Comments by "Neil Forbes" (@neilforbes416) on "Why a Nissan Micra is Better than a Bugatti: 2001 Nissan Micra!" video.

  1. 5:47 Fuel consumption should be measured in kilometres per Litre! How many kilomtres the car will travel on one litre of *petrol*. Just as we measured Miles Per Gallon.
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  2. I'll agree on the reverse light, the car should have two, one in each tail-light assembly. That aside, I need to give you some advice when doing piece-to-camera work while outside. Don't rely on your video camera's microphone to pick up your voice too well on outdoor shots. If your camera has a connection for an external microphone, get one with a good, long lead, or get a wireless micophone where the receiver runs on batteries and connect its(the receiver's) output to your camera's external microphone connection. If your camera does not have an external microphone connection(and most cameras don't have such a connection unless they're really expensive up-market models), then use a separate digital voice recorder(which creates a WAV audio file, same as that created by the camera). Start the camera and voice recorder, then give a good, loud clap of your hand, which serves as the synchronising sound for editing. When editing, import the video and the audio files, listen for the clap sound on the video and split just ahead of the clap sound(you'll see a visual representation of the waveform on the audio track under the video track, now mute the video's audio and add the voice recorder's recording to an audio track below that of your video. Listen again for that handclap and split the audio just ahead of that handclap. Unmute the video's audio track, cut the audio recorder's recording to clipboard(Ctrl+X), go to the beginning ov the video and then paste the voice recorder's audio back into place(Ctrl+V), now just nudge the audio from the recorder until the clap sound is in unison(no echo), Then render your clip for use in the final video production(you'll be editing out the handclap sound as ithas served its purpose). Do the initial recording part of this routine as often as needed for each piece-to-camera sequence you need to do.
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