak for them more than he let's them speak for themselves. This sort of journalism is dirty and yet people believe him at face value. Oh, it should be illegal? Why isn't your shit illegal then? Oh, because your culture is used to that so you give it the benefit of the doubt and assume the worst for them. As if Emma Watson didn't get, extreme lowball, 1000 times the wrong kind of exposure by showing up in a Hollywood movie at age 11 in an innocent but frankly too easy to rule 34 sort of role. All I ask for is consistency. So, lawmaker- what is the law that can be applied across the board- to theater, to sports, to the Olympics, to dance, to everything- that will make this illegal? You can either come up with something that applies broadly and yet only really affects this- which could show this is innately wrong compared to all that other stuff. Or you come up with something that bans more stuff out of an abundance of caution. You have a suggestion? All I ask for is consistency.
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  324. In J-pop, the fans lean slightly female, but it's pretty mixed depending on performer. Maybe 60/40 overall. In "J-rock" the fans leans slightly male, but it's pretty mixed depending on band. Maybe 60/40 overall. But when you move onto IDOLS: For girl groups, the fans lean heavily male and actually at the shows, it leans all the more. For boy groups, the fans lean heavily female, and actually at the shows, it leans all the more. Maybe 70/30 in terms of fans, and 85/15 when it comes to actual attendance. This really shouldn't be terribly surprising. As a guy I liked a lot of old boy group songs, but there was already pressure against liking pop to begin with. I wouldn't admit to actually liking a boy group song, let alone a boy group, and I sure as hell wouldn't be caught dead at one of their shows. Even though I DID like it. Japan has very strong "fit in" culture and I hear it's even stronger among girls, so I expect it would take them even longer on average for them to not care what other people think about their musical tastes. And once you're into the indie scene- and this is the fringe of even that... it's just all the stronger. And once the ratio has tilted it's really hard to bring it back because they aren't really advertising so a lot of it is word of mouth, and if the ratio is too tilted then potential fans look at the fanbase and ditch out. OR, even if they don't mind the ratio, they're still less likely to stay because it's harder for them to make friends with the other fans. The boy groups have about 100% female fans as well.
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  368. She wears something different every time- including in an earlier performance that very day. As mostly a cover artist, she often wears something related to one of the songs she is covering. She likes Ariana Grande, so she's probably performed Ariana Grande songs and put together such an outfit before. FYI, Japanese idol fans don't give a crap about Ariana Grande- performing such a song in the first place would be Yune's choice by her own preference, not something the fans actually want to see. But it is one of the most risque outfits she's ever used... because it's copying a Western star. Why would she wear one of the most risque outfits she's ever used in front of this Western camera-crew talking about pin-ups? Obviously because when they filmed it it wasn't about pin-ups. At the very least, when Yune and mom chose the outfit, they picked something they thought Westerners would like because they thought the video crew was there for a positive human interest story not a hitjob. At worst, the sort of outfit was outright requested by the camera crew. BTW, regular clothes are considered to be the most dangerous outfit. Japanese fans by and large understand and respect the concept of on and off. If they're just in street clothes, everyone understands that they are to be left the f alone. Then they go the venue, change into their costume, and then their official rules and venue rules apply considering pictures, talking and touching. Then they change back to street clothes, and everyone understands they are to be left the f alone. So when you advocate for normal clothes, you're advocating for breaking down this barrier that keeps most people from making contact while they're off the job.
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  394. I won't deny a potential pedophile angle for some of them. But I'll try to explain it otherwise. In Japan there is a general trend to support opposite gender in terms of pop groups. So a girl group may have 60/40 male/female general fandom. But because it's cultural that you are supposed to like the opposite gender for pop stars, it's awkward to actually go to a show, so at the mainstream level it's more around 85/15 at a major show. (You can see this in the West as guys may sort of actually like a Backstreet Boys or Justin Bieber or One Direction song or two, but few would admit liking it too much, and fewer still would actually go to a show). This is the underground... the indie scene, groups and soloists almost no one has heard of. So most people who get here would have STARTED by following a mainstream group for years, and eventually found out that this scene exists. These are generally not casual idol fans who like it because they heard a song on TV or around town- they had to research. To be a major fan at this level is extremely expensive, and while not for Yune in particular who can't really work weekdays, many would have gotten into idols by going to shows on the way home from work. So all this combined drops it down to maybe 94/6. Then you figure that at that ratio, it's awkward for a lot of girls who would want to go and so they don't, and so actually at a show it ends up being more like 98/2 with most of that 2% gathered as fans of a handful of groups where they have big enough numbers to not feel awkward. Again, at a casual level, it's something like 60/40. But since girls aren't really supposed to like this stuff too seriously, this far into the underground if you show up there's no denying you're a major idol geek, and in conformist Japan, few girls are willing to accept that. As for why they're older- again, it's expensive, as each performer or group really isn't being supported by all that many people so younger fans can't go to as many shows in general, and are more likely to skip this show, which had a fairly high entry fee. Again, there may be a pedophile angle involved. But at this level of the indie scene you'll fine they're almost all men no matter the group concept.
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  403. This is complicated, but normal: A 2022 BTS fansite poll with over 500,000 answering returned 96% female and more responding as non-binary than male. As a boy band, they would naturally be more appealing to girls. And everyone knows this... so if you're a guy fan of a boy group, you know it's going to be a crowd of screaming girls at the show and that's dissuading. But the ratio was so oppressive that a lot of the guy fans they did have seemed to have dropped out in recent years making it even more female than before. But there are still 7500 of them- globally they could still fill a huge hall full of male fans. Scale it down to the size of Yune's fandom... and 1.5% is like 1-2 people (including all followers, maybe 200, but 99% of sns followers aren't going to shows..). If a new female fan shows up at the show... it's literally no one. It's not just oppressively opposite gender there- there's literally no one. No one to go have drinks with after the show or whatever. So they easily peal off, so instead of it being a probably more natural 80/20 for a girl pop act, it's basically 100/0. For Japanese female pop idols in general, it's about 70/30 at the mainstream level, 80/20 for people who actually go to shows, 90/10 at the underground level... often close to 100/0 for "random Tuesday night" shows, with many of the female fans who do exist at that level congregating as large minorities for a small number of groups where they can more easily make friends with others in the fandom. This is a sort of "betrayal" video... I doubt she sees it. I'm sure she'd appreciate if you left a nice comment on her actual youtube channel (ゆうねるーみんぐ) or an sns account.
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  408. It outlawed possession. It was already illegal to produce, distribute, etc. As an example, please understand that the age of adulthood is 20 in Japan. Due to Western influence, some things have been dropped to 18. Let's say on the other hand that Japan was the one that won the culture war and it was raised to 20 globally. I'm okay with that... 18 and 19 can still be in high school, so better to not have them from now on if you ask me. But okay, hundreds of millions if not billions of people with porn on their computers.... uhh... what now? The pictures and videos don't have 18 and 19 written on their foreheads so you know what you have to delete. It's all just mixed together because when it was made it was all legal so no one cared if they were 18 or 19 or 20. This is the problem when laws get made after the fact. Basically no one is actually going to delete everything to be on the safe side nor is anyone actually going to go through everything and contact companies to receive the records... they'll just stay in possession and hope no one gives a shit. And probably no one will give a shit unless you get arrested for something else, and then they'll threaten to charge you with it if you don't plead guilty to their other thing. So basically it does nothing but allow the police to coerce you for other stuff. Maybe some sort of bans on possession could be reasonable, but generally I think it's a big can of worms that can be easily abused. Focus on stopping production. Which is actually the more important thing they did in 2014... increasing enforcement of laws they already had.
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  413. While bad motives may apply to some of them, it's mostly explainable by economics and social dynamics. Female idol fandom is stereotypically a nerdy male pastime. So even if according to polls, 30-40% of fans of major female idol groups are female, at the actual shows they run more around 10-20%. Yune is super indie- the capacity at that venue is something around 100-200, and as it said, it was a festival of sorts with something like 20 performers. Not that many people were there just to see her. So if you have 30 fans coming to your shows for you, and 10% are female just as a matter of the demographics of idol fandom... that's about 3. If you're a guy, and there are 29 other guys there, it's easy to find friends- they probably go out drinking and for noodles after a typical show. If there's 1-2 other girls there... maybe you don't like them. So it's not even 10-15%... there's not enough fans for a critical mass of female fans, they shed off easily and go support groups with a larger female fan base, and so at this indie of a level it's approximately zero at shows. Economically speaking, Yune is only allowed to perform about 1-2 times a week. And that means charging more for each event... which pretty much prices people out. Somewhat ironically, efforts to protect younger performers means it makes it harder for them to get younger fans. She uploads to tiktok. I'm sure it's not all middle-aged fans there. But again, it's a stereotypically nerdy male pastime, so it's hard to get people outside of that demographic to come to a show.
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  415.  @Bess1201  So when did you get set in your ways and stop asking questions? You say you know what questions you want to make- so why aren't you properly questioning? Don't mistake absolutely hating disingenuous videos with agreeing with the subject matter. That's two separate things. If you have a high bar for outfits, fine. Japanese idol costumes are more sailor moon than "h 00 ker"- that's more a Western pop and K-pop thing, but I'm not happy with all of them myself, including hers. If you searched you've no doubt also seen the ones where she's pretty much totally covered up? If it's only about selling sexuality, why even do that, ever? If she's selling sensuality, isn't buying an outfit that covers up more just spending money to be able to earn less money? Possibly her worst outfit ever was worn for this particular event, which seems like it would absolutely not be what she'd wear if the camera crew wasn't lying to them. Yet you refuse to question why. The sneaky cuts and framing and "translations" throughout make me inclined to believe a lot of what they found they instigated. Maybe they could find a bunch of material if they hung around for a while. But they only had a few hours over a few days to make a juicy story justifying their travel costs, and so they seemed to have manufactured all that they could. As actually researching and digging up some real dirt in Japan could be dangerous we just get tourist journalism videos like this. The tourist journalism should be called out. That's all.
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  423. Idol fandom is pretty well split by gender to begin with. And it's all the more true in the underground. Actually, I just saw a post on twitter about a BAND (I think all or mostly male band members) that had a male-only live in Japan, and only SIX people showed up. So obviously the fandom is basically all female. This sort of demographic conformity plagues the underground scenes- and even moreso it's Japan afterall, where they emphasize conformity. Anyway, there's really just one key point to all of this. No one at this level advertises significantly. It's word of mouth, or advertising at venues or just by performing at venues. There is no broad advertisement. There's basically no way for anyway at this level to reach the mainstream. Very few people her age know she exists. However, she did just perform as Luna in a Sailor Moon stage play, which gave her some exposure in her age group. They mostly won't be able to afford to actually go see Yune, but they at least know she exists now. Still, up at the mainstream it's something like 60/40 male/female for female idol groups, but even then the rate who go to lives is much more heavily toward males. They've kind of built up a certain culture of cheers and chants and stuff and most of the girl fans don't want to join in on that. Considering the proximity of people in the trains, I'm not convinced it's even particularly bad there. Sure, it's a problem they can't manage to fix, but I don't really think any other nationality would do any better in a similarly packed train. The crowd makes it impossible to see, so the typical Japanese crime-prevention method of social pressure doesn't apply. So it just reverts to evil human nature... same as everywhere else.
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