Comments by "Harry \x22Nic\x22 Nicholas" (@HarryNicNicholas) on "Scott Manley"
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i find all this a bit weird. i tell the story of when i was a kid i got a plastic spaceman from a cornflakes box, he was carrying a united nations flag, and somehow, being born in 1954, and having my parents keep reminding me of the war, i grew up thinking that the planet was going to grow up with me, and that soon wars would end (cos we're all one planet) and i would be driving my hovercar around on the moon by now. it's totally disappointing that the schedule isn't keeping pace, but, what i do find astonishing is that we are almost a spacefaring planet, so many launches are going on at the moment it is really hard to keep track, and to miss one is, well, not as big a deal as it once was.
my dad died in his early 70's, and i'm 67 atm, so, i really hope we can get to the point where an old duffer like me can drive his mobility scooter around on the moon...
great channel btw.
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my first official graphics job was pasting the new, modern (!) southern gas logo onto all their stationery, (around 1972) that led to seven years in porn, that led to a degree in graphic design, which led to a further career in computer graphics, first with digital pictures, then with CFX, and further on freelance for everyone, MPC, 4:2:2, smoke and mirrors, lost in space, framestore / cfc, digital arts, electronic arts - well too many to list - i did about 20 fx shots on the BBC planets (1999) series too....i have a channel. i have to say i did a lot of bbc basic animation for my degree show (kingston poly 1984) all inspired by the voyager animations.
come to think of it i was tape/punch card librarian at a computer bureau (FENI data services, part of sunlight laundries) who used UNIVAC 9400 machines, and the guys there did some ascii nudes, so i was involved in computer graphics as far back as 1974. although i also cleaned the coffee machine and mowed the lawn.
at CFX we used to shoot onto film from a 4000 line vector display (i forget the make) engineered by ian chisholm and software by craig zerouni, we would shoot a pass of one colour onto a mitchell camera, rewind the film, shoot a pass of a second colour and so on, and use matte passes to simulate hidden line removal. sitting in a darkened room for hours shooting one frame at a time, several times for multi colour- and if ONE FRAME was wrong.....i think the first ad i did using that technique was the vauxhall astra (the first one) launch.
i have a ton of odd stills on my facebook photo albums pages "a short history of computer graphics" that are a variety of really ancient work i saved from the skip, film, video some storyboards.
PS i have some 3d animations of the EVA pod and discovery ship from 2001 on my channel (a long way back) and a robbie the robot i did in 3D.
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i did special effects work for thunderbirds the movie, anything with an after burner, bubbles or chaff floating in space, i did that, at 3:20 seeing bits of foil floating off reminded me of doing the camera matching pf the late Bill Paxton floating in the damaged thunderbird 5. (i was engines wrangler, hence the after burners, also a lot of scenes were "under the thames" shot dry in a studio and needed bubbles added to give it the underwater, thuderbird 4 look, and of course the sabotaged thunderbird 5 lost it's artificial gravity and debris, as well as crew, were floating about in free fall).
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