Comments by "Itinerant Patriot" (@itinerantpatriot1196) on "The Critical Drinker"
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"Just like Tatiana, swallow it they must." 🤣🤣🤣🤣🤣🤣🤣🤣Quips like that are why I love ya Drinker! I just finished watching The Terminal List and it is a great show, a bit of a hybrid where The Fugitive meets Death Wish. It does start out a bit slow and at first I wasn't sure if it was overhyped, but by the time you get to the third episode...hang on tight. I was telling my buddy about it and he said it sounds like a lot of dying going on. I said yeah, but then I reminded him of that old line we used to say in Texas when it was still fashionable to do so: "Some shit just needs killin." Chris Pratt does a good job in the lead and I gotta say Constance Wu, who I had never heard of before this show, does a good job in her role as well. She's tough minded, but she doesn't go around acting like a guy. So if you haven't seen it, take it from the Drinker. The Terminal List is eight hours well spent.
On a side, I'm still waiting for you to review Outlaw Josee Wales and Crimson Tide Drinker. I know, they are a bit dated, but they are both right up your alley and I'd like to hear your thoughts on them. Maybe do a series on gangster movies as well. Lotsa good stuff out there waiting for your review. Just sayin.
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Well said Drinker. I used to get criticized for saying everyone is full of shit, it's just a matter of degree. But the Hollywood types prove on a regular basis that most of them peg the needle far to the right on a regular basis. Maybe it's because they work at playing make-believe so much that some of them actually buy their own bullshit, like the pathological liar who eventually loses the capacity to discern between what is true and what is a lie. I suppose it also has something to do with being surrounded by sycophant's whose job is to kiss their ass all day long. I used to teach and that can be a stage, especially when you have 250 people in the audience. A lot of my colleagues thought they were all of that simply because their students told them they were. I would remind them that most of those people have one goal, to get through the course with as little pain as possible and get as far away from them as they possibly could. Needless to say, that take didn't make me popular with the fellas but it was the truth. I can only imagine what it is like at the actual star level. People buy their own BS easy enough but once you start buying what other people are peddling your ability to think for yourself disappears.
I remember a few years back when Tom Hanks snuck away from his handlers long enough to give his leftie half-ass opinion on how the war in the Pacific was especially harsh because we were fighting people with slanted eyes. In his world, people of color or with slanted eyes can do no wrong because they are at the bottom of the oppression totem poll so all the bitter fighting on Okinawa, Iwo-Jima, and Peleliu had to be the fault of the evil white man. This was right after he had been involved in filming an HBO docu-series on that very war and he had worked with Gary Sinise to raise money for the WWII Memorial. I worked to raise money for that as well but after Hanks little ant-American diatribe I was like, the hell with him and the hell with his series on the Pacific. I did peek at a few episodes but truth be told it was nothing but a poor-mans Band of Brothers. I've seen his movies since then and liked some of them but I have no respect for the man. I'll give Sean Penn credit. I disagree with damn near every word he says and every cause he backs but at least he's authentic. He IS Jeff Spicoli.
As for the rest of em, beyond Gary Sinise and a few others I wouldn't give any of them the time of day. That has always been a failing of America. We have no royal family so we transferred our hero-worship onto Hollywood stars. The problem with putting your faith in people is they will always let you down. I'm not saying down with people, just the opposite, our flaws are what make us so intriguing. But if you're looking for someone to admire there are better places to shop than Hollywood and New York. I still stand by my assertion, everyone is still full of shit, it's just a matter of degree.
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Christopher Nolan is more concerned with making a film than telling a story. That works in some instances but history requires storytelling and when the storytelling is weak or disjointed the product suffers. I'm one of those who hated Dunkirk because while it was visually interesting, if you didn't know anything about the evacuation going in, why it happened, how it was put together, why it worked, you didn't learn anything coming out. It sounds like he did the same thing here. I was hesitant about spending money to see this one, and this review sort of confirms my fears. I'll wait for it to stream, then wait for the price to drop.
Sorry, but as someone who has studied history and read quite a bit I have learned that the narrative makes all the difference. I don't demand complete fidelity, since license is always taken, but just like I steer clear of Ron Howard bio-pics because of his cookie-cutter style of filming and cowardly character assassinations of people who aren't around to defend themselves simply to create an antagonist because that was what he was taught at film school, I steer clear of Nolan because he sucks at storytelling and just doesn't seem that interested in it. And yes, that is a run-on sentence dedicated the Drinker who is a master at their application. Cheers.
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Okay, so I waited a while to watch this one, waited for it to be free with my Amazon subscription because I was so pissed off about wasting my money and time on Dunkirk that I made myself a promise never to spend another dime watching any history-based movie by this guy. That said, it was okay. The Drinker is right, the best part is the middle when they are making the bomb. I actually give Matt Damon credit for that. I thought he was a weird choice to play Leslie Groves but he pulls it off pretty well and it seems like the other actors upped their game to keep up with him. Never thought I'd say that.
As for the rest, yeah, I'm with the Drinker. It had too much of a beautiful mind feel to it in the beginning and the end was highly moralistic. One thing I don't like is for a movie to lecture me. And that weird sex scene between Oppenheimer and his dead girlfriend in the middle of the Spanish Inquisition style interrogation Nolan created was just flat out off-putting. Is it too long? Yeah. Are the visuals great? Absolutely. But if you don't know much about the Manhattan Project don't expect to know anymore about it after seeing this film. Nolan is just incapable of telling a coherent story. I guess because he's not really interested in that. He likes making movies, not telling stories. That's his thing and if you like that, he's your guy. I give this one a passing grade and while I'm sorry I didn't see the explosions in the theater, I'm also glad I didn't spend any extra money to watch it.
Hey Drinker, on a side, when are you going finally honor my request and review Outlaw Josie Wales or Judgment at Nuremberg? Just askin.
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Rocky II is okay but Die Hard 2 was crap. The scene in Die Hard 2 that had me scratching my head the most was when Bruce Willis uses the ejection seat to escape from the cargo plane just before it explodes. Sorry Bruce, cargo planes don't have ejector seats. And what happened to the roof of the flight deck? Did the seat just blast through it? I'll be honest I thought Rocky III and Die Hard 3 were both better than the sequels. Yeah, Rocky II had more of the feel of the original and the overall acting is a bit better but when Rocky finishes off Mr. T that should have been the end of the Rocky franchise. If you disagree grant me this, at least it's not Rocky V. I saw 2010 in the theater, it was okay as far as sequels go. I would have put Terminator 2 on the list. Yeah, it's a bit hokey, but aren't all sequels not named Godfather II? Like Rocky III, that should have been where the Terminator was terminated. Terminator 3 had a chance to be something but the casting for that one was just beyond horrible. That nerdy loser kid they picked to play the future savior of the human race, where did they find him? And his girlfriend was almost as unbelievable in her role as future heroine. I'll give Kevin Costner credit, he was offered big money for Bull Durham and Field of Dreams sequels and he turned them down. Good for him. Most things are best left alone. Porky's Two: The Next Day ring a bell? For the most part, sequels suck.
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When I was a kid epics like Ben-Hur were all the rage. Epics became mini-series with the advent of TV and that watered down most of them. LOTR is, in my opinion, the last true epic cinematic event, and will probably remain the last. The thing is, it is true to the spirit of the book but the content actually varies quite a bit, and it still works because everyone respected Tolkien's intent when he first told the story. Jackson blew it with the Hobbit, which seemed like a money grab, redeemed himself with They Shall Never Grow Old, then got greedy again and f*cked up Get Back when he took Disney's money and turned what should have been a proper reshoot of Let it Be into what Let it Be was, a f*cking snoorfest. Oh well, he gave us the LOTR trilogy and for that he will always get two thumbs up from me.
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I think the last time I watched the Oscars was...🤔...fuck, I honestly cant' remember. I know the Jerry Lewis Telethon was still a thing and I think people were talking about some new arcdade game game called Space Invaders. Anyway, my point is, I never was much on slurpfest stuff like the Oscars, Emmy's, or Grammy's, but like The Drinker I love a good movie. When I was a kid it was the only escape we had. There was no internet, no social media, no video games. You climbed tress, played baseball in the summer, football in the fall, and hockey in the winter, all with busted up equipment because you had no money to buy new stuff. But you could occasionally get 75 cents from the old man and go see a show. Or better yet, jump in the car and go to the drive-in as a family. Movies like Patton, Planet of the Apes, Butch Cassidy and the Sundance Kid, even creepy shit like The House That Dripped Blood or The Exorcist. Those were the days. Here's to a golden age that maybe never was but I like to think existed. Yeah, my passive voice is pervasive, but so is my nostalgia for days that will never come again. RIP Hollywood, I'm gonna miss ya. 😥
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Disney's problems run deeper than the guy steering the ship. The development team has been taken over by true believers, and for true believers, the cult matters more than profit. Just like Musk is talking about the need to go nuclear at Twitter and rebuild the entire platform from the studs up, Disney is going to have to come to some sort of reckoning with their employees at all levels, and that means shit-canning all those true believers even if the company has to take it in the shorts for a bit (pun intended).
Disney is a brand, and that brand has been damaged. The video of those trendy execs talking about transing their kids and the gay writers taking pride in being able to sneak their views into content where it didn't belong had an effect on parents, most of whom don't want their kids transed up or exposed to girl-on-girl action. But those people don't give two shits because they are the vanguard of a revolution. Wanna fix that? Stop the revolution. That means pink-slips on an epic scale, and probably more than a few lawsuits, but it's gotta happen. Otherwise, some other bright young fella is going to figure out a way to give people what Disney won't. Don't believe me? Ask what's left of team Sears about how Amazon took their empire from them. It was all there before them, but they were wedded to a system and Jeff Bezos said I'll take that thank you very much. Disney is wedded to an ideology. Same same dude.
Personally, I could give two dams if Disney goes under now or later but I think it needs killing all the same. I've been saying it for close to 30 years. The rot at Disney started a long time ago. Unlike you Drinker, I do wanna see em fail. But that's me. Okay, I'll go away now.
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Sure, she is parroting lines fem-nazi's like her handler standing next to her have taught her since she was able to burp on her own, but she also believes all of it. You give her too much credit Drinker. See, I think her head is too empty to actually engage in discernment and reason. The good thing is, this little poster child for the woke spoiled suburban gen-z crowd is acting like such a little narcistic bitch that she's setting herself up to be the fall-girl disney can blame everything on when this movie makes like 38 bucks and change at most theaters. The blame it on the audience trope is falling faster than the strong female character so disney will need to have something or someone to pin this disaster on when the stockholders start calling for scalps. Enter little miss entitled spoiled little brat. They'll say she did such a hatchet job on her own film that no amount of salve could have fixed the boo-boo.
Hopefully, if there is two functioning brain cells in that septic tank called hollywood, this will be the last time we have to endure her obnoxious lectures to the unwashed masses because her days in actual movies will come to an end. She'll make the rounds of shows like the view and oprah might toss her a bone and let her weep on her couch over the way the man has kept her down and punished her for being brave or something but no studio will let the little twit anywhere near an actual film. Maybe she goes the porno route, or does commercials for taco bell. Most likely she'll marry some rich guy who just wants a cute little piece he can show off to his buddies as he bangs whoever he wants on the side.
Am I being bitter? Probably, but I'm old, I'm tired, and I've had it to here with 20 somethings trashing everything older than them because history only began when they came into existence. disney is dying, and their demise can't come fast enough.
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Russell Crowe, Rene Zelwager, and Paul Giamatti give great performances in Cinderella Man and the boxing scenes are some of the best ever done but I will never watch it again because of the hatchet job Ron Howard did on Max Baer in that film. He made Max out to be a monster who killed guys in the ring almost for kicks when in reality Max was a solid guy who felt so bad about the guy who died in the ring during that fight that he couldn't box for a long time afterward. He gave the guys widow all kinds of support and even helped send his kids to college. But Howard does that. He did the same thing to Jack Swigert in Apollo 13, portraying him as a stumbling klutz who the other crew members doubted. In reality, Swigert was a great pilot and engineer who knew the Apollo command module so well NASA had him work on the training software for the simulator. Howard is a punk and a coward because the guy's he trashes are always dead and can't defend themselves after the fact. He claims he does shit like that to add drama and tension to the movie. That's film school BS. He feels the need to create an antagonist because that's what he was taught in film school. His movies have a cookie-cutter quality to them and I don't watch his crap anymore. And BTW, Braddock made Joe Louis give him 10% of his future earnings before agreeing to give him a shot at the title so he isn't the saint he's made out to be either. Ron forgot to mention that bit though. Guess there was no tension to a guy taking advantage of someone else is there?
Personally, my favorite Russell Crowe movie is American Gangster. Him and Denzel are so good they play off each other without even being in the same shot until the movie is about over. Truth be told, I found Master and Commander a bit boring and I didn't like the ending, but that's me. I apologize for the Ron Howard rant. The Drinker brought up the movie though and I think Opie is nothing but a punk. I hated the Beatle thing he did as well, Eight Days a Week. There isn't a single new take/slant in it and when he said he was going to make it my first question was why. After I watched it my next question was why. There were plenty of antagonists available for that one but he passed on mentioning any of them. And no, I don't give two shits what Whoopie Goldberg thought about The Beatles. Okay, I'll stop now.
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