Hearted Youtube comments on Bernadette Banner (@bernadettebanner) channel.

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  34. This is really beautiful!! Stunningly finished. A couple of things I've learnt from my own research: the main body of the gown is likely to of been lined as well, especially in England as this added warmth and would of combatted your raw edges on the neck line. Just having a quick look at the painting my guess would of been the gold around the neck was a metallic price of tablet weaving ( the pattern seams reminiscent) often you find this was simply stitched straight onto the outer facing side of the garment. Another really interesting point is the raw edges themselves, whilst thin fabrics like the silk were almost definitely felled in someway there is evidence that edges of heavier fabrics like wool were rubbed with bee's wax and left raw, they held without freying due to their close weave and the added binding of the wax. As you said at the beginning of the video this period is so hard to to get good research for as so little evidence remains. Stunning work!! You should have a research into the colour used to dye the wool the red you used it was called Scarlet and was incredibly expensive, it was only used on the highest quality fabrics, there was actually a type of wool that was such high quality it was almost exclusively dyed this red, it even became known as Scarlet Wool or even simply Scarlet. It was almost exclusively produced my the monks of Tintern Abby in Wales. The Mediaeval Tailor is another great book if your looking to plan patterns it gives you a lot of basics to start from to then expand and create your own stuff. This has got me all excited I'm off to my sewing room now.xx
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