Comments by "" (@tekannon7803) on "Vanity Fair" channel.

Dear Mr Crowe, First, thank you for giving the world some of the best performances that modern cinema has produced. My favorite, or one of my favorites, of you, is in Master and Commander at the Far Side of the World. You have docked in Brazil, I believe, and you are tempted to stay over, but know you have to sail on. You see the island girl looking up at you, and look at her again, and then again. Every man in the world was in that place at some time in his life and regretted not staying one more night or whatever. What I would like to say is that I think a good career move for you would be to go back to the streets of LA, in an upgrade of your role in Usual Suspects. You need to get back to the lean and mean young Russel and do a thriller of all thrillers. Show us the space in your actor's mind you've been hiding away until now. Thanks for the slang. Be well -
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What an interesting look into the world of an actor. Harrison Ford shows us the palette of colors he used to paint the living portraits of himself that all of us who have seen his movies have locked away somewhere in our minds. Something inside me stubbornly wants him to be some of the characters I loved that he played, so to see him with his mask off is somewhat disconcerting. Then you realise that that is what an actor does: he plays a character to the fullest and when the film has been completed, he is back to being himself, looking for the next challenging role. What question I would ask him is what was it he noticed in himself as an actor that was beyond what he could pull out of himself? Which high notes couldn't he hit...
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